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Indlæser... After Henry: Essays (1992)| 539 | 2 | 44,754 | 
(3.73) | 13 | Incisive essays on Patty Hearst and Reagan, the Central Park jogger and the Santa Ana winds, from the New York Times-bestselling author of South and West. In these eleven essays covering the national scene from Washington, DC; California; and New York, the acclaimed author of Slouching Towards Bethlehem and The White Album "capture[s] the mood of America" and confirms her reputation as one of our sharpest and most trustworthy cultural observers (The New York Times). Whether dissecting the 1988 presidential campaign, exploring the commercialization of a Hollywood murder, or reporting on the "sideshows" of foreign wars, Joan Didion proves that she is one of the premier essayists of the twentieth century, "an articulate witness to the most stubborn and intractable truths of our time" (Joyce Carol Oates, The New York Times Book Review). Highlights include "In the Realm of the Fisher King," a portrait of the White House under the stewardship of Ronald and Nancy Reagan, two "actors on location;" and "Girl of the Golden West," a meditation on the Patty Hearst case that draws an unexpected and insightful parallel between the kidnapped heiress and the emigrants who settled California. "Sentimental Journeys" is a deeply felt study of New York media coverage of the brutal rape of a white investment banker in Central Park, a notorious crime that exposed the city's racial and class fault lines. Dedicated to Henry Robbins, Didion's friend and editor from 1966 until his death in 1979, After Henry is an indispensable collection of "superior reporting and criticism" from a writer on whom we have relied for more than fifty years "to get the story straight" (Los Angeles Times). … (mere) |
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▾Offentliggjorte anmeldelser ▾Series and work relationships ▾Awards and Honors DistinctionsNotable Lists
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. This book is dedicated to Henry Robbins and to Bret Easton Ellis, each of whom did time with its publisher.  | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. In the summer of 1966 I was living in a borrowed house in Brentwood, and had a new baby. | |
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▾Referencer Henvisninger til dette værk andre steder.  Wikipedia på engelsk (1)
▾Bogbeskrivelser Incisive essays on Patty Hearst and Reagan, the Central Park jogger and the Santa Ana winds, from the New York Times-bestselling author of South and West. In these eleven essays covering the national scene from Washington, DC; California; and New York, the acclaimed author of Slouching Towards Bethlehem and The White Album "capture[s] the mood of America" and confirms her reputation as one of our sharpest and most trustworthy cultural observers (The New York Times). Whether dissecting the 1988 presidential campaign, exploring the commercialization of a Hollywood murder, or reporting on the "sideshows" of foreign wars, Joan Didion proves that she is one of the premier essayists of the twentieth century, "an articulate witness to the most stubborn and intractable truths of our time" (Joyce Carol Oates, The New York Times Book Review). Highlights include "In the Realm of the Fisher King," a portrait of the White House under the stewardship of Ronald and Nancy Reagan, two "actors on location;" and "Girl of the Golden West," a meditation on the Patty Hearst case that draws an unexpected and insightful parallel between the kidnapped heiress and the emigrants who settled California. "Sentimental Journeys" is a deeply felt study of New York media coverage of the brutal rape of a white investment banker in Central Park, a notorious crime that exposed the city's racial and class fault lines. Dedicated to Henry Robbins, Didion's friend and editor from 1966 until his death in 1979, After Henry is an indispensable collection of "superior reporting and criticism" from a writer on whom we have relied for more than fifty years "to get the story straight" (Los Angeles Times). ▾Biblioteksbeskrivelser af bogens indhold No library descriptions found. ▾LibraryThingmedlemmers beskrivelse af bogens indhold |
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“As time passed it occurred to many of us that our benign experience was less than general, that we had been to date blessed or charmed or plain lucky, players on a good roll, but by that time we were busy: caught up in days that seemed too full, too various, too crowded with friends and obligations and children, dinner parties and deadlines, commitments and overcommitments. “You can’t imagine how it is when everyone you know is gone,” someone I knew who was old would say to me, and I would nod, uncomprehending, yes I can, I can imagine; would even think, God forgive me, that there must be a certain peace in outliving all debts and claims, in being known to no one, floating free. I believed that days would be too full forever, too crowded with friends there was no time to see. I believed, by way of contemplating the future, that we would all be around for one another’s funerals. I was wrong. I had failed to imagine, I had not understood.”
The first section on the political environment of Washington DC is fascinating for a non-American as an analysis of the “process”, and although written over thirty years ago, still read as being relevant both in America and Britain.
The second section contains essays about California, including Girl of the Golden West in which Didion reviews Patty Hearst’s 1982 memoir (Hearst was the daughter of a wealthy Californian family, who was kidnapped and had become a terrorist/criminal), where I had read some of Didion’s notes from the time of the 1976 trial, which were not subsequently published until 2017 in South and West. This can sound a particularly historic piece of journalism, but allows the reader to draw more general conclusions from the specific details, and does so with delicate and stylish prose. I think that the power of her essays arises from her ability to allow the reader to draw conclusions, not the writer.
There is also an essay, Fire Season, about the wild fires that rage across the area around Los Angeles with a punch at the end about what one accepts as normal.
The excellent final New York based essay, Sentimental Journeys, is about the reporting on a Central Park rape case and what it reveals about New York:
Later it would be recalled that 3,254 other rapes were reported that year (1989) ... but the point was rhetorical, since crimes are universally understood to be news to the extent that they offer, however erroneously, a story, a lesson, a high concept.
It was precisely in conflation of victim and city, this confusion of personal woe with public distress, that the crime’s “story” would be found, its lesson, its encouraging promise of narrative resolution. (