3.5 stars.

An interesting and compelling story, but some unusual choices in the form of the narrative didn't work for me. ( )

I wondered if there was any reason to read (listen) to this book beyond liking many of the other works by this author. In a word, "NO!". It was free from the library, so I thought I'd give it a try & hoped he'd put a spin on it like he did with Keller, his hit man.

I was creeped out from the dedication. Seriously, Block dedicated this to his 3 daughters & 'their mother'. Next is a poem titled the same as the book & basically says they took him for granted, so he's not coming home to them - ever. Apparently he'd gotten divorced & there were hard feelings, but writing off your daughters like that?

Two loser psychos are laid out in dispassionate, realistic detail & that's as far as I got. The book was exactly what the blurb said it was & there wasn't any redeeming trick to make it palatable. It's a shame, but some people just need to be put down quickly & quietly like mad dogs. I don't want to read about them. ( )

Jimmie John Hall is 22, handsome, and a career drifter. He hitchhikes across the United States, stealing whatever catches his eye, assaulting people that get in his way, and generally riding high on a never-ending speed trip. Betty Deinhardt is a lonely fifteen-year old high school student from Podunk, Nebraska. Her father drinks, her parents fight constantly, and she keeps to herself, dreaming of one day escaping from her family and her little town and living a life of excitement like she sees in the movies. In some ways, the two seem diametrically opposed; in other ways, they seem destined for one another. Enhancing this feeling is the way that Block tells the story, alternating POVs between the two of them every other chapter. It gives the impression of two fated planets spinning closer and closer until they crash into one another.

The events of Not Comin' Home to You are set into motion when Jimmie John kills a man for his car and his gun and hauls ass for parts unknown. His meandering path takes him north into Nebraska and a small town called Grand Island. There he meets Betty, the two of them fall instantly and hopelessly in love (or maybe lust?), and they agree to run off together. After a night spent in a local hotel, Jimmie John murders a gas station attendant during a holdup (Betty not knowing this at the time) and then convinces her to go with him back to her house to collect her things and tell her parents goodbye. Of course, it’s just a ruse to give Jimmie John an excuse to murder her parents. This he accomplishes according to plan—blowing away even Betty’s near-catatonic grandmother—and then savagely takes his child bride on the floor in the middle of her dead family. They blow town and hit the road, leaving a trail of bodies behind them as they try to evade the ever-tightening noose of the law.

Not Comin’ Home to You was inspired by a real life “thrill kill” couple, Charles Starkweather and Caril Ann Fugate. Over a two-month period in 1957, the pair viciously murdered 14 people (including a 2 year old child). Their spree finally culminated in a car chase with police at the end of which Starkweather surrendered to authorities. It’s a story you may be familiar with—not a surprising thing given the fact that the Starkweather murders inspired multiple works of art, from the 1963 exploitation film The Sadist to the 1974 biography of Caril Ann Fugate, titled simply, Caril. And then there’s all the other psycho-killer movies and novels out there (things like The Killer Inside Me, Natural Born Killers, American Psycho, etc.). So without me getting into the details, you should still be able to anticipate how the story is going to end. But that’s not why you should read the book — to see what happens to a couple of star-crossed lovers on their mad killing spree. You should read the book because of the characters themselves.

Block goes to great lengths to depict deep, intricate character portraits for both Jimmie John Hall and Betty Deinhardt. He illustrates detailed facets of their lives, from events in their childhood, to their relationship with their parents, to their inward thoughts and reasoning. Hell, fully one third of the book goes by before the two even meet each other. That’s how much time he puts into developing these characters. He accomplishes this depth through the alternating POV I mentioned earlier (which didn’t stoke my ire in this instance, mostly because it was well-structured and actually had a damn point), but also with short snippets of news reports or interviews or personal conversations spliced in at the end of each chapter. And it's not all death an horror for these two--included as well are brief interludes of tenderness and humanity, scenes illustrating the fact that--just as all heroes have flaws--so too should villains have their... well, whatever the hell is the opposite of "flaw." The result is an almost kaleidoscopic view of the characters—multifaceted, twisted, and yet somehow relatable.

This wasn’t my favorite Block novel (for that, I’ll kindly direct you to Grifter’s Game, originally published under the title Mona), but it rates pretty damn high—which is why I give Not Comin’ Home to You four out of five stars. Give it a look if you get a chance. If you’re a fan of the crime genre—or hell, of well developed characters in general—you’ll probably enjoy it.

http://www.ireadabookonce.com/2012/07/book-review-not-comin-home-to-you-by.html ( )

Early Block, originally published under the name Paul Kavanagh. ( )