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The Baroque Age in Britain 16601714 af…
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The Baroque Age in Britain 16601714 (udgave 2020)

af Tabitha Barber (Redaktør)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler
18Ingen1,184,285IngenIngen
"This exhibition catalogue presents a fresh and visually breath-taking new look at the art of the late Stuart period in Britain (1660-1714). From the Restoration of Charles II in 1660 to the death of Queen Anne in 1714, the late Stuart period was a time of great change for Britain, and a rich, sophisticated, but largely overlooked era of art history. This exhibition book, created to accompany Tate Britain's 2020 exhibition British Baroque: Power & Illusion, explores how art and architecture were used by the crown, the church, and the aristocracy to project images of status in an age when the power of the monarchy was being questioned. Featuring the work of the leading painters of the day -- including Peter Lely, Godfrey Kneller, and James Thornhill -- it celebrates ambitious grand-scale portraits, the persuasive illusion of mural painting, the brilliant woodcarving of Grinling Gibbons, and the magnificent architecture of the great buildings of the age by Christopher Wren, Nicholas Hawksmoor, and John Vanbrugh."--Publisher's description.… (mere)
Medlem:LascaSartoris
Titel:The Baroque Age in Britain 16601714
Forfattere:Tabitha Barber (Redaktør)
Info:Tate (2020), 176 pages
Samlinger:Ønskeliste
Vurdering:
Nøgleord:Ingen

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British Baroque: Power and Illusion af Tabitha Barber

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"This exhibition catalogue presents a fresh and visually breath-taking new look at the art of the late Stuart period in Britain (1660-1714). From the Restoration of Charles II in 1660 to the death of Queen Anne in 1714, the late Stuart period was a time of great change for Britain, and a rich, sophisticated, but largely overlooked era of art history. This exhibition book, created to accompany Tate Britain's 2020 exhibition British Baroque: Power & Illusion, explores how art and architecture were used by the crown, the church, and the aristocracy to project images of status in an age when the power of the monarchy was being questioned. Featuring the work of the leading painters of the day -- including Peter Lely, Godfrey Kneller, and James Thornhill -- it celebrates ambitious grand-scale portraits, the persuasive illusion of mural painting, the brilliant woodcarving of Grinling Gibbons, and the magnificent architecture of the great buildings of the age by Christopher Wren, Nicholas Hawksmoor, and John Vanbrugh."--Publisher's description.

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