

Klik på en miniature for at gå til Google Books
Indlæser... Summer: Winner of the Orwell Prize for Fiction 2021 (Seasonal Quartet, 4) (original 2020; udgave 2021)af Ali Smith (Forfatter)
Work InformationSummer af Ali Smith (2020)
![]() Books Read in 2021 (315) » 6 mere Books Read in 2023 (912) Top Five Books of 2022 (656) Books Read in 2022 (1,077) Books Read in 2020 (1,478) Der er ingen diskussionstråde på Snak om denne bog. ![]() ![]() This series has been a balm for my soul, and no doubt for the souls of many others devastated by the 21st century's rapid embrace of hatred, division, cronyism, lies, mistruths, financial inequality, social inequality, political inequality, irrational and poorly thought-out arguments, and anything else that sees kindness and reason as unnecessary barriers on the path ahead. Summer is a fitting conclusion. While I can only award the individual novel 4 stars, the series as a whole certainly deserves 5. The books are certainly filled with despair and fear, with that vertiginous feeling constantly rattling in the brains of those of us who know our history, utterly bewildered that all this can happen over and over again, and yet not surprised at all. Smith captures characters who cannot quite connect, who cannot quite see past their own worldviews to peer inside the minds of others. Yet, she also offers hope. That hope has become harder to find, not just during the apocalyptic year of 2020, but during the entirety of my lifetime, the apex of the neoliberal movement. Smith's series is not an instruction manual, not a solution. Rather it is like the songs we sing in the darkness, to remind ourselves that we are not alone. It is a battle cry, or a gospel hymn. It reminds us that we are more than our worst selves. Like the late Shakespeare plays which are referenced frequently throughout the four volumes, Smith suggests that there is still magic in the web, that humans still have the capacity to overcome the dark times we have created, and metamorphose them into something rich and strange. het boek leest lekker als elk boek van Smith. Daardoor lees ik snel en heb geen behoefte om alle verwijzingen precies uit te pluizen. De verhalen zijn allemaal verbonden. Alle verhalen lijken iets wezenlijks aan te tippen. Over mensen, ideëen of tijdgeest. Voor mij blijft de grote rode draad vaag: De relatie van het individu tot zijn direkte naasten, familie of geliefden. Ze kunnen je mateloos irriteren, maar je kunt niet zonder ze. I think maybe I liked this one the best of the four. A bit more “accessible” perhaps. Lots of cool, somewhat intersecting stories, past and present, and I kind of wanted more from each. A lot of great characters and some interesting WW2-era history about detention camps in the UK. Sad note, this is the first novel I’ve read that has mentioned stuff about the COVID pandemic - it’s definitely part of the plot. Publication date was August 2020 so she must’ve still been writing in March or even April. I think you could really like “Summer” without having read the others, and I’m not sure at all there’d be any harm in reading them out of order. Listened to the audiobook.
Like its two predecessors in Smith's acclaimed Seasonal Quartet (Autumn and Winter), this dynamic novel captures the many turmoils of life in the contemporary U.K. through ecstatic language and indirect narrative collisions. The first third, set mostly on a Scottish train platform, concerns Richard Lease, an over-the-hill TV and film director mourning his recently deceased collaborator, Paddy. Rife with nuanced reflections on the nature of art and mourning, Richard's ruminative section is the book's most immediate and engaging. After Richard lowers himself into the path of an oncoming train, readers meet his would-be rescuer, Brit, a security guard at a migrant detention facility. Brit has been lured into an impromptu journey by Florence, a pseudo-messianic young girl seemingly capable of inspiring empathy in even the darkest of hearts. The three mismatched characters are soon traveling together, on their way to an old battlefield where the violences of yesteryear and the present day will converge. As was the case with Autumn and Winter, the novel's setting is its foremost strength and increasingly enervating flaw, leading to writing that alternately astounds and exasperates. About three-quarters of the way through the third quarter of this series, the book's most memorable character, Richard, provides a relevant description of the whole enterprise, a response for every season: Gimmicky, but impressive all the same. Belongs to SeriesSeasonal (4) Has as a supplementHæderspriserDistinctions
"In the present, Sacha knows the world's in trouble. Her brother Robert just is trouble. Their mother and father are having trouble. Meanwhile, the world's in meltdown--and the real meltdown hasn't even started yet. In the past, a lovely summer. A different brother and sister know they're living on borrowed time. This is a story about people on the brink of change. They're family, but they think they're strangers. So: Where does family begin? And what do people who think they've got nothing in common have in common? Summer"-- No library descriptions found. |
Current DiscussionsIngenPopulære omslag
![]() GenrerMelvil Decimal System (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-LC-klassificeringVurderingGennemsnit:![]()
Er det dig?Bliv LibraryThing-forfatter. |