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Summer: Winner of the Orwell Prize for…
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Summer: Winner of the Orwell Prize for Fiction 2021 (Seasonal Quartet, 4) (original 2020; udgave 2021)

af Ali Smith (Forfatter)

Serier: Seasonal (4)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
5653140,612 (4.03)102
"In the present, Sacha knows the world's in trouble. Her brother Robert just is trouble. Their mother and father are having trouble. Meanwhile, the world's in meltdown--and the real meltdown hasn't even started yet. In the past, a lovely summer. A different brother and sister know they're living on borrowed time. This is a story about people on the brink of change. They're family, but they think they're strangers. So: Where does family begin? And what do people who think they've got nothing in common have in common? Summer"--… (mere)
Medlem:nashjmf
Titel:Summer: Winner of the Orwell Prize for Fiction 2021 (Seasonal Quartet, 4)
Forfattere:Ali Smith (Forfatter)
Info:Penguin (2021), Edition: 1, 400 pages
Samlinger:Read, Library Loan
Vurdering:
Nøgleord:Ingen

Work Information

Summer af Ali Smith (2020)

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» Se også 102 omtaler

Engelsk (27)  Hollandsk (2)  Catalansk (1)  Norsk (1)  Alle sprog (31)
Viser 1-5 af 31 (næste | vis alle)
Man, what a brilliant end to the seasons books. I've loved most of them and just really love Ali Smith's style. I think it's hard to describe and I can easily see why some people would be put off by it. Like there's a tendency to political commentary that I agree with but is pretty blunt and quite shallow. Her characters are regularly saying clever, meaningful things. And yet in the overall story both are turned into virtues - the blunt politics is also subtly and brilliantly threaded throughout everything else. Somehow the characters who sometimes talk unrealistically are instantly recognisable as very real people with depth of thought that you can remember from your own experience without being caricatures. The language is usually easy to read and direct and still feels like it's deep and complex and touching on so many feelings. The overall impression is of a simple, easy to understand direct surface yet as soon as you think even a little bit you suddenly start to see all the ways everything is interweaved within her writing and appreciate the beauty that she's constantly communicating. And this particular book wraps up the stories of the last 3 novels in a beautiful way, in a dialogue with them. Idk dude I'm bad at writing about stuff I like. It's just good. ( )
  tombomp | Oct 31, 2023 |
This series has been a balm for my soul, and no doubt for the souls of many others devastated by the 21st century's rapid embrace of hatred, division, cronyism, lies, mistruths, financial inequality, social inequality, political inequality, irrational and poorly thought-out arguments, and anything else that sees kindness and reason as unnecessary barriers on the path ahead.

Summer is a fitting conclusion. While I can only award the individual novel 4 stars, the series as a whole certainly deserves 5.

The books are certainly filled with despair and fear, with that vertiginous feeling constantly rattling in the brains of those of us who know our history, utterly bewildered that all this can happen over and over again, and yet not surprised at all. Smith captures characters who cannot quite connect, who cannot quite see past their own worldviews to peer inside the minds of others. Yet, she also offers hope.

That hope has become harder to find, not just during the apocalyptic year of 2020, but during the entirety of my lifetime, the apex of the neoliberal movement. Smith's series is not an instruction manual, not a solution. Rather it is like the songs we sing in the darkness, to remind ourselves that we are not alone. It is a battle cry, or a gospel hymn. It reminds us that we are more than our worst selves. Like the late Shakespeare plays which are referenced frequently throughout the four volumes, Smith suggests that there is still magic in the web, that humans still have the capacity to overcome the dark times we have created, and metamorphose them into something rich and strange. ( )
  therebelprince | Oct 24, 2023 |
het boek leest lekker als elk boek van Smith. Daardoor lees ik snel en heb geen behoefte om alle verwijzingen precies uit te pluizen. De verhalen zijn allemaal verbonden. Alle verhalen lijken iets wezenlijks aan te tippen. Over mensen, ideëen of tijdgeest. Voor mij blijft de grote rode draad vaag: De relatie van het individu tot zijn direkte naasten, familie of geliefden. Ze kunnen je mateloos irriteren, maar je kunt niet zonder ze. ( )
  gerrit-anne | Jun 18, 2023 |
Escrita durant la pandèmia. Criítica de la societat anglesa:en particular i de tota l'occidental per extensio :pandèmia, Boris Johnson, mascaretes, immigrats, crisi clímatica, ..... ( )
  marialluisa | Mar 7, 2023 |
I think maybe I liked this one the best of the four. A bit more “accessible” perhaps. Lots of cool, somewhat intersecting stories, past and present, and I kind of wanted more from each. A lot of great characters and some interesting WW2-era history about detention camps in the UK. Sad note, this is the first novel I’ve read that has mentioned stuff about the COVID pandemic - it’s definitely part of the plot. Publication date was August 2020 so she must’ve still been writing in March or even April. I think you could really like “Summer” without having read the others, and I’m not sure at all there’d be any harm in reading them out of order.

Listened to the audiobook. ( )
1 stem steve02476 | Jan 3, 2023 |
Viser 1-5 af 31 (næste | vis alle)
Like its two predecessors in Smith's acclaimed Seasonal Quartet (Autumn and Winter), this dynamic novel captures the many turmoils of life in the contemporary U.K. through ecstatic language and indirect narrative collisions. The first third, set mostly on a Scottish train platform, concerns Richard Lease, an over-the-hill TV and film director mourning his recently deceased collaborator, Paddy. Rife with nuanced reflections on the nature of art and mourning, Richard's ruminative section is the book's most immediate and engaging. After Richard lowers himself into the path of an oncoming train, readers meet his would-be rescuer, Brit, a security guard at a migrant detention facility. Brit has been lured into an impromptu journey by Florence, a pseudo-messianic young girl seemingly capable of inspiring empathy in even the darkest of hearts. The three mismatched characters are soon traveling together, on their way to an old battlefield where the violences of yesteryear and the present day will converge. As was the case with Autumn and Winter, the novel's setting is its foremost strength and increasingly enervating flaw, leading to writing that alternately astounds and exasperates. About three-quarters of the way through the third quarter of this series, the book's most memorable character, Richard, provides a relevant description of the whole enterprise, a response for every season: Gimmicky, but impressive all the same.
tilføjet af VivienneR | RedigerPublisher's Weekly (Jan 26, 2022)
 

» Tilføj andre forfattere (3 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Ali Smithprimær forfatteralle udgaverberegnet
Hockney, DavidOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
Juliette BurtonFortællermedforfatternogle udgaverbekræftet

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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
It was a summer's night and they were

talking, in the big room with the windows

open to the garden, about the cesspool.

Virginia Woolf
Lord keep my memory green!

Charles Dickens
However vast the darkness

we must supply our own light.

Stanly Kubrick
I thought of that person,

him or her, as taking me to a country

far high sunny where I knew to be happy

was only a moment, a puttering flame in her fireplace

but burning all the misery to cinders

if it could, a sift of dross like what we mourn for

as caskets sink with horrifying blandness

into a roar, tino smoke, into light, into almost nothing.

The not quite nothing I praise it and I write it.

Edward Morgan
Oh, she's warm!

William Shakespeare
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for my sister

Maree Morrison

Anne MacLeod
my friends

Paul Bailey

Bridget Hannigan
to keep in mind

my friend

Sarah Daniel
and for

my huckleberry friend

Sarah Wood
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"In the present, Sacha knows the world's in trouble. Her brother Robert just is trouble. Their mother and father are having trouble. Meanwhile, the world's in meltdown--and the real meltdown hasn't even started yet. In the past, a lovely summer. A different brother and sister know they're living on borrowed time. This is a story about people on the brink of change. They're family, but they think they're strangers. So: Where does family begin? And what do people who think they've got nothing in common have in common? Summer"--

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