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Indlæser... Red: The History of a Color108 | Ingen | 251,777 |
(4.25) | Ingen | "The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes--in some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, from the cave paintings of Lascaux, the works of Renaissance masters, to modern paintings and stained glass by Mark Rothko and Josef Albers"--Inside front jacket flap.… (mere) |
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Information fra den franske Almen Viden. Redigér teksten, så den bliver dansk. | |
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Oprindelig udgivelsesdato |
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Personer/Figurer |
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Vigtige steder |
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Vigtige begivenheder |
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Beslægtede film |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. In the human sciences, to speak of the "color red" is almost a redundancy. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. But its long history has no doubt become too heavy a burden for our contemporary societies, tired of no longer believing in their own values and each day turning their backs further on their past, their myths, their symbols, and their colors. (Klik for at vise Advarsel: Kan indeholde afsløringer.) | |
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Oplysning om flertydighed |
Information fra den franske Almen Viden. Redigér teksten, så den bliver dansk. NE PAS COMBINER LA VERSION BEAU LIVRE, Grand format illustrée avec les éditions textuelles ou refondues en petit format
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Information fra den franske Almen Viden. Redigér teksten, så den bliver dansk. | |
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▾Referencer Henvisninger til dette værk andre steder. Wikipedia på engelskIngen ▾Bogbeskrivelser "The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes--in some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, from the cave paintings of Lascaux, the works of Renaissance masters, to modern paintings and stained glass by Mark Rothko and Josef Albers"--Inside front jacket flap. ▾Biblioteksbeskrivelser af bogens indhold No library descriptions found. ▾LibraryThingmedlemmers beskrivelse af bogens indhold
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