The premise and plot provide the potential to make this an unforgettable story. Unfortunately the characters and scenes do not ring 100 per cent true and are superficially developed. They are not memorable. The writing is generally good but has a few disconcerting anomalies. ( )

HEY YOU, PRETTY FACE is the opening book in a new series based around detective Jack Rutherford. Previously appearing in a supporting role in DARK SERVICE, NZ based author Linda Coles longer running DS Amanda Lacey series, this book sees Rutherford leading the search for a series of abducted girls and handling an abandoned infant, with a skeleton staff over Christmas.

As with the Lacey series, Coles is an author who knows how to put together a good plot outline, this time a trio of missing girls, and a found infant, and clues pointing towards the inevitable exploitation of that sort of scenario, this is not a comfortable undertaking. Balanced against that plot and the day to day work of a policeman working those sorts of cases, is the relationship between Rutherford and his wife, which is loving, very home based, and designed, obviously, to provide some relief from the day to day awfulness.

Reading this novel, before delving into the 4th and 5th books in the Amanda Lacey series (DARK SERVICE and ONE LAST HIT), I will confess I struggled a little. Not reading blurbs, or pre-publicity of any sort means that the book, characters, plot and timeframes have to be firmly telegraphed by the narrative, and the dialogue. I will confess to some considerable surprise then when Rutherford picked up his mobile phone. I'd immediately got it in my head that this was an historical novel, so the surprise was genuine. There was something about the dialogue, and a tendency to tell, rather than show, that felt older and more stylised than current police procedurals. After that, I succumbed and read the blurb and got things straight in my own mind, thereby giving myself a mild case of first third of the book disbelief, as DNA has been in use since around 1986 by the time this book is set (1999), which meant I was more than a bit startled to find Rutherford's wife seemed to know more about the subject than an investigating officer in the UK Met.

As with the Lacey series though, this author's strength is in the targeting of clever, current-day plots. Given this is the first outing in a new series, a slightly abrupt ending probably telegraphs more about what's expected in upcoming books, and as with the Amanda Lacey series, there's heaps of potential to block off some of the byways, get the dialogue more free-flowing, and allow the characters to establish their places in the investigative world.

https://www.austcrimefiction.org/review/hey-you-pretty-face-linda-coles ( )