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Soning (2001)

af Ian McEwan

Andre forfattere: Se andre forfattere sektionen.

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler / Omtaler
23,476584103 (3.93)1 / 1144
Den 13-årige romantiske Briony Tallis overværer på familiegodset i Sydengland i 1935 noget, som hun i sin uerfarenhed mistolker - med svære konsekvenser for de implicerede inclusive hende selv, hen over 2. verdenskrig og resten af århundredet.
Nyligt tilføjet afprivat bibliotek, leslie.emery, giovannaz63, dmcgough, shanburn, HarperDoug, GreteM, ajschumacher, Bubear, FrankJLucatelli
Efterladte bibliotekerCian O hAnnrachainn
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    browner56: Two superbly crafted explorations of the cathartic power that comes from the act of writing.
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(se alle 26 anbefalinger)

Teens (6)
Indlæser...

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Tynd begyndelse! Utroværdig skildring af en 13-årig piges tanker, gøren og laden. Men derudover, da først dramaet tager over, og de mere voksne karakterer træder frem på scenen, sker der noget - ikke mindst da tvillingerne bliver væk, forbrydelsen, og den efterfølgende flugt mod Dunkirk. Redder bogen, men ikke livet.
Afslutningen ikke helt på højde med de midterste 90 %, så med en blød begyndelse og en slatten afslutning kan det anses for ret godt med TripleStar. ( )
  Tonny | Sep 16, 2008 |
McEwan is technically at the height of his powers, and can do more or less anything he likes with the novel form. He shows this fact off in the first section of Atonement, in which he does one of the hardest things a good writer can do: engrossingly, sustainedly, and convincingly impersonate a bad one.
tilføjet af jburlinson | RedigerNew York Review of Books, John Lanchester (pay site) (Apr 11, 2002)
 
McEwan is crafty. Even as he shows us the damages of story-telling, he demonstrates its beguilements on every page. Atonement is full of timeworn literary contrivances--an English country house, lovers from different classes, an intercepted letter--rendered with the delicately crafted understanding of E.M. Forster.
tilføjet af Shortride | RedigerTime, Richard Lacayo (Mar 25, 2002)
 
If it's plot, suspense and a Bergsonian sensitivity to the intricacies of individual consciousnesses you want, then McEwan is your man and ''Atonement'' your novel. It is his most complete and compassionate work to date.
 
Ian McEwan's remarkable new novel ''Atonement'' is a love story, a war story and a story about the destructive powers of the imagination. It is also a novel that takes all of the author's perennial themes -- dealing with the hazards of innocence, the hold of time past over time present and the intrusion of evil into ordinary lives -- and orchestrates them into a symphonic work that is every bit as affecting as it is gripping. It is, in short, a tour de force.
 
Ian McEwan’s new novel, which strikes me as easily his finest, has a frame that is properly hinged and jointed and apt for the conduct of the ‘march of action’, which James described as ‘the only thing that really, for me at least, will produire L’OEUVRE’.
 

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Ian McEwanprimær forfatteralle udgaverberegnet
Basso, SusannaOversættermedforfatternogle udgaverbekræftet
Boyd, CaroleNarratormedforfatternogle udgaverbekræftet
Tanner, JillReadermedforfatternogle udgaverbekræftet
Verhoef, RienOversættermedforfatternogle udgaverbekræftet
Zulaika, JaimeOversættermedforfatternogle udgaverbekræftet
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"Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English: that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"
    They had reached the end of the gallery; and with tears of shame she ran off to her own room.
Jane Austen, Northanger Abbey
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The play – for which Briony had designed posters, programs and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crepe paper – was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch.
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Novels and movies, being relentlessly modern, propel you forwards or backwards through time, through days, years or even generations. But to do its noticing and judging, poetry balances itself on the pinprick of the moment. Slowing down, stopping yourself completely, to read and understand a poem is like trying to acquire an old-fashioned skill like drystone walling or trout tickling.
How much growing up do you need to do?
It wasn’t only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.
A person is, among all else, a material thing, easily torn and not easily mended.
Find you, love you, marry you, and live without shame.
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Den 13-årige romantiske Briony Tallis overværer på familiegodset i Sydengland i 1935 noget, som hun i sin uerfarenhed mistolker - med svære konsekvenser for de implicerede inclusive hende selv, hen over 2. verdenskrig og resten af århundredet.

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