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The Chai Factor

af Farah Heron

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932290,646 (3)8
Amira Khan has no plans to break her no-dating rule. Thirty-year-old engineer Amira Khan has set one rule for herself: no dating until her grad-school thesis is done. Nothing can distract her from completing a paper that is so good her boss will give her the promotion she deserves when she returns to work in the city. Amira leaves campus early, planning to work in the quiet basement apartment of her family's house. But she arrives home to find that her grandmother has rented the basement to . . . a barbershop quartet. Seriously? The living situation is awkward: Amira needs silence; the quartet needs to rehearse for a competition; and Duncan, the small-town baritone with the flannel shirts, is driving her up the wall. As Amira and Duncan clash, she is surprised to feel a simmering attraction for him. How can she be interested in someone who doesn't get her, or her family's culture? This is not a complication she needs when her future is at stake. But when intolerance rears its ugly head and people who are close to Amira get hurt, she learns that there is more to Duncan than meets the eye. Now she must decide what she is willing to fight for. In the end, it may be that this small-town singer is the only person who sees her at all.… (mere)
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Quite liked it ( )
  Dhartanya | Dec 31, 2021 |
Amira Khan is nearly finished her Masters in Engineering, with one final project she needs to write and turn in. Deeming dorm life not conducive to the kind of work she needs to do, she returns home to the house she shares with her grandmother, mother, and younger sister. The only problem: her grandmother has rented out rooms in the basement Amira normally has to herself for two weeks to a barbershop quartet who are preparing for a major competition. Amira really just wants to work but finds herself being drawn into the lives of the four guys in her basement and sparks begin to fly between her and one of the quartet's member, complicating things even more.

I so desperately wanted to like this book. The premise is a great one and I am trying to read more diverse fiction. But I slammed this book down in frustration multiple times. Amira is constantly angry, and while the source of her anger is understandable, it doesn't make for a particularly pleasant reading experience. Also, almost every chapter Amira runs up against an Issue (homophobia, Islamophobia, eating disorders, racism, etc.) to the point where it didn't feel believable. The dialogue was stilted, the regular conflicts between Amira and almost everyone else in the novel felt contrived in spots, and I honestly wasn't sure what the male lead of the novel saw in Amira to be attracted to in the first place. If Heron writes a second novel, I'll try it but I can't recommend this one, which bums me out. ( )
1 stem MickyFine | Jul 29, 2019 |
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Personer/Figurer
Vigtige steder
Vigtige begivenheder
Beslægtede film
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Tilegnelse
Første ord
Citater
Sidste ord
Oplysning om flertydighed
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Amira Khan has no plans to break her no-dating rule. Thirty-year-old engineer Amira Khan has set one rule for herself: no dating until her grad-school thesis is done. Nothing can distract her from completing a paper that is so good her boss will give her the promotion she deserves when she returns to work in the city. Amira leaves campus early, planning to work in the quiet basement apartment of her family's house. But she arrives home to find that her grandmother has rented the basement to . . . a barbershop quartet. Seriously? The living situation is awkward: Amira needs silence; the quartet needs to rehearse for a competition; and Duncan, the small-town baritone with the flannel shirts, is driving her up the wall. As Amira and Duncan clash, she is surprised to feel a simmering attraction for him. How can she be interested in someone who doesn't get her, or her family's culture? This is not a complication she needs when her future is at stake. But when intolerance rears its ugly head and people who are close to Amira get hurt, she learns that there is more to Duncan than meets the eye. Now she must decide what she is willing to fight for. In the end, it may be that this small-town singer is the only person who sees her at all.

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