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Indlæser... Hairstyles of the Damned (2004)af Joe Meno
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Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog. Der er ingen diskussionstråde på Snak om denne bog. Great read. I loved the narrative style; it seemed like you were talking with one of your closest friends. It's an interesting look into the mind of a young punk scene boy. ( ) I read this some time back and remembered liking it very much. Because I like ruining good things, I suppose, I reread it and was extremely disappointed. The extremely male-centric gaze of the narrator permeates the entire novel, and I don't think it's just a literary device. Instead of getting the sense that I was reading a teenage male's narrative of his life, I felt like I was reading a narrative by a teenage male. The female characters are notably one-dimensonal and are excluded from coming to any enlightenments in the novel. There aren't many "good guys" in the novel, and that's understandable as a reflection of 1990s ennui. The female characters are often the locus of this angst, however. I like the mixtapes device for the nostalgia value, but Meno does not use it very well, structurally speaking. The lists/tapes are interspersed in a way that does not contribute to any narrative structure; they read more like the author's own personal notes about "songs I liked or hated." I don't ask for a happy ending, and Meno reflects 1990s teenage angst well. The nihilism of the ending is very bleak, though. If this is a bildungsroman, the pinnacle of evolution of character is realizing that (paging Holden Caulfield, who would have absolutely listened to punk) everything is phony. And that's the novel in a nutshell: Holden Caulfield in 1990s Chicago, without any Phoebe to provide a slim hope. I enjoyed Hairstyles of the Damned by Joe Meno very much. I would have enjoyed it more with a serif font. Perhaps I am being shallow, but I don’t think so. Serif fonts are more readable in long printed text and with the san serif, I frequently lost my place on the the page. Coupled with the smaller than usual point size of the type and occasional use of handwriting fonts and the book design seemed to this reader like a sign that said “No Grown-ups allowed.” So, it was a struggle to read the book, but the book was well worth the struggle. Hairstyles of the Damned is the story of Brian Oswald, a seventeen year old boy growing up on the south side of Chicago in 1990 and 1991. Brian is very much a typical adolescent boy, trying to fit in and trying to stand out at the same time. The story is organized around the big events of the school years, homecoming and prom. Those events loom large because there will be pictures that will freeze him in time–forever to be judged by the merits or demerits of his date. Told in the first person, his voice is authentic and honest. By authentic, I mean he is repetitive at times, often banal, frequently shallow and of course, his chronic obsession with girls and sex is dwarfed by his obsession with himself. He rants, plots never-gonna-happen revenge, and imagines improbably fame as a musician. He thinks a lot but his ideas are inchoate–he does not yet dare to follow his ideas to the realizations that, when they come, might draw him into adulthood. Music is a huge part of the book. Brian is coming of the age during the era of the mixtape, when boys and girls expressed their inner selves by compiling a cassette tape that bared their souls. A mixtape could be a declaration of love, an explosion of rage, or a cri de couer. Metal and punk mixtapes are as much a part of the story as the people and often are the most articulate emotional expressions. While Brian is the main character in Hairstyles of the Damned, the secondary characters are vital and vivid, fully-realized characters as well. The story of Mike Madden for example, is a compelling view of parental malpractice. In a stereotypical midlife divorce, Mike’s father dumps his mother and his responsibilities, trading them in on a convertible and a young girlfriend. Mike’s Mom displaces her anger on her children, disavowing any responsibility for them and we see Mike go from an engaged and bright student to a sullen, violent drop out. Brian is worried the same may happen to him as his parents’ marriage is falling apart–his father’s despair and mother’s unhappiness are constant static in the background of his life. Meanwhile, he wants to get laid, have a girlfriend and be accepted. He’s in love with Gretchen, the pink-haired punk rock girl, but she’s fat and would no photograph well for Homecoming. Besides, she is interested in someone else. It’s all a muddle and mostly Brian muddles through, following, observing, but not seldom having agency in his own life, following his friends, claiming attributes, opinions and skills to fit in. Oh, it is all so very adolescent and really, that is the magic of this book. It does not feel like a novel written by an adult. It feels like we are prying in Brian’s diary, spying on the thoughts of a real adolescent. The book is eventful, but these are the events of ordinary life.The cataclysms are small and ordinary–divorce, fights, friendships forged and broken, relationships developed and cast aside–the stuff of high school. And of courses, for Brian who is in high school they matter so damn much. 3pawsI recommend Hairstyles of the Damned, particularly to music loves and even more particularly to punk music lovers. Thoughtful curation of music is an art form and Brian (and Joe Mena) excel. I also think it succeeds in evoking authentic adolescent angst with empathy but not sentimentality. I enjoyed it, but I know I would have enjoyed it more with a kinder typeface. I couldn't believe my ears when I heard The Misfits coming from the RADIO! Sure enough, it was coming from NPR on a Saturday morning. Meno was promoting this book and the background soundtrack and interview was enough to propel me right to the library (15 minutes!) to check out this book. I read it all that day and found it entertaining while immersing me with nostalgia. The lyrics, the band names, the descriptions of the characters and "shows" in the basement brought back sweet memories. It's only sweet now, of course--those days were just as uncomfortable and confusing as Brian finds it. I could have liked him more if he weren't such a wimp and if he didn't go through the classic DEVO phase. Something grabbed me about this novel. It was so different stylistically from The Boy Detective Fails that I was instantly intrigued. I couldn't believe the same author wrote both works. The story unfolds in a rambling fashion, saying a lot through teenage misdirection. Bryan Oswald, a junior in a Catholic high school, has fallen in love with his best friend, Gretchen. Over the course of his junior year, he watches as his parents' marriage dissolves, his friends go through relationship break-ups, and his school experiences racial tension. Bryan is struggling to make sense of it all -- his emotional reactions and his growing awareness of the facades people fashion to hide their true identities. He goes through his own identity shifts from heavy metal to punk, only to realize that it's a form of posturing without it being a true expression of who he really is. Bryan's high school days are very different from my own, but I could relate to his burgeoning maturity. He can't always articulate what he's feeling, or why he's feeling it, but you know these experiences are shaping him. ingen anmeldelser | tilføj en anmeldelse
Fiction.
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Google Books — Indlæser... GenrerMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC-klassificeringVurderingGennemsnit:
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