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Sabina Augusta: An Imperial Journey (2018)

af T. Corey Brennan

Serier: Women in Antiquity (12)

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Sabina Augusta (ca. 85-ca. 137), wife of the emperor Hadrian (reigned 117-38), accumulated more public honors in Rome and the provinces than any imperial woman had enjoyed since the first empress, Augustus' wife Livia. Indeed, Sabina is the first woman whose image features on a regular andcontinuous series of coins minted at Rome. She was the most travelled and visible empress to date. Hadrian also deified his wife upon her death.In synthesizing the textual and massive material evidence for the empress, T. Corey Brennan traces the development of Sabina's partnership with her husband and shows the vital importance of the empress for Hadrian's own aspirations. Furthermore, the book argues that Hadrian meant for Sabina to playa key role in promoting the public character of his rule, and details how the emperor's exaltation of his wife served to enhance his own claims to divinity. Yet the sparse literary sources on Sabina instead put the worst light on the dynamics of her marriage.Brennan fully explores the various, and overwhelmingly negative, notions this empress stirred up in historiography, from antiquity through the modern era; and against the material record proposes a new and nuanced understanding of her formal role. This biographical study sheds new light not just onits subject but also more widely on Hadrian-including the vexed question of that emperor's relationship with his apparent lover Antinoos-and indeed Rome's imperial women as a group.… (mere)
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This is not a biography. A complete scholarly account of the life of Sabina, the wife of the emperor Hadrian, is impossible, given the exiguous nature of the literary sources. As T. Corey Brennan points out, only 200 words about Sabina survive in ancient texts. He remarks than an ‘average adult could comfortably read aloud a translation of that amount of text in about 90 seconds’ (p. xvi). This book therefore concentrates on the representation of Sabina, not only in the literary sources, but also in the epigraphic, numismatic, and artistic material. Brennan is a genial and reliable guide to the sources, clearly explaining what they can—and cannot—tell us about Sabina and her life. In interpreting this evidence, he proposes that ‘whatever the (much-discussed) dynamics of their marriage, Hadrian meant for Sabina to play a key role in promoting the public character of his rule’ (p. xxiii). This is a sensible and convincing argument, and the book raises important questions about the roles and functions of Roman imperial women.
 

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Sabina Augusta (ca. 85-ca. 137), wife of the emperor Hadrian (reigned 117-38), accumulated more public honors in Rome and the provinces than any imperial woman had enjoyed since the first empress, Augustus' wife Livia. Indeed, Sabina is the first woman whose image features on a regular andcontinuous series of coins minted at Rome. She was the most travelled and visible empress to date. Hadrian also deified his wife upon her death.In synthesizing the textual and massive material evidence for the empress, T. Corey Brennan traces the development of Sabina's partnership with her husband and shows the vital importance of the empress for Hadrian's own aspirations. Furthermore, the book argues that Hadrian meant for Sabina to playa key role in promoting the public character of his rule, and details how the emperor's exaltation of his wife served to enhance his own claims to divinity. Yet the sparse literary sources on Sabina instead put the worst light on the dynamics of her marriage.Brennan fully explores the various, and overwhelmingly negative, notions this empress stirred up in historiography, from antiquity through the modern era; and against the material record proposes a new and nuanced understanding of her formal role. This biographical study sheds new light not just onits subject but also more widely on Hadrian-including the vexed question of that emperor's relationship with his apparent lover Antinoos-and indeed Rome's imperial women as a group.

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