HjemGrupperSnakMereZeitgeist
Søg På Websted
På dette site bruger vi cookies til at levere vores ydelser, forbedre performance, til analyseformål, og (hvis brugeren ikke er logget ind) til reklamer. Ved at bruge LibraryThing anerkender du at have læst og forstået vores vilkår og betingelser inklusive vores politik for håndtering af brugeroplysninger. Din brug af dette site og dets ydelser er underlagt disse vilkår og betingelser.

Resultater fra Google Bøger

Klik på en miniature for at gå til Google Books

Indlæser...

When love was reels : poetry

af José B. Gonzalez

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler
2Ingen5,247,133IngenIngen
"My parents crossed when I started losing / teeth. My memory of them is broken, chipped / away." Expressing his longing not to be forgotten like so many abandoned children in his native country, Jos#65533; B. Gonz#65533;lez writes about a young boy's life--first in El Salvador under the care of his grandmother and later living with his uncle in New York City--in this moving collection of narrative poems that uses iconic Latin American and Latino films as a guiding motif.In each poem, famous movie and TV scenes featuring icons likes Pedro Infante and Cantinflas and modern stars such as Elizabeth Pe#65533;a, Edward James Olmos and Esai Morales are juxtaposed with important moments in the boy's life. In the first section, "Scenes from the Golden Age," the boy watches classic Latin American films from the '30s, '40s and '50s at the cinema with his grandmother in El Salvador. In a 1948 film, he notes the difference between a maid, who "stands straight like the board on which she irons the family's clothes," and his grandmother, who "drags each leg like a broken broom," her shoulders "heavy, like a stack of irons." He imagines how once she must have been strong, raising her son, urging him to resist "the hungry promises of dreams."In the second section, "Scenes from El Norte," he moves to New York, "where the screens / will not be black and white." There his uncle leaves him in the apartment to watch TV and learn English. The boy writes to his grandmother, but doesn't tell her "how / I swallow my screams / how I watch alone." Later, he and his friends use spray cans to tag Brooklyn buildings, and that paint saves them, keeping them "from / believing / in blades, / guns and / knives." Providing a tribute as well as a criticism of the way that film and television portray Latino lives, the collection is also notable for shedding light on the lives of so many youth raised by grandmothers in Latin America as the generation in-between went in search of the American Dream. These poems hauntingly illuminate Salvadoran immigration to the United States.… (mere)
Nyligt tilføjet afAlex_Teyie, APBF-UNL

Ingen nøgleord

Ingen
Indlæser...

Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog.

Der er ingen diskussionstråde på Snak om denne bog.

Ingen anmeldelser
ingen anmeldelser | tilføj en anmeldelse
Du bliver nødt til at logge ind for at redigere data i Almen Viden.
For mere hjælp se Almen Viden hjælpesiden.
Kanonisk titel
Originaltitel
Alternative titler
Oprindelig udgivelsesdato
Personer/Figurer
Vigtige steder
Vigtige begivenheder
Beslægtede film
Indskrift
Tilegnelse
Første ord
Citater
Sidste ord
Oplysning om flertydighed
Forlagets redaktører
Bagsidecitater
Originalsprog
Canonical DDC/MDS
Canonical LCC

Henvisninger til dette værk andre steder.

Wikipedia på engelsk

Ingen

"My parents crossed when I started losing / teeth. My memory of them is broken, chipped / away." Expressing his longing not to be forgotten like so many abandoned children in his native country, Jos#65533; B. Gonz#65533;lez writes about a young boy's life--first in El Salvador under the care of his grandmother and later living with his uncle in New York City--in this moving collection of narrative poems that uses iconic Latin American and Latino films as a guiding motif.In each poem, famous movie and TV scenes featuring icons likes Pedro Infante and Cantinflas and modern stars such as Elizabeth Pe#65533;a, Edward James Olmos and Esai Morales are juxtaposed with important moments in the boy's life. In the first section, "Scenes from the Golden Age," the boy watches classic Latin American films from the '30s, '40s and '50s at the cinema with his grandmother in El Salvador. In a 1948 film, he notes the difference between a maid, who "stands straight like the board on which she irons the family's clothes," and his grandmother, who "drags each leg like a broken broom," her shoulders "heavy, like a stack of irons." He imagines how once she must have been strong, raising her son, urging him to resist "the hungry promises of dreams."In the second section, "Scenes from El Norte," he moves to New York, "where the screens / will not be black and white." There his uncle leaves him in the apartment to watch TV and learn English. The boy writes to his grandmother, but doesn't tell her "how / I swallow my screams / how I watch alone." Later, he and his friends use spray cans to tag Brooklyn buildings, and that paint saves them, keeping them "from / believing / in blades, / guns and / knives." Providing a tribute as well as a criticism of the way that film and television portray Latino lives, the collection is also notable for shedding light on the lives of so many youth raised by grandmothers in Latin America as the generation in-between went in search of the American Dream. These poems hauntingly illuminate Salvadoran immigration to the United States.

No library descriptions found.

Beskrivelse af bogen
Haiku-resume

Current Discussions

Ingen

Populære omslag

Quick Links

Vurdering

Gennemsnit: Ingen vurdering.

Er det dig?

Bliv LibraryThing-forfatter.

 

Om | Kontakt | LibraryThing.com | Brugerbetingelser/Håndtering af brugeroplysninger | Hjælp/FAQs | Blog | Butik | APIs | TinyCat | Efterladte biblioteker | Tidlige Anmeldere | Almen Viden | 204,230,069 bøger! | Topbjælke: Altid synlig