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Disability and Art History (Interdisciplinary Disability Studies)

af Ann Millett-Gallant (Redaktør), Elizabeth Howie (Redaktør)

Andre forfattere: Amanda Cachia (Bidragyder), William T Gassaway (Bidragyder), Nina Heindl (Bidragyder), Timothy W Hiles (Bidragyder), Shayda Kafai (Bidragyder)3 mere, Anne Marno (Bidragyder), Rebecca R Stone (Bidragyder), Keri Watson (Bidragyder)

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This is the first book of its kind to feature interdisciplinary art history and disability studies scholarship. Art historians have traditionally written about images of figures with impairments and artworks by disabled artists, without integrating disability studies scholarship, while many disability studies scholars discuss works of art, but do not necessarily incorporate art historical research and methodology. The chapters in this volume emphasize a shift away from the medical model of disability that is often scrutinized in art history by considering the social model and representations of disabled figures from a range of styles and periods, mostly from the twentieth century. Topics addressed include visible versus invisible impairments; scientific, anthropological, and vernacular images of disability; and the theories and implications of looking/staring versus gazing. They also explore ways in which art responds to, envisions, and at times stereotypes and pathologizes disability. The insights offered in this book contextualize understanding of disability historically, as well as in terms of medicine, literature, and visual culture.… (mere)
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Forfatter navnRolleHvilken slags forfatterVærk?Status
Millett-Gallant, AnnRedaktørprimær forfatteralle udgaverbekræftet
Howie, ElizabethRedaktørhovedforfatteralle udgaverbekræftet
Cachia, AmandaBidragydermedforfatteralle udgaverbekræftet
Gassaway, William TBidragydermedforfatteralle udgaverbekræftet
Heindl, NinaBidragydermedforfatteralle udgaverbekræftet
Hiles, Timothy WBidragydermedforfatteralle udgaverbekræftet
Kafai, ShaydaBidragydermedforfatteralle udgaverbekræftet
Marno, AnneBidragydermedforfatteralle udgaverbekræftet
Stone, Rebecca RBidragydermedforfatteralle udgaverbekræftet
Watson, KeriBidragydermedforfatteralle udgaverbekræftet
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Kanonisk titel
Originaltitel
Alternative titler
Oprindelig udgivelsesdato
Personer/Figurer
Vigtige steder
Vigtige begivenheder
Beslægtede film
Indskrift
Tilegnelse
Første ord
Citater
Sidste ord
Oplysning om flertydighed
Forlagets redaktører
Bagsidecitater
Originalsprog
Canonical DDC/MDS
Canonical LCC

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This is the first book of its kind to feature interdisciplinary art history and disability studies scholarship. Art historians have traditionally written about images of figures with impairments and artworks by disabled artists, without integrating disability studies scholarship, while many disability studies scholars discuss works of art, but do not necessarily incorporate art historical research and methodology. The chapters in this volume emphasize a shift away from the medical model of disability that is often scrutinized in art history by considering the social model and representations of disabled figures from a range of styles and periods, mostly from the twentieth century. Topics addressed include visible versus invisible impairments; scientific, anthropological, and vernacular images of disability; and the theories and implications of looking/staring versus gazing. They also explore ways in which art responds to, envisions, and at times stereotypes and pathologizes disability. The insights offered in this book contextualize understanding of disability historically, as well as in terms of medicine, literature, and visual culture.

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