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Indlæser... Gøgereden (1962)af Ken Kesey
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» 93 mere Favourite Books (66) BBC Big Read (98) 1960s (4) A Novel Cure (68) Best Satire (45) Unreliable Narrators (58) Readable Classics (58) Top Five Books of 2016 (499) Books Read in 2016 (1,890) First Novels (20) 100 World Classics (54) Five star books (479) Read (71) Books Read in 2022 (2,296) Animals in the Title (16) Read These Too (25) Catalog (1) Overdue Podcast (216) Put a Bird On It (14) Penguin Random House (23) Books Read in 2018 (3,721) Books I've Read (33) Books Read in 2012 (98) Pageturners (36) Books tagged favorites (286) Fiction For Men (90) AP Lit (149) Daria (8) Books Tagged Abuse (41) USA Road Trip (42) Fave Books (12) My Favourite Books (70) Speculative Fiction (15) Books tagged unread (15) Books Read in 2017 (4,180) LT picks: Blue Books (193) Unread books (908) Der er ingen diskussionstråde på Snak om denne bog. ![]() ![]() This was a pick for my works book club, and I wasn’t too excited. I watched the movie years ago, and doubted the book would add much to the story. But boy, was I wrong! “What do you think you are, for Chrissake, crazy or somethin'? Well you're not! You're not! You're no crazier than the average asshole out walkin' around on the streets and that's it. ” In an Oregon State mental hospital ward, Nurse Ratched rules over her patients with manipulation, mind-numbing medication, and electroshock therapy. Her carefully curated regime is disrupted by the arrival of McMurphy - the swaggering, fun-loving trickster who resolves to oppose her. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt with the powers that keep them imprisoned. What is surprising about this book is how much fun it is! Through the character of McMurphy, Kesey portrays a rebellion against Ratched with ever increasing antics. The novel also highlights the institutionalization of individuals who do not fit society's expectations. Chief Bromden as the narrator allows the reader to see the events of the novel through the eyes of someone who is both inside and outside the system. His descriptions of the "fog" and the "combine" are confusing at first but are powerful metaphors for the way the patients are treated so that from the moment of McMurphy's arrival I felt completely on his side. A strange juxtaposition to how I would feel if I were to meet his behaviour in the real world. McMurphy's efforts to unite the patients and challenge Nurse Ratched's authority lead to a sense of camaraderie and mutual support among the patients, who had previously been isolated and oppressed until ultimately the characters are forced to confront the consequences of their actions and the limitations of their freedom. While it is worth noting that the novel's was written in the 60s and attitudes towards women and race may be considered outdated by today's standards, I still enjoyed the book immensely. A devastatingly honest portrayal of the boundaries between sanity and madness. This book is like watching a train wreck. Its starts of reel slow and builds up steam towards the inevitable ending. Now reader beware there are some very difficult and conflicting themes that are covered in the book such as how mental illness was treated in mental institutions using electroshock therapy and lobotomies. Also covered is racism, gender bias and violence. Having said all that, I can understand why this book is considered an American classic as the writing and the flow of the story is admirable. Having watched the movie and being a fan of Jack Nicholson I enjoyed the book as it is told from the viewpoint of the Indian chief which allows for his thoughts and emotions to come through in the story. I would recommend this book but not for sensitive readers.
As a postgraduate student in the writing program at Stanford, Kesey was in on some early LSD experiments at a veterans' hospital, and Chief Broom's subjective vision is full of dislocations and transformations, but Kesey is systematic in fusing Christian mythology with the American myth of the white man and the noble red man fighting against the encroachment of civilization, represented by women. Though in modern society women are as much subject to the processes of mechanized conformity as men (some say more), the inmates of this symbolic hospital are all male, and McMurphy calls them "victims of a matriarchy." There's a long literary tradition behind this man's-man view of women as the castrater-lobotomizers; Kesey updated it, on the theory that comic-strip heroes are the true American mythic heroes, and in terms of public response to the book and to the stage productions of it he proved his point. The novel is comic-book Freud: the man who achieves his manhood (keeping women under him, happy whores in bed) is the free man—he's the buckaroo with the power of laughter. Leslie Fiedler described Kesey's novel as "the dream once dreamed in the woods, and now redreamed on pot and acid." Kesey's concept of male and female is not so very remote from that in Mailer's writing, though Kesey celebrates keeping the relationships at a mythic comic-strip level, while Mailer, in his foolhardy greatness, delves into his own comic-strip macho. The world of this brilliant first novel is Inside—inside a mental hospital and inside the blocked minds of its inmates. Sordid sights and sounds abound, but Novelist Kesey has not descended to mere shock treatment or isolation-ward documentary. His book is a strong, warm story about the nature of human good and evil, despite its macabre setting. What Mr. Kesey has done in his unusual novel is to transform the plight of a ward of inmates in a mental institution into a glittering parable of good and evil. Tilhører ForlagsserienIndeholdt iHar tilpasningenEr forkortet iIndeholder studiedelHar kommentartekstIndeholder elevguide
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![]() GenrerMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC-klassificeringVurderingGennemsnit:![]()
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