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Indlæser... Future Noir: The Making of Blade Runneraf Paul M. Sammon
![]() Ingen Der er ingen diskussionstråde på Snak om denne bog. I skipped past the interviews at the end as well as some of the info on the newer versions of the film. It's a pretty interesting book but there were some really weird glaring mistakes, like the fact Sammon comments on how Man in the High Castle was a smash hit on Netflix? Book does give you a good respect for all that goes into making a movie ( ![]() Blade Runner is very much a movie that people either love or hate. Some consider it one of the greatest science fiction films ever made, and others find it to be a boring and confusing slog with pretty visuals. I'm definitely of the former sentiment. Blade Runner fans love the film obsessively. Paul Sammon's book is basically everything a fan would ever want to know about the making of the film. Technically the third edition of the book, Sammon has done further research and cleared up some long-standing misconceptions about the film's infamously troubled production. The revised version also contains some information on the (then upcoming) sequel, Blade Runner 2049. While the book is substantial, I found Sammon's writing to be clear and very quick and easy to read. The details are well laid out and you're given plenty of insight into how the film came to be from Philip K. Dick's original novel, "Do Androids Dream of Electric Sheep?" The production was difficult, the critical response was lackluster, and the film has seen multiple changes and incarnations since it first hit theaters in 1982. Thankfully, since 2007, we now have the Final Cut of the film, as well as any of the other versions you may prefer. A good read for a film history buff. All about the film Blade Runner This is an amazingly detailed book, it goes through everything related to Do Androids Dream of Electric Sheep/Blade Runner. A combination of the first two editions Sammon has at one time or another had access to a number people involved from Phillip K. Dick to Harrison Ford which leads to some impressive coverage from page to studio, to filming, to editing, and to fan reaction. Free review copy. Amazingly exhaustive and comprehensive behind the scenes look at one of the most influential movies ever made. A must read for fans and film buffs alike. ingen anmeldelser | tilføj en anmeldelse
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"Ridley Scott's 1992 "Director's Cut" confirmed the international film cognoscenti's judgment: Blade Runner, based on Philip K. Dick's brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is the most visually dense, thematically challenging, and influential science fiction film ever made. Future Noir offers a deeper understanding of this cult phenomenon that is storytelling and visual filmmaking at its best. n this intensive, intimate and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes : An overview of Blade Runner's impact on moviemaking and its acknowledged significance in popular culture since the book's original publication An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 An up-close look at its long-awaited sequel Blade Runner 2049A 2007 interview with Harrison Ford now available to American readersExclusive interviews with Rutger Hauer and Sean Young. A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time."--Back cover. No library descriptions found. |
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![]() GenrerNo genres Melvil Decimal System (DDC)791.4372The arts Recreational and performing arts Public performances Film, Radio, and Television Film Films, screenplays Single filmsLC-klassificeringVurderingGennemsnit:![]()
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