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The Way We Live Now

af Anthony Trollope

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Classic Literature. Fiction. HTML:

The Way We Live Now is a satirical novel by Anthony Trollope. In it he lashes out at the political, financial, commercial and moral dishonesty of the age, inspired particularly by the financial scandals of the 1870s. It was considered by many of his contemporaries as his finest work, and was one of the last Victorian novels to be serialized.

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Viser 1-5 af 57 (næste | vis alle)
I enjoyed this book. It is a stand alone. It was easier to read than the Barchester Chronicles since it doesn't go into Church politics. Mrs Hurtle's portrayal seemed very inconsistent. Her actions are motivated by moving the plot along. Everything is wrapped up very neatly at the end.The focus on greed is still relevant. I really enjoyed Paul Montague growth from a push over to standing up for himself and what he believed was right. ( )
  nx74defiant | Nov 1, 2023 |
As pertinent today as it was in the 1870’s when it was first published. A Robert Maxwell type character swindles and commits fraud on such a large scale that much of society overlooks his vulgarity, swept up by his seeming wealth. Feckless aristos gamble their inheritances away. And female heads are turned by a handsome face.

With a large, well-drawn cast, Trollope shows that he understands people and how they battle with themselves. ( )
  LARA335 | Jan 12, 2023 |
Trollope's great novel makes fun of the society of late 19th century London's so-called fashionable, well-to-do and titled class. The pretensions are ridiculous, and all the people pretending to have money and struggling to marry money and titles makes for a merry circus in the social scene. One example of a family who is struggling to make ends meet while trying outwardly to show that they have plenty of money is the family of Lord Longestaffe. The younger daughter is desperate to catch a husband with a title and money, but this 29-year-old "old maid" has been informed by her father that he can no longer afford to keep taking the family up to the London townhouse for'the season.' how is she supposed to catch a husband? Her father receives an invitation for Georgiana to stay with Me Melmotte's family for the season, as his family will be renting the Longestaffe's family's townhouse. Georgiana is disgusted at the thought of staying with a family of such lower social class than her own, and the spoiled thing complains bitterly to her mother, before begrudgingly accepting the invitation.
P.169:
" 'of course I am anxious. What other chance have I, mamma? And, oh dear, I am so tired of it! Pleasure, indeed! Papa talks of pleasure. If Papa had to work half as hard as I do, I wonder what he'd think of it. I suppose I must do it. I know it will make me so ill that I shall almost die under it. Horrid, horrid people! And papa to propose it, who has always been so proud of everything - who used to think so much of being with the right set.'
P.196:
"but miss longestaffe already perceived that her old acquaintances were changed in their manner to her. She had written to her dear friend Lady Monogram, whom she had known intimately as Miss Triplex, and whose marriage to a Sir Damask Monogram had been Splendid preferment, telling how she had been kept down in Suffolk at the time of her friend's last party, and how she had been driven to consent to return to London as the guest of Madame Melmotte. She hoped her friend would not throw her off on that account. She had been very affectionate, with a poor attempt at fun, and rather humble. Georgiana Longestaffe had never been humble before, but the Monograms were people so much thought of and in such an excellent set! She would do anything rather than lose the Monograms. But it was of no use. She had been humble in vain, for Lady Monogram had not even answered her note. 'she never really cared for anybody but herself,' Georgiana said in her wretched solitude. Then, too, she had found that Lord NidderDale's manner to her had been quite changed. She was not a fool, and could read these signs with sufficient accuracy. There had been little flirtations between her and Nidderdale -- meaning nothing, as everyone knew that now Nidderdale must marry money; but in none of them had he spoken to her as he spoke when he met her in Madame MelMotte's drawing room. She could see it in the faces of people as they greeted her in the park - especially in the faces of the men. She had always carried herself with a certain high demeanor, and had been able to maintain it. All that was now gone from her, and she knew it. Though the thing was as yet but a few days old she understood that others understood that she had degraded herself. 'what's this all about?' Lord Grasslough had said to her, seeing her come into a room behind Madame Melmotte. She had simpered, had tried to laugh, and had then turned away her face. 'impudent scoundrel!' she said to herself, knowing that a fortnight ago he would not have dared to address her in such a tone."

One of the Longestaffe's neighbors, down in Suffolk, was Squire Carbury. He is cousin to Hetta Carbury, to her mother Lady Carbury, and to Hetta's brother, Sir Felix Carbury. Squire Carbury had mentored a young man named Paul Montague, who had shares in the Pacific Railroad Company, and Paul had facilitated the introduction to Mr Melmotte of this grand speculating plan. Once Paul Montague meets Hetta Carbury, he falls in love with her, but as Squire Carbury has let him know that he himself loves Hetta, and desires to marry her, Paul is reluctant to let Hetta know his feelings. But Paul has a skeleton in his closet that complicates his plan for Hetta. Mrs Hurtle, a divorced American who he met, and wooed on shipboard, has followed him to England, and shows up in London, expecting him to marry her. Since hearing some racy gossip about Mrs Hurtle's past, he has come down with cold feet, and no longer wants to marry her. But he's too much of a coward to tell her the truth, and thinks he can let her down gently. Meanwhile, she expects him to take her all about London, and treat her like his fiancee. She says...
P.200:
" 'how are they changed? I am two years older, if you mean that.' as she said that she looked round at the glass as though to see whether she was become so Haggard with age as to be unfit to become this man's wife. She was very lovely, with the kind of beauty which we seldom see now. In these days men regard the form and outward lines of a woman's face and figure more than either the color or the expression, and women fit themselves to men's eyes. With padding and false hair without limit a figure may be constructed of almost any dimensions. The sculptors who construct them, male and female, hairdressers and milliners, are very skilful, and figures are constructed of noble dimensions, sometimes with voluptuous expansion, sometimes with classic reticence, sometimes with disheveled negligence which becomes very disheveled indeed when long out of the sculptor's hands. Colors indeed are added, but not the colors which we used to love. The taste for flesh and blood has for the day given place to an appetite for coarse hair and Pearl powder."

Lady Carberry believes her son Sir Felix to be the most beautiful young man in the whole world, and desires for him a marriage to a titled woman with a fortune. She is a very low, contemptible woman, who has let her spoiled rotten son take every penny from her, and who so continues to take her money that they are all headed for the workhouse. Marie Melmotte, though she is not titled, is the daughter of the Great Speculator Melmotte, and so is known to possess a fortune. Lady Carbury desires Sir Felix to secure the engagement of himself to Marie, which he is reluctant to do, as he prefers to be a Playboy, and play cards in his club all night. Mr Melmotte also does not desire this match, as he wants his daughter to marry a title, Lord NidderDale, whose family is impoverished, but Melmotte believes this will secure his respectability in London society. He visits Lady Carbury at her "Tuesday night literary" salon, and tells her that Sir Felix must withdraw any idea of a match with Marie. If he does this, Mr Melmotte's will help Sir Felix with making some money.
P.232:
"There was very much to be considered in this. She did not doubt that Felix might be 'made' by mr. Melmotte's City influences, but then any perpetuity of such making must depend on qualifications in her son which she feared that he did not possess. The wife without the money would be terrible! That would be absolutely ruin! There could be no escape then; no hope. There was an appreciation of real tragedy in her heart as she contemplated the position of Sir Felix married to such a girl as she supposed Marie Melmotte to be, without any means of support for either of them but what she could supply. It would kill her. And for those young people, there would be nothing before them but beggary and the workhouse. As she thought of this she trembled with true maternal instincts. Her beautiful boy -- So glorious with his outward gifts, so fit, as she thought him, for all the graces of the grand world! Though the ambition was vilely ignoble, the mother's love was noble and disinterested."

Though Melmotte is seen in high society, still he is a speculating scoundrel, and not respected. Trollope gives an example of the kind of thinking that changed the course of our own soon-to-be 3rd-world, shithole country, from a young country that had a chance to be a great and true democracy, to what it is not 250 years after its birth...
P.423-4:
" 'you think Melmotte will turn out a failure.'
'a failure! Of course he's a failure, whether rich or poor - a miserable imposition, a hollow vulgar fraud from beginning to end - too insignificant for you and me to talk of, were it not that his position is a sign of the degeneracy of the age. What are we coming to when such as he is an honored guest at our tables?'
'at just a table here and there,' suggested his friend.
'no; -- it is not that. You can keep your house free from him, and so can I mine. But we set no example to the nation at large. They who do set the example go to his feasts, and of course he is seen at theirs in turn. And yet these leaders of the fashion know -- at any rate they believe -- that he is what he is because he has been a swindler greater than other swindlers. What follows as a natural consequence? Men reconcile themselves to swindling. Though they themselves mean to be honest, dishonesty of itself is no longer odious to them. Then there comes the jealousy that others should be growing rich with the approval of all the world -- and the natural aptitude to do what all the world approves. It seems to me that the existence of a MelMotte is not compatible with the wholesome state of things in general.' "


( )
  burritapal | Oct 23, 2022 |
This one took me a while to finish, but I really enjoyed it. I would consider this one of Trollope's best stand alone novels. Many of his common themes make an appearance. I'm always particularly struck by how the misbehavior of the wealthy with their money was apparently as much of an issue back in the 1800s as it is today.

Central to this novel is the Melmotte family. The father is a wealthy financier type who has zero social standing. And is apparently more of a swindler than an actual businessman. His daughter attracts several men with the promise of her father's wealth, but her choice (a poor one!) is not to her father's taste. We also meet several young men who are stringing along one woman that they prefer to marry and one woman who they are more in love (or lust) with. And Lady Carbury, an author and mother of two of the adult children struggling with their love lives and money. And Roger Carbury who holds the money in the family but is out of luck in the love department.

It's really amazing that Trollope can convincingly keep track of all of these characters and plot lines and satisfactorily tie it all up in the end. I'm glad he wrote so many novels, because I really enjoy them. ( )
  japaul22 | Oct 6, 2022 |
É interessante que este romance de 1875, o mais próximo da dita pulp fiction de lavra do grande Trollope, seja ainda tão relevante no séculço XXI. Ele cobre a curta mas espetacular carreira em Londres de Augustus Melmotte, extraordinário fraudador financeiro. Melmotte é um Bernie Madoff (culpado pela maior fraude da história de Wall Street) vitoriano, um promotor de grandes empreendimentos de negócios ambiciosos com um estilo extravagante que se mostra irresistível até mesmo para os obstinados. Ao contrário de Madoff, porém, ele tem um assento na Câmara dos Comuns. Alguns obstinados têm suas suspeitas dele, mas pegam jacaré na onda de qualquer maneira, sem dúvidas esperando conseguir algo para si ao longo do caminho fradulento. Trollope tece os fios da trama habilmente usando a família Carbury como personagens centrais. Lady Carbury é a viúva de um baronete (aristocracia menor) e sem meios para viver no estilo adequado. Seu filho Sir Felix é um parasita total, colocando todo o dinheiro que recebe na mesa de cartas e perdendo-o. O título 'The Way We Live Now' é tão apropriado hoje, quando vemos os incidentes de especulação praticamente incontrolável em Wall Street, a qual já provocou mais de uma crise financeira mundial. ( )
  jgcorrea | Oct 4, 2022 |
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Anthony Trollopeprimær forfatteralle udgaverberegnet
Brooks, DavidIntroduktionmedforfatternogle udgaverbekræftet
Case, DavidFortællermedforfatternogle udgaverbekræftet
Dodd, Marion E.Introduktionmedforfatternogle udgaverbekræftet
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Osborne, HughNotesmedforfatternogle udgaverbekræftet
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Classic Literature. Fiction. HTML:

The Way We Live Now is a satirical novel by Anthony Trollope. In it he lashes out at the political, financial, commercial and moral dishonesty of the age, inspired particularly by the financial scandals of the 1870s. It was considered by many of his contemporaries as his finest work, and was one of the last Victorian novels to be serialized.

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