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Portrait in Sepia: A Novel (P.S.) af Isabel…
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Portrait in Sepia: A Novel (P.S.) (original 2000; udgave 2010)

af Isabel Allende

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
3,630602,526 (3.69)121
Historisk slægtsroman, der foregår i Chile 1824-1920.
Medlem:ditchdiggergirl
Titel:Portrait in Sepia: A Novel (P.S.)
Forfattere:Isabel Allende
Info:Harper Perennial Modern Classics (2010), Edition: Reissue, Paperback, 336 pages
Samlinger:Dit bibliotek
Vurdering:
Nøgleord:Ingen

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Portræt i sepia af Isabel Allende (2000)

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» Se også 121 omtaler

Engelsk (48)  Spansk (4)  Hollandsk (3)  Portugisisk (Portugal) (1)  Litauisk (1)  Italiensk (1)  Fransk (1)  Catalansk (1)  Alle sprog (60)
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Narrada en voz de una joven mujer, ésta es una novela histórica, situada a finales del siglo XIX en Chile, y una saga familiar. El tema principal es la memoria y los secretos de familia.
  socogarv | Jan 28, 2021 |
> ISABEL ALLENDE : Portrait sépia (Grasset Paris. 2001. 392 pages)
Se reporter au compte rendu de Nadia BEAUDOIN
In: (2001). Compte rendu de [Nouveautés]. Québec français, n° 124 (hiver 2001–2002), p. 13… ; (en ligne),
URL : https://id.erudit.org/iderudit/55870ac
  Joop-le-philosophe | Jan 18, 2021 |
A sequel to Daughter of Fortune, New York Times bestselling author, Isabel Allende, continues her magic with this spellbinding family saga set against war and economic hardship.

Aurora del Valle suffers a brutal trauma that erases from her mind all recollection of the first five years of her life. Raised by her ambitious grandmother, the regal and commanding Paulina del Valle, she grows up in a privileged environment, free of the limitations that circumscribe the lives of women at that time, but tormented by horrible nightmares. When she is forced to recognize her betrayal at the hands of the man she loves, and to cope with the resulting solitude, she decides to explore the mystery of her past. ( )
  AccyP | Jan 17, 2021 |
Narrada en voz de una joven mujer, ésta es una magnífica novela histórica, situada a finales del siglo XIX en Chile, y una portentosa saga familiar e la que reencontramos algunos personajes de Hija de la fortuna y de La casa de los espíritus, novelas cumbres en la obra de Isabel Allende. El tema principal es la memoria y los secretos de familia.
  Luz_19 | Aug 14, 2020 |
I have to give this two stars and no more because, ultimately, I don't think it held together very well. Making Aurora Del Valle the narrator, rather than opting for a third-person narration like in Daughter of Fortune, left Aurora narrating lots of things she wasn't present for and has no realistic way of knowing the details of. It didn't work.

And furthermore, Aurora Del Valle just isn't that interesting. She's surrounded by interesting people, but she doesn't have much going for her herself – only her love of photography which didn't interest me at all. She's no Eliza Sommers.

I liked some things about this book. I liked that we finally got to see Eliza Sommers and Tao Chi'en consummate their love, although it would have been nice to see at the end of the last book. I got invested in hating Matías Del Valle (Aurora's biological father), was pleased to see him meet his doom, and I liked Severo and Nivea. I don't remember The House of the Spirits very well, so it took a long time before I remembered what role they played in that book, but I was almost tempted to put it on the "to reread" list to see what happened to them. Maybe one day.

I have to say that this book was better as a sequel to Daughter of Fortune than as a prequel to House of the Spirits. The latter draws on the magical realism tradition, unlike the other two, which are straight historical fiction. This leaves Aurora, in this book, having to say things like, "and then the strangest thing happened, wouldn't you believe it, and this child had green skin! if only I'd had my camera…" It stood out and bothered me, I guess.

I did read this in Spanish, but I was too lazy to review it in that language (mostly I got stuck on how to translate "held together" from the first sentence of this review, so I gave up). The Spanish wasn't too tricky, although as always, it slowed down my reading. Overall, you might as well read it if you finished Daughter of Fortune and feel cheated by the ending, but otherwise it's not that great. (Mar 2014) ( )
  Jayeless | May 27, 2020 |
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» Tilføj andre forfattere (34 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Isabel Allendeprimær forfatteralle udgaverberegnet
Juan, AnaOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
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And that's why I have to go back
to so many places in the future,
there to find myself
and constantly examine myself
with no witness but the moon
and then whistle with joy,
ambling over rocks and clods of earth,
with no task but to live,
with no family but the road.


     --Pablo Neruda, End of the World (Wind)
Tilegnelse
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For Carmen Balcells and Ramon Huidobro,
two lions born on the same day,
forever alive.
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I came into the world one Tuesday in the autumn of 1880, in San Francisco, in the home of my maternal grandparents.
Citater
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My mother never takes a stitch with an unthreaded needle.
Nothing is free in this world. You would pay a very dear price for those trinkets.
… she believed that photography and painting are not competing arts but basically different: the painter interprets reality, and the camera captures it. In the former everything is fiction, while the second is the sum of the real plus the sensibility of the photographer.
In the anguish of identifying what was lacking in me, I devoted hours and hours to shooting self-portraits, some before a large mirror I had brought to my studio, others standing before the camera. I took hundreds of photographs; in some I am dressed, in some I’m naked; I examined myself from every angle, and the only thing I discovered was a crepuscular sadness.
Memory is fiction. We select the brightest and the darkest, ignoring what we are ashamed of, and so embroider the broad tapestry of our lives. Through photography and the written word I try desperately to conquer the transitory nature of my existence, to trap moments before they evanesce, to untangle the confusion of my past.
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Historisk slægtsroman, der foregår i Chile 1824-1920.

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