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Thomas Bernhard: 3 Days

af Thomas Bernhard

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler
232976,373 (3.86)Ingen
Over the course of three days in 1970, June 5, 6, and 7, simply sitting on a white bench in a Hamburg park, Thomas Bernhard delivered a powerful monologue forThree Days (Drei Tage), filmmaker Ferry Radax's commanding film portrait of the great Austrian writer. Radax interwove the monologue with a variety of metaphorically resonant visual techniques--blacking out the screen to total darkness, suggestive of the closing of the observing eye; cuts to scenes of cameramen, lighting and recording equipment; extreme camera distance and extreme closeup. Bernhard had not yet written his autobiographical workGathering Evidence, published originally in five separate volumes between 1975 and 1982, and his childhood remembrances were a revelation. This publication of Bernhard's monologue and stills from Radax's artful film allows this unique portrait of Bernhard to be savored in book form.… (mere)
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Exactly what it says it is: a Thomas Bernhard coffee table book. As other reviewers have mentioned, it seems odd not to have included The Italian in here. I assume there was some good reason, and will pass on this link to a full translation of the original volume, including that screen play and prose fragment:

https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx0a... ( )
  stillatim | Oct 23, 2020 |
https://msarki.tumblr.com/post/155292751203/thomas-bernhard-3-days

A souvenir. Fragments. A look into. Public, and privately transgressive. Disagreeably cooperative. A walled and veiled transparency. Controlled. Manipulative. Harshly encouraged by the light, and motion. Impossible. Restrictive. Full. Collected. Claimed and planted. Force fed. Unencumbered by thirst. Hindered through impediment. Willfully underwhelming. Black and white and, somewhat, beautiful. ( )
  MSarki | Jan 7, 2018 |
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Over the course of three days in 1970, June 5, 6, and 7, simply sitting on a white bench in a Hamburg park, Thomas Bernhard delivered a powerful monologue forThree Days (Drei Tage), filmmaker Ferry Radax's commanding film portrait of the great Austrian writer. Radax interwove the monologue with a variety of metaphorically resonant visual techniques--blacking out the screen to total darkness, suggestive of the closing of the observing eye; cuts to scenes of cameramen, lighting and recording equipment; extreme camera distance and extreme closeup. Bernhard had not yet written his autobiographical workGathering Evidence, published originally in five separate volumes between 1975 and 1982, and his childhood remembrances were a revelation. This publication of Bernhard's monologue and stills from Radax's artful film allows this unique portrait of Bernhard to be savored in book form.

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