A wartime housewife is forced beyond the limits of her sheltered domestic world in order to protect her family in this 1947 classic. Praised by Raymond Chandler as "the top suspense writer of them all," Elisabeth Sanxay Holding excelled at the exploration of domestic unease. The Blank Wall exemplifies the drama of the sheltered housewife forced to take charge. While her husband serves overseas during World War II, Lucia Holley finds herself in the midst of a situation involving blackmail and manslaughter. She becomes quickly aware that the habits of her life, the domestic expectations that surround her, make it difficult for her to act with even the slightest independence, and she must herself begin to behave like a criminal in order to deal with a threat to her family of which they must never know. In the course of the action she becomes involved with a man who is a prototypical fallen angel, adding the possibility of forbidden romance. The ambivalence with which Holding depicts the household sphere that Lucia works so hard to protect is matched by her subtle exploration of questions of guilt and responsibility in a middle class facade of harmony.