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The Edge of Sadness (1961)

af Edwin O'Connor

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3531254,526 (3.89)52
Awarded the Pulitzer Prize for Literature in 1962, this haunting novel shattered reigning cultural stereotypes of priests and parish life when it was first published. Father Hugh Kennedy is a recovering alcoholic, commited to his vocation yet struggling with the demands of it.



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Viser 1-5 af 12 (næste | vis alle)
A soft and slow-to-unfold story. A gentle, drowsy novel with great character description, comprised primarily of well-written dialogue that made characters vivid. I'm not sure I like this book, but I'm glad to have read it. ( )
  dcmr | Jul 4, 2017 |
Pulitzer Prize Winner 1962. You know how I always rant about the non-literary quality of christian fiction? Well.... Rant over. I found the novel I've always been wanting to read.

The book tells the story of a fallen Catholic Priest, fallen into alcoholism after his father died. This is his story of recovery and ministry, an exploration of how he fell into sin, and a journey of how he came back. It is also the story of his childhood family friends, the Carmodys. The Carmodys are a sprawling, Irish-Catholic family living in Boston with quirky temperaments and sometimes strange behaviors.

The novel has a true literary nature, with philosophical moments, beautiful descriptions, and lengthy sentences. It's beautiful.

Several people have asked me if the book is sad. Not really. The first 500 pages are not really sad-- thought-provoking, but not really sad. The ending of the book is sad and hopeful at the same time.

The themes explore the dangers of isolation, of being busy for the sake of busyness, of hating your fellow man. Sometimes, what's right for us is not what we want. When you are talking about Christian ministry this takes on another dimension all on its own. ( )
  heidip | May 9, 2016 |
Starting off, I was totally into the book about a priest, Hugh Kennedy, who has been moved to a run-down and dying parish after a period of rehabilitation from alcoholism. Fr. Kennedy soon get a call from an old family friend and ... ( )
  maryreinert | Sep 30, 2015 |
Astonishingly well-written. Characters seem absolutely real. Painfully honest, but still funny. Some of the best dialog I've ever read. Very psychologically astute. ( )
1 stem RGilbraith | Dec 30, 2013 |
Found this in a pile of old books at an estate sale, and I'm glad I did. It was a very absorbing read, a long (maybe a bit too long) meditation on the nature of families, loneliness, loss and despair, and told from the viewpoint of an alcoholic who also happens to be a Catholic priest.

Edwin O'Connor's novel, THE EDGE OF SADNESS, won the Pulitzer Prize in 1962, the year I graduated from high school and entered the army, so I guess it's no wonder I missed it at the time. O'Connor's opus was published in 1961, which was, I believe, the last year that the Mass was still in Latin. After Vatican II everything went to English, and much of the majestic mystery of Catholic ritual was lost forever. The story here is set just before those big changes and the narrator protagonist, Father Hugh Kennedy, a priest for over thirty years, has only recently returned to parish work in a large New England city (probably modeled after Providence, where O'Connor grew up) after a four-year stay in Arizona at the Cenacle, a secluded rehabilitation center for wayward priests. Kennedy's problem was alcoholism, triggered by grief and loneliness following the death of his father. The story turns around his re-involvement with the Carmody family from the old neighborhood, particularly the sudden and unexplained interest of the Carmody patriarch, Old Charlie, a story-spinning and ruthless slumlord who has ruled his family with an iron fist. His children are all interesting characters and include John, a priest and childhood friend of Hugh; Helen, who escaped into a marriage of convenience; Dan, a good-for-nothing gambler; and Mary, the beaten-down daughter who stayed home to keep house for her widowed father.

O'Connor is nothing if not thorough in his minute analysis of all of these characters, particularly Hugh, who seems to examine his life and every thought and action in excruciating detail that seems like an examination of conscience that never ends. Because of this the story plods at times, but still manages to keep you turning the pages, wondering just what Old Charlie is up to in his sudden cultivation of Hugh's companionship, not to mention the countless lies he tells about his great friendship with Hugh's deceased father. The "secret" is kept until the final pages of the book and reveals itself along with another devastating and completely unexpected twist.

Many comparisons sprang to mind as I made my way through THE EDGE OF SADNESS. Here are a few: J.F. Powers's books, of course - all of them; Jon Hassler's NORTH OF HOPE; Ralph McInerney's THE PRIEST; and Canadian Linden McIntyre's Nova Scotia trilogy, especially THE BISHOP'S MAN. All of these are great fictional looks at the Catholic Church, the priesthood and all its particular problems in the past fifty-some years.

The title of the book should warn you, and sometimes the sadness mentioned actually goes OVER the edge, plunging into a dark despair. If you don't like dark, sad stories, then you'd probably better steer clear of this one. My view? This is a truly fine book that earned that Pulitzer. I recommended it highly. ( )
  TimBazzett | Nov 21, 2013 |
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Awarded the Pulitzer Prize for Literature in 1962, this haunting novel shattered reigning cultural stereotypes of priests and parish life when it was first published. Father Hugh Kennedy is a recovering alcoholic, commited to his vocation yet struggling with the demands of it.

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