From snow-topped glaciers to virginal conception. From Duchamp's porcelain urinal to the shrouds of the dead. From peaceful white Zen gardens to the luminous white of Robert Morris. From the pure white of Fontana, Manzoni, Le Witt, Ryman, or Twombly to the stained glass of Soulages. White explores the multiple facets of the color and its relation to religion, the moon, flesh, emptiness, and light. White can be perceived in many ways, as negative or positive space, as a background or foreground. A non-color, like the blank page itself, it remains elusive.