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Modernism and Iraq (Miriam and Ira D. Wallach Art Gallery) (Paperback)

af Miriam and Ira D. Wallach Art Gallery

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In the mid twentieth century, artists in the newly independent nation of Iraq experimented with a form of Modernism that they saw as a new and revolutionary artistic idiom for a secular national state. Combining ancient and Islamic forms and genres of art and with Western Modernist influences, these artists set out to create an art for the people. At the same time, they participated in what they saw of Western Modernism by bringing to it older forms of Islamic abstraction. In this way, they challenged both traditional indigenous forms and what they learned from modern art in Europe. Today these works continue to challenge the pervasive image of Iraq as a country with no modern artistic past. As the exhibition curators and authors of the catalogue, Zainab Bahrani, the Edith Porada Professor of Ancient Near Eastern Art History and Archaeology at Columbia University, and Nada Shabout, an associate professor of art history at the University of North Texas, make clear, there are several reasons Iraq's modern tradition remains little known abroad. Access to the artworks themselves is one problem: The Iraqi Museum of Modern Art was looted after the fall of Baghdad, and most modern and contemporary works are now in private collections. The catalogue offers an unprecedented overview of the work of several generations of Iraqi artists, from the mid-twentieth century to the present, including paintings, sculpture, book arts, and videos by forty-five artists, among them Jawad Salim, Dia Azzawi, Hana Malallah, Nazar Yahya, Kareem Risan, Ghassan Gha'eb, Rafa al Nasiri, and Mohammed al Shammarey.… (mere)
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"Modernism and Iraq" introduces the works of Modernist and contemporary artists who are still little known outside the Near East. The exhibition begins with earlier Modernist works, from the 1940s through the 1970s, while also including those produced more recently. Working within the context of their nation's cultural heritage as well as its tumultuous recent history, these Iraqi artists have produced work that engages the legacy of an ancient visual culture as well as the radical challenges to tradition that are part of the phenomenon of Modernism worldwide.

(Abstrace from Foreword)
  Centre_A | Nov 27, 2020 |
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In the mid twentieth century, artists in the newly independent nation of Iraq experimented with a form of Modernism that they saw as a new and revolutionary artistic idiom for a secular national state. Combining ancient and Islamic forms and genres of art and with Western Modernist influences, these artists set out to create an art for the people. At the same time, they participated in what they saw of Western Modernism by bringing to it older forms of Islamic abstraction. In this way, they challenged both traditional indigenous forms and what they learned from modern art in Europe. Today these works continue to challenge the pervasive image of Iraq as a country with no modern artistic past. As the exhibition curators and authors of the catalogue, Zainab Bahrani, the Edith Porada Professor of Ancient Near Eastern Art History and Archaeology at Columbia University, and Nada Shabout, an associate professor of art history at the University of North Texas, make clear, there are several reasons Iraq's modern tradition remains little known abroad. Access to the artworks themselves is one problem: The Iraqi Museum of Modern Art was looted after the fall of Baghdad, and most modern and contemporary works are now in private collections. The catalogue offers an unprecedented overview of the work of several generations of Iraqi artists, from the mid-twentieth century to the present, including paintings, sculpture, book arts, and videos by forty-five artists, among them Jawad Salim, Dia Azzawi, Hana Malallah, Nazar Yahya, Kareem Risan, Ghassan Gha'eb, Rafa al Nasiri, and Mohammed al Shammarey.

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