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(2.43) | Ingen | In his most profound and accomplished book to date, acclaimed author Bruce Wagner breaks from Hollywood culture with a novel of exceptional literary dimension and searing emotional depth. Joan Herlihy is a semi-successful architect grasping at the illustrious commission that will catapult her to international renown, glossy de cor magazines, and the luxe condo designs of Meier, Koolhaas, and Hadid: the incestuous cult of contemporary Starchitects. Unexpectedly, she finds her Venice Beach firm on the short list for a coveted private memorial -- a Napa billionaire's vanity tribute to relatives killed in the Christmas tsunami -- with life-changing consequences. Her brother Chester clings to a failing career as a location scout before suffering an accidental injury resulting from an outrageous prank; the tragicomic repercussions lead him through a maze of addiction, delusion, paranoia -- and ultimately, transcendence. Virtually abandoned by her family, the indomitable Marjorie Herlihy -- mother, widow, and dreamer -- falls prey to a confidence scheme dizzying in its sadism and complexity. And unbeknownst to Marj and her children, the father who disappeared decades ago is alive and well nearby, recently in the local news for reasons that will prove to be both his redemption and his undoing. Spiraling toward catastrophe, separate lives collide as family members make a valiant attempt to reunite and create an enduring legacy. To rewrite a ruined American dream. Deeply compassionate and violently irreverent, "Memorial" is a testament to faith and forgiveness, and a luminous tribute to spirituality in the twenty-first century. With an unflagging eye on a society ruptured by naturaland unnatural disaster, and an insatiable love for humanity, Wagner delivers a masterpiece.… (mere) |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. Margaret, are you grieving over Goldengrove unleaving? Leaves like the things of man, you With your fresh thoughts care for, can you?
Ah, as the heart grows older It will come to such sights colder,
By and by, nor spare a sigh Though worlds of wanwood leafmeal lie; And yet you will weep and know why.
Now no matter, child, the name: Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed What heart heard of, ghost guessed:
It is the blight man was born for, It is Margaret you mourn for.
Gerard Manley Hopkins | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. to Gavin de Becker | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. 37 now but thinks of herself as 40, to soften the coming blow. | |
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▾Referencer Henvisninger til dette værk andre steder. Wikipedia på engelskIngen ▾Bogbeskrivelser In his most profound and accomplished book to date, acclaimed author Bruce Wagner breaks from Hollywood culture with a novel of exceptional literary dimension and searing emotional depth. Joan Herlihy is a semi-successful architect grasping at the illustrious commission that will catapult her to international renown, glossy de cor magazines, and the luxe condo designs of Meier, Koolhaas, and Hadid: the incestuous cult of contemporary Starchitects. Unexpectedly, she finds her Venice Beach firm on the short list for a coveted private memorial -- a Napa billionaire's vanity tribute to relatives killed in the Christmas tsunami -- with life-changing consequences. Her brother Chester clings to a failing career as a location scout before suffering an accidental injury resulting from an outrageous prank; the tragicomic repercussions lead him through a maze of addiction, delusion, paranoia -- and ultimately, transcendence. Virtually abandoned by her family, the indomitable Marjorie Herlihy -- mother, widow, and dreamer -- falls prey to a confidence scheme dizzying in its sadism and complexity. And unbeknownst to Marj and her children, the father who disappeared decades ago is alive and well nearby, recently in the local news for reasons that will prove to be both his redemption and his undoing. Spiraling toward catastrophe, separate lives collide as family members make a valiant attempt to reunite and create an enduring legacy. To rewrite a ruined American dream. Deeply compassionate and violently irreverent, "Memorial" is a testament to faith and forgiveness, and a luminous tribute to spirituality in the twenty-first century. With an unflagging eye on a society ruptured by naturaland unnatural disaster, and an insatiable love for humanity, Wagner delivers a masterpiece. ▾Biblioteksbeskrivelser af bogens indhold No library descriptions found. ▾LibraryThingmedlemmers beskrivelse af bogens indhold
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That's sounds pretty good doesn't it? It sounds like something I would really like to read. I read all 507 pages of Memorial and I still wouldn't mind reading the book described above. This sure isn't it.
I was sold on the book by hearing an interview with Mr. Wagner on WBAI radio. (One can find the interview by Googling "Cat Radio Cafe". It's somewhere on that site, or at least it was a couple of weeks ago.) It's an interesting interview. Mr. Wagner is an interesting talker. I wish I could say the same for his writing.
Maybe it was over my head. Maybe I'm not deep enough to grasp the "exceptional literary dimension". Maybe I'm too shallow or cowardly to plunge into the "searing emotional depth". Or maybe the novel is just as disappointing and depressing as I think it is.
So what is it? What did I read and get from it? This is a story of a family divided and yet still connected although through most of the novel they don't know it and one of them never does. We are presented with four interlocking stories. Once upon a time many years ago Ray and Marjorie were married. They had two lovely children Joan and Chester. Ray blew some sort of business deal, felt bad about himself, and quite the family, took off one day unannounced. As we enter the story the two kids are about 40 and the parents are old. There has been no contact with the absent father all that time. So that's the setup and then we get to go with them all through the personal hell or torment of Job. This is a novel where all the bad things you hear about on the news happens to happen to these people and those around them. All this is highly unpleasant and, well, sometimes feels exceptionally sadistic. That might not be so bad if there was a point to it all and since I lack the ability to grasp the exceptional literary dimension of it all, I guess I missed whatever that point or literary pay-off might have been. What I got was a sad, mean, ugly, and cruel story told with a whole lot, way too much, up-to-the-minute mass media hipness. Mr. Wagner sure knows his TV shows and personalities, and his LA gurus. Well, I know about this crap too and I didn't need him to point them out to me. But I don't waste my time actually watching the TV shows he insists on writing about, I just know about them and that's enough. I think Wagner should spend more time reading other novels than watching TV. It might help his writing or dictating or however this mess was produced. I didn't need him to tell me how horrible and sad modern life has become. I didn't need him to rub my nose in it. Everything he says about this country, the economies system, LA, is obvious to me. And he adds nothing on top of that. He just wasted my time with lists.
But then again I may well have missed the point. I tend to like most things I read and hate to have to be so negative, yet this is how I feels about this one.