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A clockwork orange (1962)

af Anthony Burgess

Andre forfattere: Se andre forfattere sektionen.

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
22,000346114 (4.01)685
Alex er brutal og voldelig. Det kan ikke fortsætte, og i fængslet bliver han prøveklud for Ludovico-metoden, der hjernevasker ham til lede ved vold. Han fortæller selv - i slang: natsat.
  1. 331
    Nineteen Eighty-Four af George Orwell (wosret)
  2. 262
    Fagre nye verden af Aldous Huxley (MinaKelly)
  3. 130
    Gøgereden af Ken Kesey (lucyknows, Gregorio_Roth, Gregorio_Roth)
    lucyknows: One Flew Over the Cuckoo's Nest by Ken Kesey may be paired with A Clockwork Orange by Anthony Burgess or The Outsider by Albert Camus. All three novels explore the them of society versus the individual.
  4. 132
    Tjenerindens fortælling af Margaret Atwood (wosret)
  5. 62
    Den fremmede af Albert Camus (SanctiSpiritus)
  6. 41
    A Boy and His Dog af Harlan Ellison (artturnerjr)
    artturnerjr: Futuristic ultraviolent teenage blues
  7. 52
    Riddley Walker af Russell Hoban (fugitive)
  8. 20
    The Midwich Cuckoos af John Wyndham (SnootyBaronet)
    SnootyBaronet: Teddy boys
  9. 20
    Hoppla! 1 2 3 (French Literature) af Gerard Gavarry (bluepiano)
    bluepiano: Central character is another criminally violent leader of a gang of youths. Here too the gang use slang terms of the author's devising. Less violence, a less straightforward narration, & to me a more interesting and striking book.
  10. 20
    Brighton Rock af Graham Greene (John_Vaughan)
  11. 10
    Rubicon Harvest af C. W. Kesting (Aeryion)
    Aeryion: The sub-culture of designer drug use and it's effect on the gritty society within Rubicon call back to A Clockwork Orange like an anesthetized echo. The prevalent use and abuse of the potent designer neurocotic Synth and the language (Illuminese) that the addicts speak amongst themselves is a brilliant homage to Burgess's original genius! This story gave me shivers as I read through the vivid hallucinatory narrative. A must read for every fan of the genre!… (mere)
  12. 22
    Skyatlas af David Mitchell (sturlington)
  13. 77
    Forbandede ungdom af J. D. Salinger (SqueakyChu)
  14. 01
    A Dead Man in Deptford af Anthony Burgess (Anonym bruger)
  15. 01
    Marabou Stork Nightmares af Irvine Welsh (SqueakyChu)
  16. 13
    Ensom løber : og andre noveller af Alan Sillitoe (thatguyzero)
1960s (8)
Read (47)
Satire (188)
Abuse (39)
Teens (7)
Indlæser...

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» Se også 685 omtaler

Engelsk (322)  Spansk (5)  Fransk (4)  Tysk (3)  Svensk (2)  Hollandsk (1)  Finsk (1)  Italiensk (1)  Portugisisk (1)  Dansk (1)  Alle sprog (341)
Lille, kort bog. Lang tid at læse. Nadsat er én forklaring - malenky, bolchy horrorshow I have viddied. Oh my Brothers. Ultra-violence indeed.
Og er den så god, den lille historie om Alex, YHN, og hans droogies og chai og eggieveg. JA! Såklart. Skræmmende, men altså bedst egnet til at sluge råt i én mundfuld, og ikke som jeg har gjort, over en længere periode.
Det tager noget tid at huske den vonny nadsat og den grolsch tone. Men god! God god. Your Humble Narrator. YHN ( )
  Tonny | Sep 27, 2017 |
Mr. Burgess, whenever we remeet him in a literary setting, seems to be standing kneedeep in the shavings of new methods, grimed with the metallic filings of bright ideas. A Clockwork Orange, for example, was a book which no one could take seriously for what was supposed to happen in it-its plot and "meaning" were the merest pretenses-but which contained a number of lively notions, as when his delinquents use Russian slang and become murderous on Mozart and Beethoven. In a work by Burgess nothing is connected necessarily or organically with anything else but is strung together with wires and pulleys as we go.
tilføjet af SnootyBaronet | RedigerThe New York Times, John Bayley
 
Burgess’s 1962 novel is set in a vaguely Socialist future (roughly, the late seventies or early eighties)—a dreary, routinized England that roving gangs of teenage thugs terrorize at night. In perceiving the amoral destructive potential of youth gangs, Burgess’s ironic fable differs from Orwell’s 1984 in a way that already seems prophetically accurate. The novel is narrated by the leader of one of these gangs-—Alex, a conscienceless schoolboy sadist—and, in a witty, extraordinarily sustained literary conceit, narrated in his own slang (Nadsat, the teenagers’ special dialect). The book is a fast read; Burgess, a composer turned novelist, has an ebullient, musical sense of language, and you pick up the meanings of the strange words as the prose rhythms speed you along.
tilføjet af SnootyBaronet | RedigerThe New Yorker, Pauline Kael
 
A Clockwork Orange, the book for which Burgess — to his understandable dismay — is best known. A handy transitional primer for anyone learning Russian, in other respects it is a bit thin. Burgess makes a good ethical point when he says that the state has no right to extirpate the impulse towards violence. But it is hard to see why he is so determined to link the impulse towards violence with the aesthetic impulse, unless he suffers, as so many other writers do, from the delusion that the arts are really rather a dangerous occupation. Presumably the connection in the hero’s head between mayhem and music was what led Stanley Kubrick to find the text such an inspiration. Hence the world was regaled with profound images of Malcolm McDowell jumping up and down on people’s chests to the accompaniment of an invisible orchestra.

It is a moot point whether Burgess is saying much about human psychology when he so connects the destructive element with the creative impulse. What is certain is that he is not saying much about politics. Nothing in A Clockwork Orange is very fully worked out. There is only half a paragraph of blurred hints to tell you why the young marauders speak a mixture of English and Russian. Has Britain been invaded recently? Apparently not. Something called ‘propaganda’, presumably of the left-wing variety, is vaguely gestured towards as being responsible for this hybrid speech. But even when we leave the possible causes aside, and just examine the language itself, how could so basic a word as ‘thing’ have been replaced by the Russian word without other, equally basic, words being replaced as well?
tilføjet af SnootyBaronet | RedigerNew York Review of Books, Clive James
 
But all in all, “A Clockwork Orange” is a tour-de-force in nastiness, an inventive primer in total violence, a savage satire on the distortions of the single and collective minds.
 
In A Clockwork Orange, Anthony Burgess has written what looks like a nasty little shocker but is really that rare thing in English letters—a philosophical novel. The point may be overlooked because the hero, a teen-age monster, tells all about everything in nadsat, a weird argot that seems to be all his own. Nadsat is neither gibberish nor a Joycean exercise. It serves to put Alex where he belongs—half in and half out of the human race.
tilføjet af Shortride | RedigerTime (Feb 15, 1963)
 

» Tilføj andre forfattere (36 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Burgess, AnthonyForfatterprimær forfatteralle udgaverbekræftet
Arbonès, JordiOversættermedforfatternogle udgaverbekræftet
Šenkyřík, Ladislavmedforfatternogle udgaverbekræftet
Brumm, WalterOversættermedforfatternogle udgaverbekræftet
Buenaventura, RamónForordmedforfatternogle udgaverbekræftet
Hollander, TomReadermedforfatternogle udgaverbekræftet
Jones, BenIllustratormedforfatternogle udgaverbekræftet
Lundgren, CajOversættermedforfatternogle udgaverbekræftet
Morrison, BlakeIntroduktionmedforfatternogle udgaverbekræftet
Pelham, DavidOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
Walsh, JohnIntroduktionmedforfatternogle udgaverbekræftet
Welsh, IrvineForordmedforfatternogle udgaverbekræftet
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Goodness comes from within [...] Goodness is something chosen. When a man cannot choose he ceases to be a man.
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Then I noticed, in all my pain and sickness, what music it was that like crackled and boomed on the sound-track, and it was Ludwig van, the last movement of the Fifth Symphony, and I creeched like bezoomny at that. ‘Stop!’ I creeched. ‘Stop, you grahzny disgusting sods. It’s a sin, that’s what it is, a filthy unforgivable sin, you bratchnies!’
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Alex er brutal og voldelig. Det kan ikke fortsætte, og i fængslet bliver han prøveklud for Ludovico-metoden, der hjernevasker ham til lede ved vold. Han fortæller selv - i slang: natsat.

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Historisk bibliotek: Anthony Burgess

Anthony Burgess har et Efterladt bibliotek. Efterladte Biblioteker er de personlige biblioteker fra berømte læsere, registreret af medlemmer fra gruppen Legacy Libraries som er det engelske udtryk for Efterladte Biblioteker.

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Penguin Australia

4 udgaver af dette værk er udgivet af Penguin Australia.

Udgaver: 0141182601, 0141037229, 0141192364, 0241951445

 

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