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Indlæser... Electrical Banana: Masters of Psychedelic Art (udgave 2012)af Norman Hathaway, Daniel Nadel, Paul McCartney (Forord)
Work InformationElectrical Banana: Masters of Psychedelic Art af Norman Hathaway
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Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog. Der er ingen diskussionstråde på Snak om denne bog. This thing happens where people alive in the 1960s dismiss psychedelic art. “Been there, done that. It was the drugs. Oh god.” Not being alive then, I’m not so quick to dismiss this art. To me, it is like any other Western aesthetic movement. If the “fine art” world rejected this art at the time that is a plus not a minus. In late capitalism, is there difference between fine art and commercial art? Sure there is. Noncommercial art is considered terrorism. Every period has its extremes. I found this book mind blowing. No pun intended. Keiichi Tanaami’s work was particularly inspiring. Yellow Submarine still holds up as a feel good musical. I see neon everywhere these days. ingen anmeldelser | tilføj en anmeldelse
"Electrical Banana is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. With a deft combination of hundreds of unseen images and exclusive interviews and essays, Electrical Banana aims to revise the common persception of psychedelic art, showing it to be more innovative, compelling, and revolutionary than was ever thought before."--P. [4] of cover. No library descriptions found. |
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Google Books — Indlæser... GenrerMelvil Decimal System (DDC)741The arts Graphic arts and decorative arts Drawing & drawingsLC-klassificeringVurderingGennemsnit:
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It is also refreshing not to see a book dedicated to the San Francisco artists.
A book on art is hardly worth mentioning without a note on the illustrations, and the replication in this case is excellent, with no skimping by doing half the book in black & white. Here every image has been lovingly reproduced in glorious technicolour. Even the smallest details of Mati Klarwein's insanely detailed works such as Grain of Sand 1963-65 stands up to close scrutiny.
The art was designed to allow people to visualise the experience of taking a 'trip' on LSD without having to actually take the drug itself. Although I am sure plenty took the drug all the same. ( )