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The Oxford Handbook of Thomas Middleton (Oxford Handbooks)

af Gary Taylor (Redaktør), Trish Thomas Henley (Redaktør)

Andre forfattere: Mary Bly (Bidragyder), Terri Bourus (Bidragyder), Douglas Bruster (Bidragyder), Lars Engle (Bidragyder), Jonathan Hope (Bidragyder)9 mere, Douglas M. Lanier (Bidragyder), Laurie Maguire (Bidragyder), Lucy Munro (Bidragyder), Gail Kern Paster (Bidragyder), Carol Chillington Rutter (Bidragyder), Emma Smith (Bidragyder), Tiffany Stern (Bidragyder), Paul Yachnin (Bidragyder), Julian Yates (Bidragyder)

Serier: Oxford Handbooks

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The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, historyplays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the firstcomplete scholarly text of his voluminous and diverse oeuvre.The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such asThe Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continentalEurope, his fascinating explorations of sexuality and religion, all receive attention.The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired byhis artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer.… (mere)
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Forfatter navnRolleHvilken slags forfatterVærk?Status
Taylor, GaryRedaktørprimær forfatteralle udgaverbekræftet
Henley, Trish ThomasRedaktørhovedforfatteralle udgaverbekræftet
Bly, MaryBidragydermedforfatteralle udgaverbekræftet
Bourus, TerriBidragydermedforfatteralle udgaverbekræftet
Bruster, DouglasBidragydermedforfatteralle udgaverbekræftet
Engle, LarsBidragydermedforfatteralle udgaverbekræftet
Hope, JonathanBidragydermedforfatteralle udgaverbekræftet
Lanier, Douglas M.Bidragydermedforfatteralle udgaverbekræftet
Maguire, LaurieBidragydermedforfatteralle udgaverbekræftet
Munro, LucyBidragydermedforfatteralle udgaverbekræftet
Paster, Gail KernBidragydermedforfatteralle udgaverbekræftet
Rutter, Carol ChillingtonBidragydermedforfatteralle udgaverbekræftet
Smith, EmmaBidragydermedforfatteralle udgaverbekræftet
Stern, TiffanyBidragydermedforfatteralle udgaverbekræftet
Yachnin, PaulBidragydermedforfatteralle udgaverbekræftet
Yates, JulianBidragydermedforfatteralle udgaverbekræftet

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The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, historyplays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the firstcomplete scholarly text of his voluminous and diverse oeuvre.The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such asThe Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continentalEurope, his fascinating explorations of sexuality and religion, all receive attention.The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired byhis artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer.

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