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Indlæser... Look to Windward (original 2000; udgave 2001)af Iain M. Banks (Forfatter)
Work InformationLook to Windward af Iain M. Banks (2000)
  
  ) WorkLastDay | Dec 17, 2023 |  So like 1) In what way is it the culture's responsibility? 2) Why is the ending of the caste system presented as inevitably resulting in terrible violence worse than the caste system itself? I don't want to be too like "well this doesn't follow my communist morality so it's bad" but it does feel like a very strange moral tale to have the oppressed become atrociously violent suddenly for no good reason and for it to be the wrong thing to have helped them at all. But even if we accept this, it seems strange to blame the Culture given that this was apparently something a significant amount of the population immediately took to. Although the Culture influenced things somewhat, apparently if the caste-enders had come to power "naturally" the same thing would have happened. If the politicians or even a decent amount of the population had a serious investment in the caste system they could easily have stopped things getting that far in the first place (although again that'd be bizarre, morally). So if there were no Culture intervention at all, either 1) the same thing would have happened, possibly over a longer timescale, given there seemed to be widespread agreement on what was done up until the war and no major pushback 2) the caste supporters would have objected, taken up a stronger position, and probably catalysed a civil war anyway which would probably have been just as bloody except with the oppressed castes in a far weaker position. Of course, this is me being silly to a certain extent. Obviously it's fiction, you have a certain set up, and it's not pushing a super simplistic "oppressed people are bad for resisting" thing exactly. It's an attempt to set up a decent moral dilemma, and obviously if it's a moral dilemma there's no starting position that will totally satisfy me because it's always going to be unpleasant in some way! I mean like as a general opponent of most "intervention" in a real life context it's kind of weird of me to be defending the Culture in the book, even if it's not really like real interventions - we "know" the Culture is far more "good" than any state in real life, even with the bad stuff it does sometimes. The Chelgrian intervention also had very little benefit to them - in real life the bad consequences are often down to continuing oppression to benefit those who intervened. But it's near impossible to create a close to real scenario in the Culture universe I think. I definitely appreciate the effort and think he did a great job - that I'm writing all these words about it is a good indication I think what he's written is worth thinking seriously about, heh. It's a pretty great thing to do to try and write a book about intervention like this - even if I don't think the premise is perfect to talk about the problems and consequences of "humanitarian intervention" even with seemingly "perfect" societies is good. Although I did feel the civil war was intended to evoke memories of the Rwandan genocide, which seems kind of dodgy? The book is good in general. It's full of descriptions of the Orbital, which are amazing although I'm bad at picturing stuff from descriptions and if you're better at that than me you'll probably like it even more. The truly alien environment of the airsphere was great to read about too. The ending is good - I did think (ending spoiler)  ) tombomp | Oct 31, 2023 | ) zeh | Jun 3, 2023 | freixas | Mar 31, 2023 | Why does he have to have those super violent bits though? (  ) endolith | Mar 1, 2023 |
 Banks writes with a sophistication that will surprise anyone unfamiliar with modern science fiction. He begins in medias res, introducing characters, places and events that are not explained in detail until many pages later. [...] The deus ex machina ending will strike some as too easy. But as in all good fiction, what's important in Banks's work is the subtext, which I take to be the idea that freedom is both necessary and dangerous, and that only by imagining the unimaginable, both in ourselves and others, can we hope to remain free. .. he is not afraid to to ponder the implications of his flash-bang spectaculars. He examines the fine distinction between hedonism (what the Culture thinks it practises) and decadence (what many others perceive), as well as the responsibilities that come with immeasurable power. An enjoyable romp is overlaid with tragedy as he rubs our noses in the consequences of war: ... HæderspriserDistinctions
It was one of the less glorious incidents of the Idiran wars that led to the destruction of two suns and the billions of lives they supported. Now, 800 years later, the light from the first of those deaths has reached the Culture's Masaq' Orbital. A Chelgrian emissary is dispatched to the Culture. No library descriptions found. |
Current DiscussionsIngenPopulære omslag
 Google Books — Indlæser...GenrerMelvil Decimal System (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999LC-klassificeringVurderingGennemsnit: (3.95)
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LOOK TO WINDWARD discussion (The Culture group read)
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