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Ben Jonson: a life (2011)

af Ian Donaldson

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841319,485 (3.67)3
Ben Jonson was the greatest of Shakespeare's contemporaries. His fame rests not only on the numerous plays he had written, but on his achievements over three decades as principal masque writer to the early Stuart court, where he had worked in creative, if at times stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he was, in fact if not in title, the first Poet Laureate in England. This biography draws on freshly discovered writings by and about Ben Jonson, and locates his work within the social and intellectual contexts of his time, and it depicts a life full of drama. Jonson's early satirical play, The Isle of Dogs, landed him in prison, and brought all theatrical activity in London to a temporary, and very nearly permanent, standstill. He was "almost at the gallows" for killing a fellow actor after a quarrel, and converted to Catholicism while awaiting execution. He supped with the Gunpowder Conspirators on the eve of their planned coup at Westminster. After satirizing the Scots in Eastward Ho! he was imprisoned again, and throughout his career was repeatedly interrogated about plays and poems thought to contain seditious or slanderous material. Throughout this biography, the auithor provides the fullest picture available of Jonson's personal, political, spiritual, and intellectual interests, and he discusses all of Jonson's major poetry and drama, plus some newly discovered works. Jonson emerges from this study as a more complex and volatile character than previously depicted, and as a writer whose work strikingly foresees the modern age.… (mere)
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Poor wretches! I rather pity their folly and indiscretion, than their loss of time and money; for these may be recovered by industry: but to be a fool born is a disease incurable.

I had harbored such high hopes for this effort. Donaldson isn't blessed with an abundance of source material, primary accounts are existent but oblique. Jonson's own creative output is astonishing yet this 450 pages appeared both muddled and muted. This Life, simply, is just a mess.

We do learned of Jonson's efforts at a scholar, his penchant for neologism: he introduced the word plagiarism into English from the Latin for kidnapping. If only Donaldson had snatched some prose with aplomb. We learn Jonson was from humble stock, his stepfather was a bricklayer. His predilection converse to the family was one for books. He qualified for university and excelled, he then joined the military to sate longings for Adventure and Glory. Self-preservation thankfully soon cured him of that.

As a player in traveling troupe he once killed a man, joining Caravaggio, Leadbelly and Aaron Burr in that endeavor. Jonson fortunately avoided the gallows and converted to Catholicism. This places him in a strange position during the reigns of Elizabeth I and then James I. He became good friends with John Donne, whose religious conversion went the other way. He then wrote some wicked-smart comedies and wrote tons of verse, most of the latter for his friends. Jonson became successful, never appeared to find much love and continues drinking until he was nearly 280 pounds. He turned to serious scholarship full time later in life and was mad friends with Robert Burton: oh, would I love to think all day about those conversations.

While the book did situate Jonson in the religious/political turbulence of the time, it itself was flat and bereft of personality. ( )
  jonfaith | Feb 22, 2019 |
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Ben Jonson was the greatest of Shakespeare's contemporaries. His fame rests not only on the numerous plays he had written, but on his achievements over three decades as principal masque writer to the early Stuart court, where he had worked in creative, if at times stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he was, in fact if not in title, the first Poet Laureate in England. This biography draws on freshly discovered writings by and about Ben Jonson, and locates his work within the social and intellectual contexts of his time, and it depicts a life full of drama. Jonson's early satirical play, The Isle of Dogs, landed him in prison, and brought all theatrical activity in London to a temporary, and very nearly permanent, standstill. He was "almost at the gallows" for killing a fellow actor after a quarrel, and converted to Catholicism while awaiting execution. He supped with the Gunpowder Conspirators on the eve of their planned coup at Westminster. After satirizing the Scots in Eastward Ho! he was imprisoned again, and throughout his career was repeatedly interrogated about plays and poems thought to contain seditious or slanderous material. Throughout this biography, the auithor provides the fullest picture available of Jonson's personal, political, spiritual, and intellectual interests, and he discusses all of Jonson's major poetry and drama, plus some newly discovered works. Jonson emerges from this study as a more complex and volatile character than previously depicted, and as a writer whose work strikingly foresees the modern age.

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