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Cutting Edges: Contemporary Collage af R.…
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Cutting Edges: Contemporary Collage (udgave 2011)

af R. Klanten, H. Hellige (Redaktør), J. Gallagher (Redaktør)

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Collage has an outstanding tradition in the modern visual arts. Influenced by surrealism and Dada as well as constructivism, the technique was firmly established as an art form in the 1920s and 1930s through the work of artists such as John Heartfield, El Lissitzky, and Hannah Hoch. Today, a new generation of young artists and illustrators is rediscovering collage. Cutting Edges is a collection of current artistic work that unites unrelated elements to create something new. Although the artists also use the computer for the purpose of montage, most of the featured collages are made by hand and often include found objects. It is not only the addition of visual elements that is important to the work, but also their deliberate omission, deletion, and destruction. While the combination of very different materials is charmingly reminiscent of the past, the innovative work in Cutting Edges proves that a new era of collage has begun. Texts by curator Dr. Silke Krohn put this current rediscovery of collage into an art-historical context.… (mere)
Medlem:utkdesign_library
Titel:Cutting Edges: Contemporary Collage
Forfattere:R. Klanten
Andre forfattere:H. Hellige (Redaktør), J. Gallagher (Redaktør)
Info:Die Gestalten Verlag (2011), Hardcover, 224 pages
Samlinger:Sarah, Dit bibliotek
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Nøgleord:Ingen

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Cutting Edges: Contemporary Collage af Robert Klanten

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Collage has an outstanding tradition in the modern visual arts. Influenced by surrealism and Dada as well as constructivism, the technique was firmly established as an art form in the 1920s and 1930s through the work of artists such as John Heartfield, El Lissitzky, and Hannah Hoch. Today, a new generation of young artists and illustrators is rediscovering collage. Cutting Edges is a collection of current artistic work that unites unrelated elements to create something new. Although the artists also use the computer for the purpose of montage, most of the featured collages are made by hand and often include found objects. It is not only the addition of visual elements that is important to the work, but also their deliberate omission, deletion, and destruction. While the combination of very different materials is charmingly reminiscent of the past, the innovative work in Cutting Edges proves that a new era of collage has begun. Texts by curator Dr. Silke Krohn put this current rediscovery of collage into an art-historical context.

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