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The Very Picture of You

af Isabel Wolff

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MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
20833129,982 (3.46)16
Fiction. Literature. Romance. HTML:Where the eye sees the brushstroke, the heart sees the truth.
 
At thirty-five, Gabriella ??Ella? Graham is a successful portrait artist in London. She captures the essential truth in each of her subjects?? faces??a tilt of the chin, a glint in the eye??and immortalizes it on canvas. But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella??s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe??s behest, Ella agrees to paint Nate??s portrait.
 
From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints??including an elderly client reflecting on her life and a woman dreading the prospect of turning forty??Ella realizes that there is so much more to a person??s life than what is seen on the surface. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than about the artist herself.
 
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» Se også 16 omtaler

Engelsk (31)  Spansk (1)  Italiensk (1)  Fransk (1)  Alle sprog (34)
Viser 1-5 af 34 (næste | vis alle)
Light and predictable. ( )
  ellink | Jan 22, 2024 |
"¿Tenemos que pintar lo que vemos en un rostro, lo que trasmite, o lo que esconde?", pregunta Picasso. Corre de cuenta de un buen artista ir más allá de las apariencias y plasmar en un lienzo ese rasgo único que muestra cuerpo y alma de la persona retratada.
Gabriella Graham lo sabe muy bien, y en sus retratos se nota ese don por captar la esencia de una persona. Sus cliente la admiran, confían en ella y le cuentan sus propias historias, pero entre las cuatro paredes de su propia casa no es tan fácil distinguir la verdad.
El padre abandonó a la familia cuando ella y su hermana Chloe aún eran niñas, y esa lejanía ha ido creando malentendidos. Además, Chloe está a punto de casarse con Nate, un hombre del que Ella desconfía y el mundo de la joven pintora parece tambalearse, hasta que un buen día Nate se sienta delante de su caballete, dipuesto a posar para un retrato.
Día tras día, sesión tras sesión, nacerá entre los dos un nuevo sentimiento. Ella irá descubriendo quién es de verdad ese hombre que tanto atrae a su hermana y, lo que es más, sabrá por fin algo de sí misma que se había empeñado en esconder entre lienzos y pinceles.
  Natt90 | Nov 30, 2022 |
bello. Solo nel finale cala sensibilmente ( )
  jcumani | Apr 3, 2018 |
nicely researched descriptions of protraiture - ok story line ( )
  MicheleMG | Feb 1, 2017 |
I enjoyed this book. I liked the characters, I liked the storyline and it went at a nice pace. There were a few surprises along the way. I do have to say I feel like I've read this before, which has been happening to me lately. I would recommend this book as a fun summer read. ( )
  MHanover10 | Jul 10, 2016 |
Viser 1-5 af 34 (næste | vis alle)
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Isabel Wolffprimær forfatteralle udgaverberegnet
Björkhem, AnnOversættermedforfatternogle udgaverbekræftet
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Beslægtede film
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Are we to paint what's on the face, what's inside the face, or what's behind it? - Pablo Picasso
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"Ella...? El-la?"
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Fiction. Literature. Romance. HTML:Where the eye sees the brushstroke, the heart sees the truth.
 
At thirty-five, Gabriella ??Ella? Graham is a successful portrait artist in London. She captures the essential truth in each of her subjects?? faces??a tilt of the chin, a glint in the eye??and immortalizes it on canvas. But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella??s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe??s behest, Ella agrees to paint Nate??s portrait.
 
From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints??including an elderly client reflecting on her life and a woman dreading the prospect of turning forty??Ella realizes that there is so much more to a person??s life than what is seen on the surface. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than about the artist herself.
 
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