|
Indlæser... Painting in Spain : El Greco to Goya : 1561-1828 (1997)75 | Ingen | 355,214 |
(2.67) | Ingen | Long an object of travelers' fascination, Spain in the Golden Age is often represented as a monochromatic society, ruled by the Catholic church and a decadent nobility. Spanish painting has shared this fate, seen as a dark reflection of devout piety, gravity, and austerity.
Yet painting in Spain is far richer than this view supposes. During the Renaissance the splendid court of Philip II led a society made wealthy by a monopoly on New World trade. His Spain became a mecca for the finest artists of Europe, especially those from Italy and the Netherlands. During the next 250 years, a glorious art of painting flourished at the Habsburg and Bourbon courts in Madrid, and in the cities of Seville, Valencia, and Toledo: majestic, fiercely emotional, elegant, and urbane.
From the insightful portraits of El Greco and Velazquez to the stark poetry of Zurbaran's religious works, from images of monarchic authority to courtly entertainments, painters working in Spain created an art of extraordinary stature, woven into the international world of Mannerism, the Baroque, and the Rococo. Janis Tomlinson traces these myriad influences as they developed from generation to generation of artists, culminating in the unique accomplishment of Francisco Goya, last of the old masters and first of the moderns.… (mere) |
▾LibraryThing Anbefalinger ▾Vil du synes om den?
Indlæser...
Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog. ▾Samtaler (Om links) Der er ingen diskussionstråde på Snak om denne bog. ▾Medlemmernes anmeldelser
▾Offentliggjorte anmeldelser ▾Series and work relationships
|
Kanonisk titel |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
|
Originaltitel |
|
Alternative titler |
|
Oprindelig udgivelsesdato |
|
Personer/Figurer |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
|
Vigtige steder |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
|
Vigtige begivenheder |
|
Beslægtede film |
|
Indskrift |
|
Tilegnelse |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. This book is dedicated to Davey, Laura, Jack, Julia, and Eric. | |
|
Første ord |
|
Citater |
|
Sidste ord |
|
Oplysning om flertydighed |
|
Forlagets redaktører |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
|
Bagsidecitater |
|
Originalsprog |
|
Canonical DDC/MDS |
|
Canonical LCC |
|
▾Referencer Henvisninger til dette værk andre steder. Wikipedia på engelsk (1)▾Bogbeskrivelser Long an object of travelers' fascination, Spain in the Golden Age is often represented as a monochromatic society, ruled by the Catholic church and a decadent nobility. Spanish painting has shared this fate, seen as a dark reflection of devout piety, gravity, and austerity.
Yet painting in Spain is far richer than this view supposes. During the Renaissance the splendid court of Philip II led a society made wealthy by a monopoly on New World trade. His Spain became a mecca for the finest artists of Europe, especially those from Italy and the Netherlands. During the next 250 years, a glorious art of painting flourished at the Habsburg and Bourbon courts in Madrid, and in the cities of Seville, Valencia, and Toledo: majestic, fiercely emotional, elegant, and urbane.
From the insightful portraits of El Greco and Velazquez to the stark poetry of Zurbaran's religious works, from images of monarchic authority to courtly entertainments, painters working in Spain created an art of extraordinary stature, woven into the international world of Mannerism, the Baroque, and the Rococo. Janis Tomlinson traces these myriad influences as they developed from generation to generation of artists, culminating in the unique accomplishment of Francisco Goya, last of the old masters and first of the moderns. ▾Biblioteksbeskrivelser af bogens indhold No library descriptions found. ▾LibraryThingmedlemmers beskrivelse af bogens indhold
|
Current DiscussionsIngenGoogle Books — Indlæser...
|