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Exiled from Almost Everywhere (Spanish Literature Series) (2008)

af Juan Goytisolo

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In "Exiled from Almost Everywhere," Juan Goytisolo's perverse mutant protagonist--the Parisian "Monster of Le Sentier"--is blown up by an extremist bomber and finds himself in the cyberspace of the Thereafter with an infinite collection of computer monitors. His curiosity piqued, he uses the screens at hand to explore the multiple ways war and terrorism are hyped in the Hereafter of his old life where he once happily cruised bathrooms and accosted children. Ricocheting from life to death and back again, meeting various colorful demagogues along the way--the imam "Alice," a pedophile Monsignor, and a Rastafarian rabbi--our "Monster" revisits seedy democracies that are a welter of shopping-cities and righteous violence voted in by an eternally duped citizenry and defended by the infamous erogenous bomb. At once fantastical and cruelly real, "Exiled from Almost Everywhere" hurtles the reader through our troubled times in a Swiftian series of grisly cartoon screenshots.… (mere)
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The coarsest morsel of private life invades the public sphere and the brutalized inhabitants of our insignificant marble only seem exist as news items.

Goytisolo has always been lurking in my adult life. Slipping into the frame, always out of focus. Most novelists wind up drifting away. I can't explain the mechanics of literary gravity. I don't know the flaws of orbit. What merits retention? G's biography has always held an integrity for me. This remains the case even if it is steeped in humiliation. Ostracized as a Red, a Queer and finally as Arabophile, Goytisolo kept his poise even if his prose is often maddening. I keep approaching the late works as postscripts or summations. They are hardly such.

This is a novel about Extremism and Information. The afterlife is an internet cafe and cyberspace is our posterity. A suicide bomber has killed an author. (maybe Our Author) He'd prefer to stay dead but instead is inundated by updates and status feeds form the world, especially Revolutionaries and the Beautiful Ones, whose tension is a synergy, one predicated on the ongoing suffering in the shanties of the world. This is the Goytisolo of Marx Family Saga or States of Siege. Exiled is brusque satire, one weedy with resignation.
( )
  jonfaith | Feb 22, 2019 |
El extravagante personaje de la novela de Juan Goytisolo, Paisajes después de la batalla (1982), cuyas profecías y visiones apocalípticas se han cumplido con puntualidad, muere al final de la obra, víctima de una bomba lapa adherida a su gabardina por un oscuro grupo extremista. Proyectado al Más Acá de la muerte, contempla ahora desde el ciberespacio la realización de sus delirantes augurios y decide regresar al Más Allá de su vida para comprender las motivaciones de quienes acabaron con ella, a fin de abrazar sus doctrinas y ponerse en la piel de su ejecutor. Novela del siglo XXI, El exiliado de aquí y allá inventa a su modo el arte de narrar de la nueva centuria con la claridad y exigencia que caracterizan la obra de madurez del autor. Su humor corrosivo, respecto de sí mismo y de su desdichado héroe, no deja obispo con mitra ni títere con cabeza. ( )
  BibliotecaUNED | Apr 27, 2017 |
Lectura del grupo de 05/09/2009 ( )
  VespresLiteraris | Aug 28, 2009 |
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Wikipedia på engelsk (1)

In "Exiled from Almost Everywhere," Juan Goytisolo's perverse mutant protagonist--the Parisian "Monster of Le Sentier"--is blown up by an extremist bomber and finds himself in the cyberspace of the Thereafter with an infinite collection of computer monitors. His curiosity piqued, he uses the screens at hand to explore the multiple ways war and terrorism are hyped in the Hereafter of his old life where he once happily cruised bathrooms and accosted children. Ricocheting from life to death and back again, meeting various colorful demagogues along the way--the imam "Alice," a pedophile Monsignor, and a Rastafarian rabbi--our "Monster" revisits seedy democracies that are a welter of shopping-cities and righteous violence voted in by an eternally duped citizenry and defended by the infamous erogenous bomb. At once fantastical and cruelly real, "Exiled from Almost Everywhere" hurtles the reader through our troubled times in a Swiftian series of grisly cartoon screenshots.

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