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Gloria F. Ross and Modern Tapestry af Ann…
Indlæser...

Gloria F. Ross and Modern Tapestry (udgave 2010)

af Ann Lane Hedlund (Forfatter), Grace Glueck (Forord)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler
26Ingen889,335IngenIngen
Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross’s modern tapestries and to illuminate the significance of her creative partnerships. Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross’s sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades.… (mere)
Medlem:kpd28806
Titel:Gloria F. Ross and Modern Tapestry
Forfattere:Ann Lane Hedlund (Forfatter)
Andre forfattere:Grace Glueck (Forord)
Info:Other Distribution (2010), Edition: First Edition, 378 pages
Samlinger:Textiles, techniques, Dit bibliotek
Vurdering:
Nøgleord:textiles, weaving, tapestry

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Gloria F. Ross and Modern Tapestry af Ann Lane Hedlund

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Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross’s modern tapestries and to illuminate the significance of her creative partnerships. Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross’s sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades.

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