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Jonathan Strange & Mr. Norrell: A Novel af…
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Jonathan Strange & Mr. Norrell: A Novel (udgave 2006)

af Susanna Clarke (Forfatter)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler / Omtaler
26,819770110 (3.94)2 / 1177
Jonathan Strange og Mr. Norrell bringer efter napoleonskrigene i begyndelsen af 1800-tallet udøvelsen af magi tilbage til England.
Medlem:DayThrreQueen
Titel:Jonathan Strange & Mr. Norrell: A Novel
Forfattere:Susanna Clarke (Forfatter)
Info:Tor Books (2006), 1024 pages
Samlinger:Dit bibliotek
Vurdering:
Nøgleord:Ingen

Work Information

Jonathan Strange & Mr. Norrell af Susanna Clarke

  1. 401
    The Ladies of Grace Adieu and Other Stories af Susanna Clarke (billiecat, celtic)
  2. 341
    Stjernestøv af Neil Gaiman (GreenVelvet, GreenVelvet, GreenVelvet)
    GreenVelvet: Both Stardust and Jonathan Strange & Mr Norrell are detailed, well-written and riveting explorations of the world of fairie.
  3. 241
    Little, Big af John Crowley (VisibleGhost)
  4. 231
    Nattens cirkus af Erin Morgenstern (-Eva-, BookshelfMonstrosity)
    BookshelfMonstrosity: Magical rivalries are at the heart of these unconventional Fantasy novels, which play out over decades and against elaborate, atmospheric 19th-century backdrops. Their initially relaxed pacing gains momentum as the various narrative threads dramatically converge.… (mere)
  5. 212
    The Book of Lost Things af John Connolly (derelicious, jonathankws)
  6. 182
    The King of Elfland's Daughter af Lord Dunsany (billiecat)
    billiecat: Clarke's descriptions of Faerie share the dreamlike qualities of Dunsany's novel.
  7. 226
    Titus Groan : roman af Mervyn Peake (saltmanz)
    saltmanz: Both extrememly atmospheric books, with vivid visuals and memorable characters.
  8. 171
    Lud-in-the-Mist af Hope Mirrlees (TheSpecialistsCat)
    TheSpecialistsCat: Both Clarke and Mirrlees lived briefly in Spain, then returned home to write about fairies and also, ostensibly, what it means to be English.
  9. 183
    Den trettende fortælling af Diane Setterfield (majkia)
    majkia: both books evoked the same sort of feeling for me.
  10. 195
    Amuletten fra Samarkand af Jonathan Stroud (clif_hiker)
  11. 141
    Sorcery and Cecelia, or, The Enchanted Chocolate Pot af Patricia C. Wrede (fyrefly98)
    fyrefly98: Both have the same "Jane-Austen-meets-Harry-Potter" vibe to them; "Jonathan Strange" is denser and more grown-up, while "Sorcery & Cecelia" is funnier and more of a romp.
  12. 185
    His Majesty's Dragon af Naomi Novik (Rodo)
  13. 187
    Den Sorte Rytter af Susan Cooper (ErlendSkjelten)
    ErlendSkjelten: I don't remember making this recommendation, much less why I did; they are very different books. I think I felt that they both conjured up the same mystic mood, and they are both concerned with a very British magic.
  14. 100
    Sorcerer to the Crown af Zen Cho (jen.e.moore)
  15. 133
    To Say Nothing of the Dog af Connie Willis (hiredman)
  16. 134
    Manden, som var Torsdag af G.K. Chesterton (flissp)
  17. 126
    The Prestige af Christopher Priest (Patangel)
  18. 82
    Swordspoint af Ellen Kushner (spiphany)
  19. 60
    Bitter Seeds af Ian Tregillis (Aerrin99)
    Aerrin99: Books which focus on a fascinating historical Britain, but with added fun like magicians and more.
  20. 60
    Hævnerens fortælling af Michael Cox (Anonym bruger)

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» Se også 1177 omtaler

Engelsk (748)  Fransk (6)  Italiensk (3)  Tysk (2)  Catalansk (2)  Svensk (2)  Finsk (2)  Japansk (2)  Spansk (1)  Alle sprog (768)
Viser 1-5 af 768 (næste | vis alle)
Hyper-authentic attention to detail makes it read like a true 19th century novel, down to the grammar, punctuation, spelling, narration, footnotes, etc. A glimpse into what modern speculative fiction would have been if introduced centuries earlier. Difficult to say if the huge length and slow pace are part of the intended authenticity or not. ( )
  lneukirch | Feb 4, 2024 |
(2004) Heard a lot of buzz about this ?Harry Potter for adults?. Well, boring. Way to long (782 pages), I only made it to about 270 and felt like I had suffered enough. Interesting stories such as raising a woman from the dead and helping England fight Napoleanic France at turn of 19th century, but plod plod plod.
  derailer | Jan 25, 2024 |
Clarke does a masterful job of using the language of the Georgian period. The characters and the overall plot are interesting. But I felt there were side excursions to the plot that were too numerous and too extended for me to rate the book higher. ( )
  Treebeard_404 | Jan 23, 2024 |
Amazing fantasy novel that didn't need foot notes that took up half the page. ( )
  sweetimpact | Jan 18, 2024 |
Unfortunately I read it in German (long time ago), which probably doesn't do it justice. ( )
  adastra | Jan 15, 2024 |
Viser 1-5 af 768 (næste | vis alle)
Her deftly assumed faux-19th century point of view will beguile cynical adult readers into losing themselves in this entertaining and sophisticated fantasy.
 
Many charmed readers will feel, as I do, that Susanna Clarke has wasted neither her energies nor our many reading hours.
 
Susanna Clarke, who resides in Cambridge, England, has spent the past decade writing the 700-plus pages of this remarkable book. She's a great admirer of Charles Dickens and has produced a work every bit as enjoyable as The Pickwick Papers, with more than a touch of the early Anne Rice thrown in for good measure.
 
"Move over, little Harry. It’s time for some real magic."
 
A chimera of a novel that combines the dark mythology of fantasy with the delicious social comedy of Jane Austen into a masterpiece of the genre that rivals Tolkien.
tilføjet af Shortride | RedigerTime, Lev Grossman (Aug 16, 2004)
 

» Tilføj andre forfattere (13 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Clarke, Susannaprimær forfatteralle udgaverbekræftet
Bützow, HeleneOversættermedforfatternogle udgaverbekræftet
Gaiman, NeilIntroduktionmedforfatternogle udgaverbekræftet
Janiš, ViktorOversættermedforfatternogle udgaverbekræftet
Merla, PaolaOversættermedforfatternogle udgaverbekræftet
Prebble, SimonFortællermedforfatternogle udgaverbekræftet
Rosenberg, PortiaIllustratormedforfatternogle udgaverbekræftet
Ruben, PaulProducermedforfatternogle udgaverbekræftet
Webb, WilliamOmslagsdesignermedforfatternogle udgaverbekræftet

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Beslægtede film
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Indskrift
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He hardly ever spoke of magic, and when he did it was like a history lesson and no one could bear to listen to him.
Tilegnelse
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In memory of my brother, Paul Frederick Gunn Clarke, 1961-2000
Første ord
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Some years ago there was in the city of York a society of magicians.
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At sixteen she spoke -- not only French, Italian & German -- which are part of any lady's commonplace accomplishments -- but all the languages of the civilized (and uncivilized) world. She spoke the language of the Scottish Highlands (which is like singing). She spoke Basque, which is a language which rarely makes any impression upon the brains of any other race, so that a man may hear it as often and as long as he likes, but never afterwards be able to recall a single syllable of it. She even learnt the language of a strange country which, Signor Tosetti had been told, some people believed still existed, although no one in the world could say where it was. (The name of the country was Wales.)
It is also true that that his hair had a reddish tinge and, as everybody knows, no one with red hair can ever truly be said to be handsome.
"Soldiers, I am sorry to say, steal everything." He thought for a moment and then added, "Or at least ours do."
"Can a magician kill a man by magic?" Lord Wellington asked Strange. Strange frowned. He seemed to dislike the question. "I suppose a magician might," he admitted "but a gentleman never could."
It may be laid down as a general rule that if a man begins to sing, no one will take any notice of his song except his fellow human beings. This is true even if his song is surpassingly beautiful. Other men may be in raptures at his skill, but the rest of creation is, by and large, unmoved. Perhaps a cat or a dog may look at him; his horse, if it is an exceptionally intelligent beast, may pause in cropping the grass, but that is the extent of it. But when the fairy sang, the whole world listened to him. Stephen felt clouds pause in their passing; he felt sleeping hills shift and murmur; he felt cold mists dance. He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands. In the fairy's song the earth recognized the names by which it called itself.
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Jonathan Strange og Mr. Norrell bringer efter napoleonskrigene i begyndelsen af 1800-tallet udøvelsen af magi tilbage til England.

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