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Middeleeuwse minnekunst. Onderwerpen en…
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Middeleeuwse minnekunst. Onderwerpen en voorwerpen van begeerte. (original 1998; udgave 2000)

af Michael Camille

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
1911141,940 (4.17)2
Romantic love as we know it today -- symbolized by hearts, roses, courting, chivalry, and more -- was invented in Europe in the Middle Ages. This thoroughly entertaining, sumptuously illustrated book explores the development of these ideas and shows how their depiction in paintings, tapestries, illuminations, and on luxurious objects taught Medieval men and women the art of love.Michael Camille explores the symbolic and social settings of love, the myths and paradoxes of love as an elite social code, and the erotic feelings sometimes aroused even by religious objects of desire. The textiles, ivories, chests, jewels, and girdles, given as gifts and love-tokens, demonstrate that there was nothing chaste or sublimated about Medieval love, every aspect of which was depicted by artists and described by poets without inhibition.Spanning such well-known works as the Unicorn Tapestries to images of lute-playing troubadors and maidens in walled castles, this is a truly original look at the age-old subject of human desire.… (mere)
Medlem:castlewoman
Titel:Middeleeuwse minnekunst. Onderwerpen en voorwerpen van begeerte.
Forfattere:Michael Camille
Info:Könemann
Samlinger:Dit bibliotek
Vurdering:****
Nøgleord:kunstgeschiedenis, middeleeuwen, iconografie, minnekunst, hoofse liefde, cultuurgeschiedenis

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The Medieval Art of Love: Objects and Subjects of Desire af Michael Camille (1998)

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Eneas, 1160; Veldecke, Eneide, Capellanus; BM things with part numbers: MLA 1947,7-6.1 etc
  JohnLindsay | Sep 17, 2013 |
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Romantic love as we know it today -- symbolized by hearts, roses, courting, chivalry, and more -- was invented in Europe in the Middle Ages. This thoroughly entertaining, sumptuously illustrated book explores the development of these ideas and shows how their depiction in paintings, tapestries, illuminations, and on luxurious objects taught Medieval men and women the art of love.Michael Camille explores the symbolic and social settings of love, the myths and paradoxes of love as an elite social code, and the erotic feelings sometimes aroused even by religious objects of desire. The textiles, ivories, chests, jewels, and girdles, given as gifts and love-tokens, demonstrate that there was nothing chaste or sublimated about Medieval love, every aspect of which was depicted by artists and described by poets without inhibition.Spanning such well-known works as the Unicorn Tapestries to images of lute-playing troubadors and maidens in walled castles, this is a truly original look at the age-old subject of human desire.

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