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Ten Years After

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Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. The latter was an FM-radio staple in the early '70s. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. It has a feel similar to the extended pieces on side one of the live album Undead. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects.

Coordinator – Chris Wright
Design, Illustration, Artwork – Peter Classey
Design, Photography By – John Fowlie
Engineer – Andy Johns, George Chkiantz (tracks: B1)
Instruments [All Instruments], Producer – Ten Years After
Producer – Ten Years After
Written-By, Liner Notes – Alvin Lee
… (mere)
 
Markeret
jlafarga001 | Jul 22, 2020 |
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Ssssh was Ten Years After's new release at the time of their incendiary performance at the Woodstock Festival in August, 1969. As a result, it was their first hit album in the U.S., peaking at number 20 in September of that year. This recording is a primer of British blues-rock of the era, showcasing Alvin Lee's guitar pyrotechnics and the band's propulsive rhythm section. As with most of TYA's work, the lyrics were throwaways, but the music was hot. Featured is a lengthy cover of Sonny Boy Williamson's "Good Morning Little Schoolgirl," with reworked lyrics leaving little doubt as to what the singer had in mind for the title character. Also included was a 12-bar blues song with the ultimate generic blues title "I Woke Up This Morning." Ssssh marked the beginning of the band's two-year run of popularity on the U.S. album charts and in the underground FM-radio scene.… (mere)
 
Markeret
jlafarga001 | Jul 22, 2020 |
Wikipedia information

The cover of Ten Years After's 1973 album Recorded Live depicts a giant reel-to-reel recorder, which certainly captures the era when this double-LP set was recorded. Approaching the end of their run -- only one more album would come, 1974's Positive Vibrations -- Ten Years After were deep into the thick of '70s arena rock, so everything they played on-stage wound up stretching well beyond the five-minute mark, sometimes reaching upward of 11 minutes. Everything on this double-LP places improvisation over groove -- a sentiment that is accentuated on the 2013 expansion, which winds up running 21 tracks over two discs, adding bonus outtakes to the original double-LP set. The best parts here are the improvisations, particularly Alvin Lee's long, languid guitar solos, but this album -- either in its original incarnation or in its expansion -- is a distinctly '70s creation: it's unhurried and indulgent, reveling in its slow, steady march to a virtuosic, never-ending guitar solo.… (mere)
 
Markeret
jlafarga001 | Jul 22, 2020 |

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