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Michelle Tea

Forfatter af Valencia

26+ Værker 3,495 Medlemmer 87 Anmeldelser 22 Favorited

Om forfatteren

Image credit: Author Michelle Tea at the 2018 Texas Book Festival in Austin, Texas, United States. By Larry D. Moore, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=74314826


Værker af Michelle Tea

Valencia (2000) 593 eksemplarer
Rent Girl (2004) 421 eksemplarer
Rose of No Man's Land (2005) 360 eksemplarer
The Chelsea Whistle: A Memoir (2002) 233 eksemplarer
Mermaid in Chelsea Creek (2013) 193 eksemplarer
Black Wave (2016) 185 eksemplarer
How to Grow Up: A Memoir (2015) 157 eksemplarer
Baby Remember My Name: An Anthology of New Queer Girl Writing (2007) — Redaktør — 121 eksemplarer
The Beautiful: Collected Poems (2003) 102 eksemplarer
Coal to Diamonds: A Memoir (2012) 92 eksemplarer
Pills, Thrills, Chills, and Heartache: Adventures in the First Person (2004) — Redaktør; Bidragyder — 67 eksemplarer

Associated Works

The Best American Nonrequired Reading 2004 (2004) — Bidragyder — 743 eksemplarer
San Francisco Noir (2005) — Bidragyder — 103 eksemplarer
Working Sex: Sex Workers Write About a Changing Industry (2007) — Bidragyder — 89 eksemplarer
Word Warriors: 35 Women Leaders in the Spoken Word Revolution (2007) — Bidragyder — 88 eksemplarer
Read Hard: Five Years of Great Writing from the Believer (2009) — Bidragyder — 79 eksemplarer
Pen and Ink: Tattoos and the Stories Behind Them (2014) — Bidragyder — 73 eksemplarer
Best Lesbian Erotica 2004 (2003) — Introduktion — 68 eksemplarer
Letter to a Stranger: Essays to the Ones Who Haunt Us (2021) — Bidragyder — 62 eksemplarer
Fist of the Spider Woman: Tales of Fear and Queer Desire (2009) — Bidragyder — 56 eksemplarer
Best Music Writing 2010 (2010) — Bidragyder — 34 eksemplarer
Pathetic Literature (2022) — Bidragyder — 25 eksemplarer
Politically Inspired (2003) — Bidragyder — 21 eksemplarer
Noirotica 3: Stolen Kisses (2000) — Bidragyder — 18 eksemplarer

Satte nøgleord på

antologi (46) biografi (26) Boston (22) class (18) coming of age (26) digte (32) drugs (18) erindringer (164) essays (40) faglitteratur (124) Fantasy (24) fattigdom (18) feminisme (54) feminist (18) glbt (24) Goodreads import (17) graphic novel (58) kvinder (28) køn (19) lesbisk (89) lgbt (28) LGBTQ (50) læst (33) noveller (25) prostitution (26) punk (27) queer (158) roman (25) San Francisco (54) seksualitet (20) selvbiografi (25) sex (23) sex work (30) Skal læses (359) skønlitteratur (202) tarot (29) tegneserier (19) working class (22) YA (23) Young Adult (33)

Almen Viden



PERSONALS. F-to-F. 27 y/o femme seeks lover before the dead Earth extinguishes all life. Me: works in bookstores, writes funny memoirs, nightly drinker, open to drug use of various kinds. You: baby dyke andro, have a car. Note: I reserve the right to fuck Matt Dillon.
lelandleslie | 10 andre anmeldelser | Feb 24, 2024 |
I appreciate/endorse the message this book is trying to get across, but the rhyming text was not good. It's awkward to read aloud because the rhythm is inconsistent and some of the rhymes are tortured or ridiculous. For example, in searching for an article of clothing to rhyme with "nude" the author went for "snood." What is a snood? I'm not sure which is worse, that or this:

"A Drag Queen can show us all
how to have courage
while conjuring elegance
from a pile of old rubbage."

What is rubbage?! It's not in dictionary.com. Again, I'm not criticizing the message, but the quality of the writing. It seems like the author wanted to create a Dr. Seuss kind of rhyme, but didn't realize that it's actually difficult to do well. These lines in particular sound very similar to lines from The Grinch when the Whos down in Whoville all cry boo-hoo:

"Magoo certainly knew, he cried, 'Pink is the hue!
And I love it, I do, but I'm supposed to love blue!'
And he cried boo-hoo-hoo, my sweet brother Magoo--"

Ok, now maybe I will criticize the message of this book a little. There's one line in particular that didn't sit well with me:

"Did you know that some girl-kids inside feel like boys?
And that lots of boy-children have fierce, girlish poise?"

Again, I understand that this is well-intentioned. But it also implies that transgender boys are "girl-kids" who "feel like boys." Children can be very literal. It's better to explain that transgender boys are boys. Period. If a young child presses, you can say, "When this boy was born his parents thought he was a girl, but when he got older he told them he is a boy."

I also really dislike the word "girlish" because it's very close to "girly" which is often used as a taunt when directed at boys. We have to be careful not to reinforce gender stereotypes when we're teaching kids about gender expansiveness. It's a tricky thing.

My favorite part of this book was the cat wearing different costumes on each page. I also liked the tribute to notable drag queens and their "dazzling chutzpah."

Everyone has their own sense of how appealing different illustration styles are. The art in this book was not bad per se, but I didn't think it worked very well for a picture book about the beauty of defying gender expectations. There's something sort of aggressively/intentionally ugly about the art to me.

I wanted to like this, truly. But there are much better options out there like [b:The Hips on the Drag Queen Go Swish, Swish, Swish|44781697|The Hips on the Drag Queen Go Swish, Swish, Swish|Lil Miss Hot Mess|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1568192156l/44781697._SX50_.jpg|69427434] and [b:It Feels Good to Be Yourself: A Book About Gender Identity|40864913|It Feels Good to Be Yourself A Book About Gender Identity|Theresa Thorn|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1538423336l/40864913._SX50_.jpg|63657625].
… (mere)
LibrarianDest | 1 anden anmeldelse | Jan 3, 2024 |
“They were twenty-seven already, in no time at all they’d be thirty, terrifying. No one knew what would happen then. Michelle couldn’t imagine anything more than writing zine-ish memoirs and working in bookstores.”

It's 1999 in San Francisco, and as shockwaves of gentrification sweep through Michelle's formerly scruffy neighborhood, money troubles, drug-fueled mishaps, and a string of disastrous affairs send her into a tailspin. Desperate to save herself, Michelle sets out to seek a fresh start in Los Angeles.

I started this book pretty much knowing nothing beyond the fact it was set in San Fran in the 90s and the main character was a writer. It seems like a normal memoir ish story of life in the town of friends and drugs and rebellion.

When the second half of the book moved to LA I couldn’t figure out what was going on. There was the talk of mass suicides and world ending stuff all being referred to in the background. People ‘dreaming’ about lovers who they would then try to find in waking life and in the centre of it our main character was figure out how to live their life. And what the point was in writing if no one was gonna read it.

I wondered at one point whether it would turn out ‘LA’ was actually a drug trip or some kind of last attempt for her brain to cling to life after she might have OD’d.

If I’d know the story was going to switch to an end of the world scenario I may have been more prepared but that’s my bad and really doesn’t reflect on how well this was written.

All in all this was brilliant exploration of queer life (and life ending) from a writer I’ve not read before. Confusion aside I would definitely read more of her stuff. I’d just be sure the fully read the summary.
… (mere)
rosienotrose | 10 andre anmeldelser | Jul 11, 2023 |
Too much into the divination aspect, and too many personal stories from the author for it to connect with me. Plus the author writes about Rider-Waite, but uses a different deck for illustrations.
rumbledethumps | 3 andre anmeldelser | Jun 26, 2023 |



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Laurenn McCubbin Illustrator
Clint Catalyst Contributor
Chelsea Starr Contributor
Nicole Georges Contributor
Dexter Flowers Contributor
Rhiannon Argo Contributor
Tara Jepsen Contributor
Laurie Stone Contributor
Ali Liebegott Contributor
Dorothy Allison Contributor
Jason Polan Illustrator
Tina Butcher Contributor
Claudia Rodriguez Contributor
Beth Steidle Contributor
Alex Zephyr Contributor
Meliza Banales Contributor
Zoe Whittall Contributor
Sloane Martin Contributor
Katie Fricas Contributor
Jenna Henry Contributor
Jess Arndt Contributor
Robin Akimbo Contributor
Gina de Vries Contributor
Jenny Lowery Contributor
Page McBee Contributor
Cristy C. Road Contributor
Amanda Davidson Contributor
Mark Ewert Contributor
Anna Joy Springer Contributor
Dodie Bellamy Contributor
Shawna Kenney Contributor
Chris Kraus Contributor
Jan Richman Contributor
J. T. LeRoy Contributor
Inga Muscio Contributor
Sara Seinberg Contributor
Don Baird Contributor
Loren Rhoads Contributor
Cheryl B. Contributor
Kathe Izzo Contributor
Jayson Elliot Contributor
Leo Blackwater Contributor
Pauley P. Contributor
El Lute Contributor
Steve Salardino Contributor
Jackie Strano Contributor
Lisa Archer Contributor
Dennis Cooper Contributor
Kevin Killian Contributor
Bee Lavender Contributor
Trebor Healey Contributor
Amelia G Contributor
Alvin Orloff Contributor
Charles Anders Contributor
Cara Bruce Contributor
Daniel Cartier Contributor
Pleasant Gehman Contributor
Adam Klein Contributor
Thea Hillman Contributor
Ricky Lee Contributor
Silja J. A. Talvi Contributor
Kim Gordon Contributor
Debbie Rasmussen Contributor
Jenny Shimizu Contributor
Diane DiPrima Contributor
Jennifer Blowdryer Contributor
Meghan Ward Contributor
Cindy M. Emch Contributor
Kat Marie Yoas Contributor
Mary Christmas Contributor
Adele Bertei Contributor
Samara Halperin Contributor
Beth Lisick Contributor
Mary Woronov Contributor
Ellen Forney Contributor
Felicia Luna Lemus Contributor
Joey Soloway Contributor
Jewelle Gomez Contributor
Laura Fraser Contributor
Sandra Tsing Loh Contributor
Sherilyn Connelly Contributor
Cintra Wilson Contributor
Trina Robbins Contributor
Kate Bornstein Contributor
Frances Varian Contributor
Cookie Woolner Contributor
Parisa Parnian Contributor
Jaya Miceli Cover designer
Eve L. Kirch Designer
Lydia Daniller Cover photographer


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