Michael Stewart (10)

I thoroughly enjoyed Michael Stewart's take on the three years Heathcliff was missing from Wuthering Heights. I haven't read Wuthering Heights so I had no preconceived ideas of what he should be like.
The prologue gave me a good idea of Heathcliff's need for vengeance against Hindley and Cathy. Stewart's descriptive prose and superb characterization kept me enthralled throughout the entire tale.
Stewart includes many issues from the time such as the discontent of miners, prejudice, slave trading, the large gap between the rich and the poor, the low value of a human life.
Ten year old Emily's potty mouth gave me a few laughs. She was an old head on young shoulders. She had been through much and seen much in her few years and quite often it was her advice that Heathcliff needed to heed to survive their journey.

Once you get past the over use of offensive language in the first few dozen pages it does settle. The graphic violence may not be for everyone.
*I received a review copy from the publisher.… (mere)

The only good thing about being felled low and hacked off by coughs, cold and laryngitis is the chance to lighten the load of that mini-library of unread books colonising my coffee table. A jittery hand selected KING CROW to comfort a sniffy convalescence, and so it did. The novel is a sort of teenage rites of passage tale where with careless ease minor behavioural transgressions trend toward exponential consequences. These are territories well explored and recorded by many writers but what Michael Stewart achieves is originality in structuring his storyline, especially his protagonist Paul Cooper’s infatuation with birds and his quest for the Raven, king of all Crows. The plot evolves from a casual stumbling upon a drugs deal, leads to attempted escape and pursuit to the English Lake District where fugitive lucks and misfortunes abound. Throughout the chase is interwoven a series of imaginative transferences as Paul Cooper’s default is to judge people by the bird species he sees within them. To this extent the story is an exploration of the psychology of interpersonal relationships with the unusual twist that one side is avian, it doesn’t sound as if it should work, but it does. And indeed it is this element of Stewart’s fiction that delivers the final climax to his story, but for that satisfaction you’ll have to read the book. Near the end of the novel our hero who is now both hunted and hunter, ponders: “Perhaps in order to find Ravens I must become more like a Raven.” An observation that immediately whisked me to another author for whom fact and fantasy mingle producing something greater than either: J.A.Baker and his seminal study: THE PEREGRINE. When I read it I marveled at just what sort of a person could or would go to such an extreme of effort. Michael Stewart’s King Crow goes a long way to answering that question, but please don’t wait for bird-flu before you read it.… (mere)

Novelist and poet Michael Stewart takes Leo Tolstoy’s oft-quoted observation that “All happy families are alike; each unhappy family is unhappy in its own way” and prunes it back in a totally unsentimental review of the central” His and Hers” relationship. COUPLES; interrogates the crises of relationships in paired contemporary poetic settings in a telling and keenly observed romp over the domestic landscape. Not for the weak of spirit, Stewart stirs emotionally troubling waters: the politics of proximity, the accumulation of the quotidian and its capacities for harm. The innovation in his poetry lies in the duality of its reach, it’s a tribute to his skill that we see clearly how every coin not only has two sides, but needs them too.… (mere)