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John Rechy

Forfatter af Mørkets by

28+ Works 2,438 Members 24 Reviews 8 Favorited

Om forfatteren

Rechy is an important gay writer also linked to the Beat Movement, whose work has been recognized by a number of prestigious grant nominations or awards, including one from the National Endowment for the Arts. He grew up in El Paso, Texas, in a poor, Mexican American family. Because of his poverty vis mere and his ethnic heritage, he learned very early in life to feel himself an outsider, which was intensified by his later experiences as a gay hustler traveling America in search of his social and sexual identity. He came to popular and critical attention with his first published novel, City of Night (1963), which was a bestseller and was nominated for the International Prix Formentor. A fictionalized account of his travels, the novel focuses on the people whom the unnamed narrator encounters on the hustling scene in a number of cities, including New York, San Francisco, New Orleans, Chicago, and Los Angeles. Together, these cities make up the titular "city of night," or, as Rechy writes, "the city of night of the soul." A state of mind rather than a particular place, this "city"---modern America---is where hypocrisy and homophobia are reconciled with the fact of homosexuality in various forms, and poverty may be more spiritual than material. The book owes something to two classics: Jack Kerouac's Beat novel, On the Road, which celebrates countercultural alternatives to middle-class culture and lifestyles, including bourgeois marriage and family life, and Djuna Barnes's modernist novel Nightwood, which explores a tragic gay "nightworld" as a symbol of the modern urban wasteland. Rechy addresses similar themes in a later work that is equally well known, The Sexual Outlaw (1977), which he has described as an experiment with the novel form. Ostensibly a documentary of the life of a gay man, the book is also a critique of American values and morality. Commentaries throughout the text are really journalistic essays that expose the double standards and double binds of a "closeted" culture, in which many fear to be openly gay because of homophobic reprisals. Rechy has suggested that all of his work (which includes plays, essays, and reviews, as well as novels) articulates the need to preserve gay "difference," which he associates with "abundant sexuality," in the face of increasing "heterofascism." (Bowker Author Biography) vis mindre

Omfatter også følgende navne: J. Rechy, RECHY JOHN

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Værker af John Rechy

Mørkets by (1963) 1,010 eksemplarer
Ti dage (1966) 225 eksemplarer
Rushes (1979) 140 eksemplarer
The Coming of the Night (1999) 105 eksemplarer
Bodies and Souls (1983) 101 eksemplarer
The Miraculous Day of Amalia Gomez (1991) 97 eksemplarer
The Fourth Angel (1777) 74 eksemplarer
The Vampires (1971) 62 eksemplarer
This Day's Death (1969) 48 eksemplarer
After the Blue Hour (2017) 39 eksemplarer
Marilyn's Daughter (1988) 33 eksemplarer

Associated Works

The Stonewall Reader (2019) — Bidragyder — 333 eksemplarer
Men on Men 4: Best New Gay Fiction (1990) — Bidragyder — 196 eksemplarer
The Columbia Anthology of Gay Literature (1998) — Bidragyder — 158 eksemplarer
Gay Sunshine Interviews. Vol. 1 (1978) — Interviewee — 60 eksemplarer
The Norton Anthology of Latino Literature (2010) — Bidragyder — 58 eksemplarer
New American Story (1962) — Bidragyder — 48 eksemplarer
Big Table 3 (1959) — Bidragyder — 6 eksemplarer

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USA, Los Angeles, ca 1965
En ung mand, Johnny Rio, kører rundt i Los Angeles området og bliver brugt og bruger selv en masse mænd seksuelt. Christopher Isherwood og Don Bachardy er forlæg for et par af personerne (og Don Bachardy syntes dårligt om det).

bnielsen | 2 andre anmeldelser | Feb 9, 2019 |



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