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Paul J. McAuley

Forfatter af Fairyland

134+ Works 6,019 Members 174 Reviews 6 Favorited

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Image credit: Paul J. McAuley - Photo: © Szymon Sokół

Serier

Værker af Paul J. McAuley

Fairyland (1995) 619 eksemplarer
The Quiet War (2008) 596 eksemplarer
Pasquale's Angel (1994) 311 eksemplarer
Eternal Light (1991) 280 eksemplarer
Child of the River (1997) 270 eksemplarer
Gardens of the Sun (2009) 268 eksemplarer
The Secret of Life (2001) 243 eksemplarer
Red Dust (1993) 243 eksemplarer
400 Billion Stars (1988) — Forfatter — 242 eksemplarer
Cowboy Angels (2007) 235 eksemplarer
Ancients of Days (1998) 205 eksemplarer
White Devils (2004) 186 eksemplarer
Whole Wide World (2002) 181 eksemplarer
Something Coming Through (2015) 179 eksemplarer
Shrine of Stars (1999) 172 eksemplarer
Secret Harmonies (1989) 157 eksemplarer
In the Mouth of the Whale (2012) 135 eksemplarer
Austral (2017) 135 eksemplarer
The Invisible Country (1996) 125 eksemplarer
Evening's Empires (2013) 115 eksemplarer
War of the Maps (2020) 111 eksemplarer
Confluence (2000) 109 eksemplarer
Into Everywhere (2016) 90 eksemplarer
Mind's Eye (2005) 82 eksemplarer
Beyond the Burn Line (2022) 64 eksemplarer
Eye of the Tyger (2003) 61 eksemplarer
In Dreams (1992) — Redaktør — 52 eksemplarer
Players (2007) 51 eksemplarer
A Very British History (2013) 41 eksemplarer
The King of the Hill (1991) 40 eksemplarer
Little Machines (2004) 28 eksemplarer
Stories From The Quiet War (2011) 24 eksemplarer
Making History (2000) 22 eksemplarer
The Choice (2011) 18 eksemplarer
Life After Wartime (2013) 17 eksemplarer
Brazil (2014) 16 eksemplarer
Glyphes (2007) 10 eksemplarer
Second Skin [short fiction] (2007) 9 eksemplarer
Reef (2000) 9 eksemplarer
Crimes and Glory 8 eksemplarer
Dead Men Walking 8 eksemplarer
The Two Dicks 7 eksemplarer
City of the Dead (2011) 7 eksemplarer
Incomers 6 eksemplarer
The Thought War 6 eksemplarer
Prisoners of the Action (2012) 6 eksemplarer
Reality Dust / Making History (2000) 5 eksemplarer
Karl and the Ogre 5 eksemplarer
Winning Peace (2007) 5 eksemplarer
The Passenger 4 eksemplarer
17 4 eksemplarer
Little Lost Robot 4 eksemplarer
All Tomorrow's Parties 3 eksemplarer
Naming The Dead 3 eksemplarer
Rats of the System 3 eksemplarer
Cross Roads Blues 3 eksemplarer
Dr. Pretorius and the Lost Temple (2012) 3 eksemplarer
Exiles [short fiction] 3 eksemplarer
Bone Orchards 2 eksemplarer
The Man (Short story) 2 eksemplarer
The Madness Of Crowds 2 eksemplarer
Meat (short story) 2 eksemplarer
Bruce Springsteen (2012) 2 eksemplarer
Inheritance 2 eksemplarer
Interstitial 2 eksemplarer
Residuals 2 eksemplarer
Războiul liniștit 2 eksemplarer
Rocket Boy (novelette) 2 eksemplarer
Blade And Bone 1 eksemplar
Back Door Man 1 eksemplar
Maryon's Gift 1 eksemplar
Une invasion martienne (2008) 1 eksemplar
Penance 1 eksemplar
The Proxy 1 eksemplar
I Spy 1 eksemplar
The Rift 1 eksemplar
Alien Tv 1 eksemplar
Before The Flood 1 eksemplar
Life As We Know It 1 eksemplar
Under Mars (2014) 1 eksemplar
Space Fever 1 eksemplar
Adventure 1 eksemplar
Expressiv! (2003) 1 eksemplar
Karyl's War 1 eksemplar
Negative Equity [short story] (1996) 1 eksemplar
Dust [novelette] (2006) 1 eksemplar
Edna Sharrow 1 eksemplar
Straight to Hell 1 eksemplar
Child of the Stones 1 eksemplar
Heaven Is A Place 1 eksemplar

Associated Works

The New Space Opera (2007) — Bidragyder — 547 eksemplarer
The Year's Best Science Fiction: Nineteenth Annual Collection (2002) — Bidragyder — 521 eksemplarer
The Year's Best Science Fiction: Seventeenth Annual Collection (2000) — Bidragyder — 509 eksemplarer
The Year's Best Science Fiction: Twentieth Annual Collection (2003) — Bidragyder — 489 eksemplarer
The Year's Best Science Fiction: Sixteenth Annual Collection (1999) — Bidragyder — 480 eksemplarer
The Year's Best Science Fiction: Eighteenth Annual Collection (2001) — Bidragyder — 474 eksemplarer
Cyberabad Days (2009) — Introduktion, nogle udgaver469 eksemplarer
The Oxford Book of Science Fiction Stories (1992) — Bidragyder — 447 eksemplarer
The Year's Best Science Fiction: Fifteenth Annual Collection (1998) — Bidragyder — 434 eksemplarer
The Year's Best Science Fiction: Twenty-Fourth Annual Collection (2007) — Bidragyder — 434 eksemplarer
The Year's Best Science Fiction: Thirteenth Annual Collection (1996) — Bidragyder — 417 eksemplarer
The Year's Best Science Fiction: Ninth Annual Collection (1992) — Bidragyder — 413 eksemplarer
The Year's Best Science Fiction: Twenty-Sixth Annual Collection (2009) — Bidragyder — 389 eksemplarer
The Hard SF Renaissance (2003) — Bidragyder — 343 eksemplarer
Zima Blue and Other Stories [Night Shade Books] (2006) — Introduktion, nogle udgaver337 eksemplarer
The Year's Best Fantasy and Horror: Thirteenth Annual Collection (2000) — Bidragyder — 333 eksemplarer
New Cthulhu: The Recent Weird (2011) — Bidragyder — 329 eksemplarer
The Living Dead 2 (2010) — Bidragyder — 316 eksemplarer
The Space Opera Renaissance (2007) — Bidragyder — 282 eksemplarer
The Starry Rift (2008) — Bidragyder — 280 eksemplarer
Year's Best SF 6 (2001) — Bidragyder — 279 eksemplarer
The Year's Best Fantasy and Horror: Fourteenth Annual Collection (2001) — Bidragyder — 250 eksemplarer
Other Worlds Than These (2012) — Bidragyder — 247 eksemplarer
The Year's Best Fantasy and Horror: Eleventh Annual Collection (1998) — Bidragyder — 242 eksemplarer
The Year's Best Science Fiction: Twenty-Ninth Annual Collection (2012) — Bidragyder — 239 eksemplarer
Year's Best SF 11 (2006) — Bidragyder — 234 eksemplarer
Edge of Infinity (2012) — Bidragyder — 224 eksemplarer
The Year's Best Science Fiction: Thirtieth Annual Collection (2013) — Bidragyder — 215 eksemplarer
The Mammoth Book of Alternate Histories (2010) — Bidragyder — 202 eksemplarer
The Year's Best Science Fiction: Fifth Annual Collection (1988) — Forfatter — 191 eksemplarer
Year's Best SF 12 (2007) — Bidragyder — 185 eksemplarer
Futures: Four Novellas (2001) — Bidragyder — 184 eksemplarer
New Legends (1995) — Bidragyder — 174 eksemplarer
Old Venus (2015) — Bidragyder — 169 eksemplarer
The Year's Best Science Fiction: Thirty-First Annual Collection (2014) — Bidragyder — 168 eksemplarer
The Year's Best Science Fiction: Thirty-Third Annual Collection (2016) — Bidragyder — 156 eksemplarer
Vanishing Acts: A Science Fiction Anthology (2000) — Bidragyder — 156 eksemplarer
The Ultimate Cyberpunk (2002) — Bidragyder — 151 eksemplarer
The Best Science Fiction and Fantasy of the Year Volume Three (2009) — Bidragyder — 142 eksemplarer
The Best Science Fiction and Fantasy of the Year Volume Seven (2013) — Forfatter — 138 eksemplarer
The Best Science Fiction and Fantasy of the Year Volume Six (2012) — Bidragyder, nogle udgaver137 eksemplarer
The Mammoth Book of Best New Horror 15 (2004) — Bidragyder — 129 eksemplarer
Alien Contact (2011) — Bidragyder — 128 eksemplarer
The Year's Best Science Fiction: Thirty-Fourth Annual Collection (2017) — Bidragyder — 123 eksemplarer
Galactic Empires (2017) — Bidragyder — 120 eksemplarer
The Mammoth Book of Best New Horror 14 (2003) — Bidragyder — 117 eksemplarer
Hackers (1984) — Bidragyder — 116 eksemplarer
Futures from Nature (2007) — Bidragyder — 113 eksemplarer
The Good New Stuff: Adventure in SF in the Grand Tradition (1999) — Bidragyder — 113 eksemplarer
The Mammoth Book of Dracula (1997) — Bidragyder — 112 eksemplarer
The Mammoth Book of the Best of Best New SF (2008) — Bidragyder — 104 eksemplarer
The Mammoth Book of Best New Horror 13 (2002) — Bidragyder — 103 eksemplarer
The Best Science Fiction of the Year: Volume 1 (2016) — Bidragyder — 100 eksemplarer
The Mammoth Book of SF Wars (2012) — Bidragyder — 99 eksemplarer
The Mammoth Book of Frankenstein (1994) — Bidragyder — 98 eksemplarer
Weird Shadows Over Innsmouth (2000) — Bidragyder — 95 eksemplarer
The Year's Best Science Fiction & Fantasy, 2010 Edition (2010) — Bidragyder — 94 eksemplarer
Year's Best SF 18 (2013) — Bidragyder — 92 eksemplarer
Nebula Awards Showcase 2002: The Year's Best SF and Fantasy (2002) — Commentary — 90 eksemplarer
Supermen: Tales of the Posthuman Future (2002) — Bidragyder — 86 eksemplarer
Drowned Worlds (2016) — Bidragyder — 85 eksemplarer
Beyond Singularity (2005) — Bidragyder — 85 eksemplarer
Skylife: Space Habitats in Story and Science (2000) — Bidragyder — 82 eksemplarer
Nebula Awards Showcase 2005 (2005) — Bidragyder — 82 eksemplarer
The Mammoth Book of Best New Horror 11 (2000) — Bidragyder — 81 eksemplarer
The Best Science Fiction and Fantasy of the Year Volume Eleven (2017) — Bidragyder — 78 eksemplarer
Infinity's End (2018) — Bidragyder — 73 eksemplarer
The Mammoth Book of Best New Horror 12 (2001) — Bidragyder — 71 eksemplarer
The Year's Best Science Fiction & Fantasy, 2012 Edition (2013) — Bidragyder — 71 eksemplarer
The Mammoth Book of the Best of Best New Horror (2010) — Bidragyder — 70 eksemplarer
The Furthest Horizon: SF Adventures to the Far Future (2000) — Bidragyder — 67 eksemplarer
Fast Forward 2 (2008) — Bidragyder — 67 eksemplarer
The Mammoth Book of Best New Horror 07 (1996) — Bidragyder — 67 eksemplarer
The Year's Best Science Fiction & Fantasy, 2017 Edition (2017) — Bidragyder — 65 eksemplarer
When the Music's Over (1991) — Bidragyder — 63 eksemplarer
Interzone: The 2nd Anthology (1987) — Bidragyder — 60 eksemplarer
Forbidden Planets (2006) — Bidragyder — 60 eksemplarer
Aliens among Us (2000) — Bidragyder — 58 eksemplarer
We Think, Therefore We Are (2009) — Introduktion — 58 eksemplarer
Moon Shots (1999) — Bidragyder — 57 eksemplarer
Isaac Asimov's Solar System (1999) — Bidragyder — 56 eksemplarer
Not One of Us: Stories of Aliens on Earth (2018) — Bidragyder — 55 eksemplarer
The Mammoth Book of Future Cops (2003) — Bidragyder — 55 eksemplarer
Future War (1999) — Bidragyder — 54 eksemplarer
Is Anybody Out There? (2010) — Introduktion — 53 eksemplarer
Mars Probes (2002) — Bidragyder — 51 eksemplarer
Interzone: The 3rd Anthology (1988) — Bidragyder — 50 eksemplarer
War and Space: Recent Combat (2012) — Forfatter — 49 eksemplarer
Dancing With the Dark (1999) — Bidragyder — 49 eksemplarer
Beyond Flesh (2002) — Bidragyder — 46 eksemplarer
Genometry (2001) — Bidragyder — 46 eksemplarer
Space Soldiers (2001) — Bidragyder — 44 eksemplarer
In the Shadow of Frankenstein: Tales of the Modern Prometheus (2016) — Bidragyder — 44 eksemplarer
Not the Only Planet: Science Fiction Travel Stories (1998) — Bidragyder — 44 eksemplarer
The Best New Horror: Volume Six (1995) — Bidragyder — 43 eksemplarer
Twelve Tomorrows (2018) — Bidragyder — 43 eksemplarer
New Worlds 3 (1993) — Bidragyder — 38 eksemplarer
Aliens: Recent Encounters (2013) — Bidragyder — 37 eksemplarer
Psychomania: Killer Stories (2014) — Bidragyder — 36 eksemplarer
Burning Brightly: 50 Years of Novacon (2021) — Bidragyder — 33 eksemplarer
The Eagle Has Landed: 50 Years of Lunar Science Fiction (2019) — Bidragyder — 31 eksemplarer
Constellations (2005) — Bidragyder — 31 eksemplarer
Haunts: Reliquaries of the Dead (2011) — Bidragyder — 29 eksemplarer
In the Footsteps of Dracula: Tales of the Un-Dead Count (2017) — Bidragyder — 27 eksemplarer
Discoveries:First Focus Sci-Fi Anthology (1995) — Bidragyder — 25 eksemplarer
Dark Terrors 2 (1996) — Bidragyder — 24 eksemplarer
We, Robots (2010) — Bidragyder — 23 eksemplarer
The Big Book of Cyberpunk (2023) — Bidragyder — 21 eksemplarer
Exploring the Horizons (2000) — Bidragyder — 20 eksemplarer
Alien Contact [ebook] (2011) — Bidragyder — 14 eksemplarer
Postscripts Magazine, Issue 15: Worldcon 2008 Special (2008) — Bidragyder, nogle udgaver13 eksemplarer
The Year's Top Hard Science Fiction Stories (2017) — Bidragyder — 13 eksemplarer
Dark of the Night: New Tales of Horror and the Supernatural (1997) — Bidragyder — 13 eksemplarer
Avatars Inc (2020) — Bidragyder — 13 eksemplarer
Destination 3001 (2000) — Bidragyder — 12 eksemplarer
Asimov's Science Fiction: Vol. 24, No. 7 [July 2000] (2000) — Bidragyder — 12 eksemplarer
Arc 1.2 Post human conditions (2012) — Bidragyder — 11 eksemplarer
Tales in Space (1998) — Bidragyder — 11 eksemplarer
Extrasolar (2017) — Bidragyder — 10 eksemplarer
Asimov's Science Fiction: Vol. 40, No. 6, June 2016 (2016) — Bidragyder — 10 eksemplarer
Asimov's Science Fiction: Vol. 39, No. 8 [August 2015] (2015) — Bidragyder — 9 eksemplarer
Lightspeed Magazine, Issue 56 • January 2015 (2014) — Bidragyder — 8 eksemplarer
Lightspeed Magazine, Issue 69 • February 2016 (2016) — Bidragyder — 8 eksemplarer
Interzone 033 (1990) — Bidragyder — 5 eksemplarer
Bifrost n°71 (2013) — Bidragyder — 5 eksemplarer
Subterranean Magazine Spring 2009 — Bidragyder — 5 eksemplarer
The Year's Top Ten Tales of Science Fiction (2009) — Forfatter — 5 eksemplarer
Don't Turn Out the Light (2005) — Bidragyder — 4 eksemplarer
Interzone 023 (1988) — Bidragyder — 4 eksemplarer
Science-Fiction 2006 : L'autre revue des éditions Bragelonne (2006) — Bidragyder — 4 eksemplarer
White of the Moon (1999) — Bidragyder — 3 eksemplarer
The Year's Top Ten Tales of Science Fiction 2 (2010) — Forfatter — 3 eksemplarer
Infinity plus two (2002) — Bidragyder — 2 eksemplarer

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Paul McAuley continues his expedition into the world of techno-thrillers with Mind's Eye, a London-based story centred around 'glyphs' - graphic images that lodge in the viewer's consciousness and can induce fits or (with appropriate drug preparations) render the viewer vulnerable to all manner of suggestions, from "buy this product" to "jump from this high place". The protagonist, Alfie Flowers, was neurologically damaged in childhood by accidental exposure to such a glyph, discovered by his grandfather in an archaeological expedition to Iraq in the 1930s: but now he has suddenly seen graffiti in London that incorporate the very glyphs that affected him, and he wants to know just how this has happened (and whether the artist can provide a cure). But he attracts the wrong sort of attention - others have seen the glyphs and see their potential. Alfie Flowers ends up in a life-threatening chase that takes him back to Iraq and encounters with his past.

The story moves at a great pace and the London setting is convincing. The graffiti art, obviously inspired by Banksy, also convinces. Alfie Flowers and the other characters are all well-drawn, to the extent that when some of them die, there is something of a sense of shock. The plot is, in equal parts, a mix of le Carré, Indiana Jones and The Long Good Friday; written in 2005, it is set contemporaneously and so the technology hasn't dated.

My one concern is that the device of the glyphs inevitably recalls David Langford's Basilisk stories about mind-altering graphics, especially BLIT and the 2001 Hugo-winner Different Kinds of Darkness. It is highly unlikely that McAuley was unaware of these stories - the British science fiction community is a pretty small one - but Dave Langford himself is too nice a person to mention this.

And when did the CIA stop referring to itself internally as "the Company"? Some operatives, both serving and former, make an appearance, and keep talking about "the Agency". Is this officially a thing now?

That apart, this is a compulsive page-turner with an unusual premise and appealing characters.
… (mere)
½
 
Markeret
RobertDay | 2 andre anmeldelser | Mar 7, 2024 |
The last Paul McAuley novel I read, Whole Wide World, fell down for me because, in part, it was set in the near future at the time it was written, but that setting itself was now in the past; and some aspects of the setting suffered badly as a result. I'm pleased to say that White Devils doesn't share that fate. Written in 2004, it is a novel of rampant biotechnology and genetic engineering set in the Africa of the 2040s in the aftermath of a major biotech accident. The setting will be depressingly familiar: an Africa riven with conflict and fragmentation, whilst neo-colonialist corporations scheme and intervene for their own ends. Into this steps Nicholas Hyde, an Englishman on a quest to find himself and explore the world. Whilst working as an environmental volunteer, he is persuaded to join a colleague on a field trip to collect samples from the scene of a suspected terrorist attack. But on arrival, the situation proves to be more deadly and horrifying than anyone suspected.

We are propelled into a compelling story of corporate conspiracy, NGOs, scientific and academic rivalry, power games, terrorism, corruption, greenwashing and local politics. Along the way, we find out more than we bargained for about the collision points between genetic research and palaeontology, and about Nicholas Hyde's own life story.

This is a substantial book, but I burnt my way through its more than 500 pages in about four days. There is action, local colour, and considerable body horror. There are some compelling images - the novel opens with one such, of butterflies, bio-engineered to carry company logos on their wings - and the sense of place is very strong. I've never been to Africa, but I had a vivid sense of what the land should look like. At the same time, the interventionist corporation that has taken over almost the complete administration and governance of the Congo is drawn in worrying detail, especially when it becomes clear that they use biochemically-induced emotional manipulation to secure employees' loyalty to the company. That is only a minor side-strand to the narrative.

Characters are well-drawn throughout, though there are a number who are distinctly unlikeable. Others are shown to be at the mercy of their circumstances, which drives their personal motivations. This may lead some readers to consider that Africans are being shown in a poor light, and European characters in a more positive one. The truth is rather more nuanced than that, but a superficial reading could mislead. And indeed, this is no Afrofuturist novel. Indeed, some may consider that its picture of a future Africa still mired in local conflict is pandering to stereotypes.

The main model for this book, however, is more Apocalypse Now as the protagonist makes a perilous journey into the interior of the continent in search of the bio-engineered creatures that killed friends and colleagues, and about which is a circle of conspiracy and murder. Along the way, he meets various characters, most of which end up very dead. Again, some stereotyping is apparent where the body count is concerned. There is a wealthy local fixer who has a ranch housing bioengineered big game animals, created for equally wealthy clients to hunt; that ranch is almost straight out of Ian Fleming's Goldfinger.

The protagonist made me think about another writer - John le Carré - as he purports to be a somewhat rootless young Englishman with an idealised view of helping the environment through assisting in research. But he has spent some time in the Army, albeit in a fairly second-echelon unit. He often comments that he never saw active service; and yet he is quite comfortable with handling weapons and explosives, and is no slouch in the action department. In this, he reminded me of the protagonist in le Carré's The Night Manager, who also had more in his past than he was prepared to admit.

But overall, this is an involving, immersive book. Many of our attitudes to issues of race and politics have changed in the twenty years since it was written, and a modern reader could find fault with a number of issues within its pages. But its African characters have agency, and their motivations are explored. And much of the villainy in the plot can be laid clearly at the feet of Western neo-colonialist capitalists. White Devils calls out blatant corporate greenwashing, and it maintains a clear view as to who the baddies are. Keep focussed on that and this book will provide a vivid and thought-provoking reading experience.
… (mere)
½
 
Markeret
RobertDay | 1 anden anmeldelse | Jan 15, 2024 |
an elaborate setting devolves into a quest storyline centered on a character so thinly developed (or perhaps that's the point, he is no longer himself?) I had trouble finishing it.
 
Markeret
sarcher | 3 andre anmeldelser | Dec 28, 2023 |
This IT-themed police procedural novel was written in 2001 and is set in 2010. This made reading it in 2023 an interesting experiment in how science fiction can never be treated as prediction, because there are huge swathes of McAuley's future where the tech - and society - worked out differently. For instance, faxes were dead technology within three or four years of this book coming out. And smoking in public places was being frowned upon - and then legislated against - long before the currency of this book.

But of course, it's fiction. At some point in the book's backstory, a conjunction of disaffected hackers and terrorists sparked a war where the targets were key parts of the data infrastructure. As a result, the UK has a repressive government and strict laws on licensing databases and websites. Into this steps an embittered policeman, side lined into forensic IT work following the death of four colleagues which saw him admonished.

He becomes embroiled in an unpleasant murder which seems to have pointers to the underworld of illegal porn sites in one direction and the world of tech entrepreneurs in the other. There's a McGuffin, connected to an innovative CCTV system that one character has sold to the UK Government. And there are unsettling things in the background, such as climate change and a Metropolitan Police that seems preoccupied with internal squabbling and status.

The shortcomings in our real-world experience of the tech are offset by the p.o.v. character, who is quite well-drawn; and the urban London setting. But this makes some of the oversights a little harder to suspend disbelief over. The protagonist has some mildly homophobic views which were probably current within the Met in 2001 when the book was written, but less so by 2010. Perhaps the thing that marks out the book's age the most is the way in which the protagonist sets up a DDOS (Distributed denial Of Service) attack on a villain's website and McAuley takes four pages to describe it. Today? I think most readers would have a fairly clear idea of what a DDOS attack is, at least in outline if not in detail.

There is a major jump cut away from London in the last eighty pages or so, and the novel switches from a police procedural to a typical turn-of-the-century cyberpunk thriller, with hip street hacker kids and an exotic location, And the denouement in an uncompleted office block is something that is almost a cliché, or at least would be if this were a film. But the plot turns and the central protagonist saves this book from complete obsolescence.
… (mere)
 
Markeret
RobertDay | 3 andre anmeldelser | Nov 12, 2023 |

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Associated Authors

Kim Newman Introduction, Editor
Steve Rasnic Tem Contributor
Rick Wilber Contributor
Ray Nayler Contributor
Arie Coleman Contributor
William Ledbetter Contributor
Prashanth Srivatsa Contributor
Leah Cypess Contributor
John Alfred Taylor Contributor
Christopher Rowe Contributor
Will McIntosh Contributor
Frank Ward Contributor
Marguerite Sheffer Contributor
Larry Wasserman Contributor
Marta Randall Contributor
Kevin J. Anderson Contributor
Peter Wood Contributor
Jack McDevitt Contributor
Robert R. Chase Contributor
Michael Cassutt Contributor
Lewis Shiner Contributor
Neil Gaiman Foreword
F. Paul Wilson Contributor
Greg Egan Contributor
Jonathan Carroll Contributor
Graham Joyce Contributor
Alastair Reynolds Contributor
Stephen Baxter Contributor
Ian Watson Contributor
Christopher Fowler Contributor
Peter F. Hamilton Contributor
Gwyneth Jones Contributor
Ian R. MacLeod Contributor
Colin Greenland Contributor
Jonathan Lethem Contributor
Lisa Tuttle Contributor
Ian McDonald Contributor
Andrew Weiner Contributor
Scott Bradfield Contributor
Lukas Jaeger Contributor
Steve Antczak Contributor
Nicholas Royle Contributor
Don Webb Contributor
Marc Laidlaw Contributor
Cliff Burns Contributor
Ray Davis Contributor
Paul Young Cover artist
Jim Burns Cover artist, Illustrator
Jacqueline Nasso Cooke Cover designer
Gianluigi Zuddas Translator
Bruce Jensen Cover artist
Steve Crisp Cover artist
Donato Cover artist
William Manning Cover artist
Peter Elson Cover artist
J. K. Potter Cover artist
Tim Jacobus Cover artist
Don Dixon Cover artist
Larry Rostant Cover artist
Gregory Bridges Cover artist
Chris Butler Cover artist
Alan G. Brooks Cover artist
Dave McKean Cover artist
Mark Timlin Contributor

Statistikker

Værker
134
Also by
148
Medlemmer
6,019
Popularitet
#4,091
Vurdering
½ 3.6
Anmeldelser
174
ISBN
210
Sprog
10
Udvalgt
6

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