Roxanne Dunbar-Ortiz
Forfatter af An Indigenous Peoples' History of the United States
Om forfatteren
Roxanne Dunbar-Ortiz, grew up in rural Oklahoma, the daughter of a tenant farmer and part-Indian mother. She has been active in the international Indigenous movement for more than four decades and is known for her lifelong commitment to national and international social justice issues. Dunbar-Ortiz vis mere is the author or editor of seven other books and lives in San Francisco. vis mindre
Image credit: Roxanne Dunbar-Ortiz
Serier
Værker af Roxanne Dunbar-Ortiz
Not a Nation of Immigrants: Settler Colonialism, White Supremacy, and a History of Erasure and Exclusion (2021) 155 eksemplarer
Not a Nation of Immigrants: Settler Colonialism, White Supremacy, and a History of Erasure and Exclusion 3 eksemplarer
El Caso Miskito / The Miskitu Case 1 eksemplar
Blood on the Boarder: a Memoir of the Contra War 1 eksemplar
Associated Works
Towards Collective Liberation: Anti-Racist Organizing, Feminist Praxis, and Movement Building Strategy (2013) — Forord — 125 eksemplarer
Hillbilly Nationalists, Urban Race Rebels, and Black Power: Community Organizing in Radical Times (2011) — Introduktion, nogle udgaver — 107 eksemplarer
Freedom, Equality, and Solidarity: Writings and Speeches, 1878-1937 (2004) — Efterskrift — 45 eksemplarer
Red State Rebels: Tales of Grassroots Resistance in the Heartland (2008) — Bidragyder — 42 eksemplarer
Satte nøgleord på
Almen Viden
- Fødselsdato
- 1939
- Køn
- female
- Nationalitet
- USA
- Bopæl
- rural Oklahoma, USA
San Francisco, California, USA
Medlemmer
Anmeldelser
Lister
Hæderspriser
Måske også interessante?
Associated Authors
Statistikker
- Værker
- 19
- Also by
- 7
- Medlemmer
- 3,290
- Popularitet
- #7,779
- Vurdering
- 4.1
- Anmeldelser
- 90
- ISBN
- 62
- Sprog
- 2
- Udvalgt
- 1
This book is researched and interesting and informative. It reads like a schoolbook, one that should have been required reading inAmerica.
If you think it is just about Indigenous Americans, you are only partly right. It is about colonialism, it is about white supremacy, it is both sobering and prescient considering when it was written.