Andrew McGahan (1966–2019)
Forfatter af The White Earth
Om forfatteren
Andrew McGahan published his first book Praise in 1992. His other novels included 1988, Last Drinks, Underground, the Ship Kings series, and The Rich Man's House. He received the Miles Franklin and the Commonwealth Writers' prize in 2005 for The White Earth and the Aurealis Award for Wonders of a vis mere Godless World. He won the Matilda prize for his 1992 play Bait. He also wrote a collection of children's short stories entitled Treasures of the Deep. He died from pancreatic cancer on February 1, 2019 at the age of 52. (Bowker Author Biography) vis mindre
Image credit: Courtesy of Allen and Unwin
Serier
Værker af Andrew McGahan
Satte nøgleord på
Almen Viden
- Fødselsdato
- 1966
- Dødsdag
- 2019-02-01
- Køn
- male
- Nationalitet
- Australia
- Fødested
- Dalby, Queensland, Australia
- Bopæl
- Brisbane, Queensland, Australia
- Erhverv
- novelist
screenwriter
playwright
young adult writer
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Statistikker
- Værker
- 11
- Medlemmer
- 1,177
- Popularitet
- #21,848
- Vurdering
- 3.6
- Anmeldelser
- 31
- ISBN
- 115
- Sprog
- 3
- Udvalgt
- 1
- Trædesten
- 70
Set during the Keating era and the passing of Native Title legislation (with flashbacks to the long dry years of the Menzies era), The White Earth is a story of our country's history, of a brewing war over that same history (a war that, in the 15 years since the novel was published, has erupted), and of the lies we tell to replace an unpalatable truth.
However, far from being didactic, McGahan grounds his examination in young William's discovery of his new world, Kunal Station, the farm where he and his recently-widowed mother have been taken in. The farm teems with gothic experiences and strange characters navigating their own paths. Importantly, the author also allows all of his characters to speak their truths, questioning that strange feeling (which I know only too well, as the descendant of a white family 200 years on this soil) of being the possessor of a stolen land while also having a genuine longstanding connection to the land oneself.
It is a novel of questions rather than answers, an earnest look at the challenges of land ownership, of Native Title, of family, and of history itself.… (mere)