Picture of author.

Laurence Sterne (1713–1768)

Forfatter af Tristram Shandys levned og meninger

188+ Works 11,411 Members 154 Reviews 69 Favorited

Om forfatteren

If Fielding showed that the novel (like the traditional epic or drama) could make the chaos of life coherent in art, Sterne only a few years later in The Life and Opinions of Tristram Shandy, Gentleman (1760--67) laughed away the notion of order. In Sterne's world, people are sealed off in their vis mere own minds so that only in unpredictable moments of spontaneous feeling are they aware of another human being. Reviewers attacked the obscenity of Tristram's imagined autobiography as it was published (two volumes each in 1759, early 1761, late 1761, 1765, and one in 1767), particularly when the author revealed himself as a clergyman, but the presses teemed with imitations of this great literary hit of the 1760s. Through the mind of the eccentric hero, Sterne subverted accepted ideas on conception, birth, childhood, education, and the contemplation of maturity and death, so that Tristram's concerns touched his contemporaries and are still important. Since Tristram Shandy is patently a great and lasting comic work that yet seems, as E. M. Forster said, "ruled by the Great God Muddle," much recent criticism has centered on the question of its unity or lack of it; and its manipulation of time and of mental processes has been considered particularly relevant to the problems of fiction in our day. Sterne's Sentimental Journey (1768) has been immensely admired by some critics for its superb tonal balance of irony and sentiment. His Sermons of Mr. Yorick (1760) catches the spirit of its time by dramatically preaching benevolence and sympathy as superior to doctrine. Whether as Tristram or as Yorick, Sterne is probably the most memorably personal voice in eighteenth-century fiction. (Bowker Author Biography) vis mindre

Omfatter også følgende navne: Laurence Sterne, Lawrence STERNE, Laurence Sterne

Omfatter også: Sterne (1)

Image credit: From Wikipedia

Værker af Laurence Sterne

Tristram Shandys levned og meninger (1759) — Forfatter — 7,660 eksemplarer
The Works of Laurence Sterne (1803) 43 eksemplarer
A Political Romance (1759) 26 eksemplarer
The sermons of Mr. Yorick (1760) 20 eksemplarer
Letters of Laurence Sterne (1935) 8 eksemplarer
The Journal to Eliza (2012) 8 eksemplarer
Laurence Sterne (Pocket Books) (2009) 5 eksemplarer
Briefe und Dokumente (1965) 4 eksemplarer
Torisutoramu Shandi 001 (1969) 3 eksemplarer
Duygusal Bir Yolculuk (2015) 3 eksemplarer
The novels of Laurence Sterne (1905) 2 eksemplarer
Briefe (2018) 2 eksemplarer
Dario para Eliza 1 eksemplar
The Works of Sterne 1 eksemplar
Per Eliza. Diario e lettere (1981) 1 eksemplar
Un romanzo politico 1 eksemplar
SterneÕs novels 1 eksemplar
Novels 1 eksemplar
Sterne's Sermons 1 eksemplar

Associated Works

Love Letters (1996) — Bidragyder — 181 eksemplarer
The Penguin Book of Irish Fiction (1999) — Bidragyder — 151 eksemplarer
The Norton Book of Travel (1987) — Bidragyder — 110 eksemplarer
The Lock and Key Library (Volume 7: Oldtime English) (1909) — Bidragyder — 41 eksemplarer
Pathetic Literature (2022) — Bidragyder — 25 eksemplarer
The World's Greatest Books Volume 08 Fiction (1910) — Bidragyder — 24 eksemplarer
Great English Short Stories (1930) — Bidragyder — 20 eksemplarer
Englische Essays aus drei Jahrhunderten (1980) — Bidragyder — 10 eksemplarer

Satte nøgleord på

Almen Viden

Kanonisk navn
Sterne, Laurence
Fødselsdato
1713-11-24
Dødsdag
1768-03-18
Begravelsessted
St. Michael's Churchyard, Coxwold, Yorkshire, England, UK (reinterred 1969)
St. George's Churchyard, Hanover Square, London, England, UK
Køn
male
Nationalitet
Ireland (birth)
England
Fødested
Clonmel, County Tipperary, Ireland
Dødssted
London, England
Dødsårsag
tuberculosis
Bopæl
Coxwold, North Yorkshire, England, UK
Uddannelse
Jesus College, Cambridge University (BA|1737|MA|1740)
Erhverv
Anglican Cleric (Deacon, 1737|Priest, 1738)
Novelist
Organisationer
Church of England
Kort biografi
Laurence Sterne was born in Clonmel, Ireland in 1713, son of an army ensign. During his first ten years the family moved from barracks to barracks. At the age of ten, Laurence went to school in Halifax and later went on to study divinity and classics at Jesus College, Cambridge. He was ordained into the Church of England as a deacon in 1737 after graduating that year. With the help of his uncle, Dr Jaques Sterne (Precentor of York), he began to make a moderately successful ecclesiastical career. He was ordained priest in 1738 and was granted the living of Sutton-on-the-Forest, to which he added six years later the living of Stillington. He married Elizabeth Lumley in 1741 and had a daughter, Lydia – the only one of his children to survive infancy.

Two of his sermons were published in 1747 and 1750, but the publication of a satirical pamphlet in 1759 displayed his talents as a writer.

The pamphlet, A Political Romance, was suppressed; but it gave Sterne the inspiration for a more ambitious work, and he contacted the London bookseller, Robert Dodsley with the draft of one volume of a work entitled The Life and Opinions of Tristram Shandy. Unable to secure a guarantee of publication, Sterne revised the work and in 1759 printed and published the first two volumes of Tristram Shandy by paying for it himself and sending it to London.

Tristram Shandy was an immediate success. Sterne became famous virtually overnight and following the exhibition of his portrait painted by Joshua Reynolds became a celebrity within the first few months of the book's release.

Sterne had already published the first two volumes of The Life and Opinions of Tristram Shandy, Gentleman when he came to Coxwold in 1760. He wrote the next seven volumes of Tristram Shandy and A Sentimental Journey through France and Italy while living at Shandy Hall.

His friends celebrated his success as a writer by christening his new home ‘Shandy Hall', the word Shandy being a dialect word for ‘wild, nonsensical, merry or odd'.
Alterations to the house were made by Sterne including the building of a coach house, a cellar and a box-like two-storey brick façade at the west end.

He had been afflicted all his life with illness, and travelled for his health to France, where his wife and daughter took up residence. In the last years of his life he fell in love with Eliza Draper, and wrote A Journal to Eliza after she returned to India and her husband.

Laurence Sterne died in 1768, and was buried three times: once in the graveyard of St. George's, Hanover Square; again when he was recognized after having been disinterred for anatomists; and finally, when development took place at the London burial ground, his skull and a femur were taken to Coxwold and buried outside the church where he was once the preacher.

Medlemmer

Discussions

the life and Opinions of Tristram Shandy i Folio Society Devotees (juni 2022)
Laurence Sterne - Resources and General Discussion i Literary Centennials (januar 2016)
Laurence Sterne - Tristram Shandy i Literary Centennials (marts 2014)
Laurence Sterne - A Sentimental Journey i Literary Centennials (december 2013)
Tristram Shandy: Books 7-9 i Group Reads - Literature (februar 2012)
Tristram Shandy, Books 4-6 i Group Reads - Literature (august 2011)
Tristram Shandy: Books 1-3 i Group Reads - Literature (august 2011)

Anmeldelser

https://fromtheheartofeurope.eu/tristram-shandy-by-laurence-sterne/

I first read Tristram Shandy when I was 23, more than thirty years ago, and still have the slightly mildewed paperback that I picked up off a Cambridge bookstall one day in late 1990. I can’t honestly tell you what happens in it; I can’t find any particular lines that resonate or are very quotable; the most memorable moment is when our hero’s penis gets caught in the windowframe in Book 5 Chapter 17. (Sorry for the spoiler.)

And yet somehow I love it. It’s rambling, self-indulgent, full of references to things I know nothing about; and at the same time the stream-of-consciousness narrative, the refusal to make many concessions to the reader who wants to know what is actually going on, are part of the charm. It’s clearly an inspiration for Joyce, Woolf, and lots of the modernist writers who I really like; but it’s a book of its own time, requiring friendly engagement and repaying that engagement with warmth and humour.
… (mere)
 
Markeret
nwhyte | 111 andre anmeldelser | Feb 24, 2024 |
You almost feel that you are looking at the world through the eyes of a drunk, a very merry drunk, but a drunk all the same. This novel, Don Quixote, and John Barth's The Sot-Weed factor rank among my all-time favourites.
 
Markeret
MylesKesten | 111 andre anmeldelser | Jan 23, 2024 |
This new edition of The Life and Opinions of Tristram Shandy, Gentleman is the first book published by Visual Editions: a new London-based book publisher of literary fiction and non-fiction who make use of what they call "visual writing." They believe books should be as visually compelling as the stories they tell, and their strapline is "great looking stories." Their aim to publish The Life and Opinions of Tristram Shandy, Gentleman as their first title is to show where the idea of "visual writing" originated, to show where it all began. The idea is to bring out the book’s brilliance and playfulness again, to dust it down from its shoddy Dover Classics image and make it accessible and relevant again to a more contemporary audience. Visual Editions asked the designers to breathe new life into the book and told the designers to add new visual elements in as well. As long as they stayed faithful to Sterne's spirit, then VE were happy to let the designers roam. And so they did: a shut door is a folded page, perspiration is pages of dotted spot varnish and the marbled page is a moiré of a black-and-white photograph (a nod to contemporary printing technologies, in the way that the marbled page was a result of technologies of the time). British author Will Self introduces the book, with the typically wonderful irreverence that Sterne himself would have loved.… (mere)
 
Markeret
petervanbeveren | 111 andre anmeldelser | Dec 15, 2023 |
Sometimes the archaic (even for the time) language and incredibly twisty sentences get a bit too much, but that's part of the humour. The way the book messes around with what a book *is* and the ideas of narrative structure are laugh out loud funny and made funnier by the things that also make it difficult to read sometimes. Highlights include a chapter where he plays the fiddle between events, including some incredible onomatopoeia, and a chapter which he begins by apologising for digressing constantly, describes the difficulties involved in writing as such for 2 pages, and then apologises again and starts the chapter again.… (mere)
 
Markeret
tombomp | 111 andre anmeldelser | Oct 31, 2023 |

Lister

AP Lit (1)
1750s (1)

Hæderspriser

Måske også interessante?

Associated Authors

Jane Austen Contributor
Melvyn New Editor
Anton Lesser Narrator, Reader
JOAN NEW Editor
David Campell Chronology
James K. Robinson Introduction
Emily Lam Illustrator
Brian Robb Illustrator
Kersti Juva Translator
Paul Ritter Narrator
John Keating Narrator
Bunbury Cover artist
Steven Pacey Narrator
Patch.Thomas Cover artist
Manuel Portela Translator
Nicholas Kis Designer
Antonio Meo Translator
David Jarvis Cover artist
Neil Dudgeon Narrator
Wilbur Lucius Cross Introduction
Harry Rowohlt Narrator
Christopher Ricks Introduction
Gilbert Phelps Introduction
Ian Watt Editor
John Austen Illustrator
John Baldessari Illustrator
Bergen Evans Introduction
Carlo Levi Preface
Peter Barker Narrator
D. Berger Illustrator
Daniel Chodowiecki Illustrator
John Lawrence Illustrator
T. M. Cleland Illustrator
Lovis Corinth Illustrator
Will Self Introduction
Lindsey Davis Foreword
Javier Marías Translator
Christopher Morley Introduction
J. B. Priestley Introduction
Martin Rowson Illustrator
Maurice Leloir Illustrator, Cover artist
Everard Hopkins Illustrator
Manel Vallvé Translator
A. Alvarez Introduction
Denis Tegetmaier Illustrator
Eric Gill Designer
Gwen Raverat Illustrator
G. P. Nicholls Illustrator
Nigel Lambourne Illustrator
Wilbur L. Cross Introduction
Virginia Woolf Introduction
Frans Kellendonk Translator
T.H. Robinson Illustrator
Peter De Voogd Afterword
Tony Johannot Illustrator
Rudolf Freiburg Contributor
Mahlon Blaine Illustrator
J Bastin Illustrator
Monroe Engel Afterword
Daniel George Introduction
George Saintsbury Introduction
Abigail Coyle Cover designer
Brian Rak Cover designer

Statistikker

Værker
188
Also by
17
Medlemmer
11,411
Popularitet
#2,061
Vurdering
3.8
Anmeldelser
154
ISBN
484
Sprog
20
Udvalgt
69

Diagrammer og grafer