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Gustav Kobbé (1857–1918)

Forfatter af Kobbé's Complete Opera Book

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Værker af Gustav Kobbé

Kobbé's Complete Opera Book (1919) 282 eksemplarer
The New Kobbe's Opera Book (1919) 151 eksemplarer
The Definitive Kobbe's Opera Book (1987) 106 eksemplarer
The Pocket Kobbe's Opera Book (1994) 25 eksemplarer
The Portable Kobbe's Opera Guide (1994) 18 eksemplarer
The New Pocket Kobbe's Opera Book (1999) 14 eksemplarer
How to Appreciate Music (2010) 5 eksemplarer
The Loves of great composers (2011) 5 eksemplarer
Wagner's Ring of the Nibelung (1897) 3 eksemplarer

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Still the pinnacle of that 20th century staple, the descriptive opera book. Mostly rendered redundant in the 21st century by the combination of Wikipedia, TV and internet broadcast, and in-theatre supertitles, but there's a wonderful joy, a combination of nostalgia and curiosity, in finding something new within. I think the 1997 edition of this was the last (understandably so) but it really does pack in 400 years' worth of opera, with lengthy synopses, occasional musical extracts, and usefully information about productions on occasion. Worth it for anyone attempting to get into the artform, and pleasing still for those of us well-versed in it.… (mere)
 
Markeret
therebelprince | 1 anden anmeldelse | Oct 24, 2023 |
This is, from what I've read, the definitive book on opera. As the flyleaf says, "Kobbe is to opera what Bartlett is to quotations." At least in whatever is the latest edition--I admit this one is somewhat dated, having been published in 1987. It covers the standard repertoire as well as some rarities from the first opera, Claudio Monteverdi's La Favola d'Orfeo in 1600 to that of composers still living at the time of publication: Birtwistle, Einem, Ginastera, Glass, Henze, Knussen, Ligeti, Penderecki, Reimann, Thomson, Menotti, Sallinen, Tippett, Wingrave. What I like so much about this book is not just that each opera has a discussion of the music and a synopsis of the story, but landmark productions are noted, so you'd know that up to 1987 at least, that famous singers in the title role of La Traviata include Patti, Melba, Tetrazzini, Ponselle, Schwarzkopf, Callas, Freni, etc.… (mere)
½
 
Markeret
LisaMaria_C | Sep 16, 2013 |
The original notion of "dramma per musica" remains valid, as editor Harewood, notes in his Preface. Even as we have the technology to convert the audience en masse to a kind of opening stage of being both behind and afore the countless hand-held digitalizations of instant "experience", the concept of "orchestrated" drama in a box has only become more resonant. As for the classics, we need a "handbuch", such as Kobbe provides.

Kobbe became a music critic of the New York Herald which he performed for 18 years until killed in 1918 when a sea plane struck his sail-boat in South Bay, Long Island. This book was almost completed at the time and was published. In the 1950's, Harewood was asked to bring it up to date, and the process continued through the 1970s.

This work provides a brief biography of the composers and librettists, summarizes the plots and characters, and describes the productions tied in to the staging and musical compositions. While no complete scores or librettoes are provided, the pages are filled with musical motiffs and airs. Drinks all around.
… (mere)
½
 
Markeret
keylawk | Jan 21, 2013 |
Depuis trois quarts de siècle, le Kobbé est l’ouvrage de référence des amateurs d’opéras dans le monde entier. Paru pour la première fois en 1922 – quatre ans après la mort accidentelle de son auteur, Gustave Kobbé (1857-1918), écrasé par un hydravion alors qu’il faisait du bateau au large de Long Island –, cette bible des mélomanes a connu d’innombrables rééditions et de nombreuses traductions. À trois reprises (1954, 1976, 1985), Lord Harewood – qui a dirigé pendant plus de vingt ans le Royal Opera House de Londres, puis l’Opéra de Covent Garden – a complété et mis à jour cet incomparable instrument de travail. Aujourd’hui, il présente, secondé par Antony Peattie, une version entièrement renouvelée. Enrichi de soixante oeuvres nouvelles, portant à près de cinq cents les opéras répertoriés, le Nouveau Kobbé présente, par ordre alphabétique des compositeurs, des analyses fouillées et faciles à lire d’un répertoire en constante évolution. Un classique dont le succès ne se dément pas. L’analyse, acte par acte, scène par scène, de près de cinq cents opéras de tous les temps et de tous les pays. Le guide classique et irremplaçable du mélomane.… (mere)
½
 
Markeret
vdb | 1 anden anmeldelse | Dec 16, 2010 |

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Værker
32
Medlemmer
692
Popularitet
#36,565
Vurdering
3.9
Anmeldelser
4
ISBN
39
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