Susan Kesler-Simpson
Forfatter af Overshot Simply: Understanding the Weave Structure 38 Projects to Practice Your Skills
Om forfatteren
Susan Kesler-Simpson is passionate about fiber arts and breaking down complex weaving techniques so that even beginners can learn the basic concepts. She is the author of the successful Overshot Simply, Shadow Weave Simply, and Creative Treadling with Overshot, and she has a BS and MA in clothing, vis mere textiles, and design from the University of Nebraska. She enjoys teaching weaving and working in other crafts such as knitting, spinning, and crocheting. She resides in Danville, Pennsylvania. vis mindre
Værker af Susan Kesler-Simpson
Overshot Simply: Understanding the Weave Structure 38 Projects to Practice Your Skills (2018) 54 eksemplarer
Shadow Weave Simply: Understanding the Weave Structure 25 Projects to Practice Your Skills (2020) 34 eksemplarer
Creative Treadling with Overshot: Explorations in Weave Structure & 36 Projects (2019) 26 eksemplarer
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- Værker
- 4
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- #156,299
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- 4.1
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In Chapter One, Susan Kesler-Simpson explains what she believes is special about the crackle structure including how it got its name, the use of color and how it fits into modern life. She provides her goals for the book and sequence of exploration.
In Chapter Two, “Understanding Crackle Weave: Four Shaft Loom,” she introduces the reader to crackle weave as a block weave in which each block is a 4-thread point twill. After presenting the threading for each of the four blocks, she explains how to combine the blocks with the use of an incidental thread to transition from one block to the next. As classic crackle treadling follows the same block composition as the threading, this information is re-stated in the treadling section. She demonstrates how a different arrangement of your tie-up will change the look of the cloth with a series of drawdowns. She continues to explain how to read a profile version of a crackle draft, substitute the threading blocks and add the incidentals to obtain the full draft. This information is well laid-out and should be understandable to anyone reading this book.
Chapter Three, “Understanding Crackle Weave: Eight Shaft Loom,” expands upon the information given in the previous chapter following the same format. With eight shafts, you move from four possible crackle weave blocks to eight. The threading and treadling for each of these additional blocks is provided. More blocks allow for many more possible block sequences. The transition from non-sequential blocks, from A to E, for example, is a bit more involved than the transition from block A to block B. Susan Kesler-Simpson explains that there may be more than one path and how to find one that will work for you.
Chapter Four, “Alternative Treadlings for Crackle Weave,” is the weak spot in the book. In this chapter, Susan Kesler-Brown demonstrates that a warp threaded as crackle can be woven following the treadling order for other weave structures. Treadling options shown are Italian manner, lace, on opposites, overshot, summer and winter, and twill. However, the author assumes that the reader, an advanced beginner, is familiar enough with these weave structures to recognize the pattern. The treadling is provided along with a small black and white photo for each alternative treadling. The reader would gain more insight with a full drawdown for each treadling. For a better understanding of the use of various treadlings with crackle, follow the author’s advice and pick up Susan Wilson’s Weave Classic Crackle and More.
Chapter Five, “Color and Texture,” is where things start to get fun. Options are presented for adding color and texture to your weaving adventures. Color can be added in multiple ways to make each crackle project your own.
Chapter Six, “Four Shaft Patterns,” and Chapter Seven, “Eight Shaft Patterns,” is where Susan Kesler-Simpson shines. There are 20 four shaft projects and 7 eight shaft projects which cover the spectrum of the alternatives discussed previously in the book. Her use of color brings the projects alive. They are not the black and white crackle that you may have seen in Marguerite Davison’s Handweaver’s Pattern Book. Anyone wishing to try their first crackle weave project should find something compelling. Be aware, however, that you will need to read at least chapter two to understand her notations.
In all, this book provides a good overview of the crackle weave structure for a weaver of all levels. After reading this book you should be able to pick up any profile draft and derive your threading. However, if you are looking for a more in-depth understanding of crackle weave, reach for Susan Wilson’s Weave Classic Crackle and More.… (mere)