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Charlotte Perkins Gilman (1860–1935)

Forfatter af The Yellow Wallpaper [short fiction]

128+ Works 12,021 Members 343 Reviews 21 Favorited

Om forfatteren

Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among vis mere these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) vis mindre
Image credit: From Wikipedia

Serier

Værker af Charlotte Perkins Gilman

The Yellow Wallpaper [short fiction] (1892) 3,093 eksemplarer
Kvindeland (1915) 2,533 eksemplarer
Herland and Selected Stories (1892) 306 eksemplarer
The Charlotte Perkins Gilman Reader (1980) 215 eksemplarer
Women and Economics (1898) 209 eksemplarer
Unpunished: A Mystery (1998) 118 eksemplarer
Yellow Wallpaper & Other Stories (2018) 87 eksemplarer
Herland/The Yellow Wallpaper (1600) 82 eksemplarer
With Her in Ourland (1916) 66 eksemplarer
What Diantha Did (1912) 45 eksemplarer
The Crux (1911) 43 eksemplarer
Moving the Mountain (2009) 36 eksemplarer
The home; its work and influence (1972) 29 eksemplarer
21 Essential American Short Stories (2011) — Bidragyder — 21 eksemplarer
Benigna Machiavelli (1993) 12 eksemplarer
If I Were A Man (1914) 8 eksemplarer
Families, Marriages, and Children (2011) 5 eksemplarer
When I Was a Witch (2017) 5 eksemplarer
Concerning Children (2002) 4 eksemplarer
The Giant Wistaria 2 eksemplarer
Si yo fuera un hombre (Clásicos) (2018) 2 eksemplarer
The Classic Gothic Horror Collection (2021) — Bidragyder — 2 eksemplarer
Making a Living 2 eksemplarer
Dr. Clair's Place 2 eksemplarer
La ‰carta gialla 1 eksemplar
Herland Annotated (2021) 1 eksemplar
Dagi Yerinden Oynatmak (2021) 1 eksemplar
Herland Illustrated 1 eksemplar
The Crux (Annotated): A Novel (2017) 1 eksemplar
Joan's Defender 1 eksemplar
The Unexpected 1 eksemplar
My Poor Aunt 1 eksemplar
Three Thanksgivings 1 eksemplar
Her Houskeeper 1 eksemplar
Martha's Mother 1 eksemplar
Old Mrs. Crosley 1 eksemplar
Turned 1 eksemplar
Mrs. Elder's Idea 1 eksemplar
Her Beauty 1 eksemplar
Spoken To 1 eksemplar
Human work (2005) 1 eksemplar
Cross-Examining Santa Claus (2013) 1 eksemplar
Collected Stories 1 eksemplar
Žuti tapet i druge priče (2013) 1 eksemplar
The Forerunner 1 eksemplar
[No title] 1 eksemplar

Associated Works

The Oxford Book of American Short Stories (1992) — Bidragyder — 730 eksemplarer
The Dark Descent (1987) — Bidragyder — 706 eksemplarer
Great American Short Stories: From Hawthorne to Hemingway (2004) — Bidragyder — 578 eksemplarer
The Oxford Book of Gothic Tales (1992) — Bidragyder — 529 eksemplarer
American Gothic Tales (1996) — Bidragyder — 443 eksemplarer
Points of View: Revised Edition (1966) — Bidragyder — 404 eksemplarer
Great Short Stories by American Women (1996) — Bidragyder — 401 eksemplarer
The Essential Feminist Reader (2007) — Bidragyder — 308 eksemplarer
The World's Greatest Short Stories (2006) — Bidragyder — 260 eksemplarer
Gothic Short Stories (2002) — Bidragyder — 238 eksemplarer
Daughters of Decadence: Women Writers of the Fin-de-Siècle (1993) — Bidragyder — 181 eksemplarer
Black Water 2: More Tales of the Fantastic (1990) — Bidragyder — 152 eksemplarer
The Penguin Book of Women's Humour (1996) — Bidragyder — 114 eksemplarer
The Lifted Veil: Women's 19th Century Stories (2005) — Bidragyder — 112 eksemplarer
The Standard Book of British and American Verse (1932) — Bidragyder — 110 eksemplarer
The Utopia Reader (1999) — Bidragyder — 109 eksemplarer
American Fantastic Tales: Boxed Set (2009) — Bidragyder — 91 eksemplarer
The American Fantasy Tradition (2002) — Bidragyder — 90 eksemplarer
Evil Roots: Killer Tales of the Botanical Gothic (2019) — Bidragyder — 80 eksemplarer
The 13 Best Horror Stories of All Time (2002) — Bidragyder — 76 eksemplarer
65 Great Spine Chillers (1988) — Bidragyder — 75 eksemplarer
Wolf's Complete Book of Terror (1979) — Bidragyder — 74 eksemplarer
Selected Stories from the 19th Century (2000) — Bidragyder — 71 eksemplarer
The Heath Anthology of American Literature, Concise Edition (2003) — Bidragyder — 66 eksemplarer
The Medusa In The Shield (Dark Descent) (1990) — Bidragyder — 63 eksemplarer
Haunted House Short Stories (Gothic Fantasy) (2019) — Bidragyder — 63 eksemplarer
American Christmas Stories (2021) — Bidragyder — 57 eksemplarer
Dark: Stories of Madness, Murder and the Supernatural (2000) — Bidragyder — 56 eksemplarer
The Vintage Book of American Women Writers (2011) — Bidragyder — 55 eksemplarer
Lost Worlds Short Stories (Gothic Fantasy) (2017) — Bidragyder — 50 eksemplarer
Scribbling Women: Short Stories by 19th-Century American Women (1997) — Bidragyder — 49 eksemplarer
The Experience of the American Woman (1978) — Bidragyder — 47 eksemplarer
An Omnibus of 20th Century Ghost Stories (1989) — Bidragyder — 45 eksemplarer
Horror Stories: Classic Tales from Hoffmann to Hodgson (2014) — Bidragyder — 43 eksemplarer
The Signet Classic Book of Contemporary American Short Stories (1985) — Bidragyder — 41 eksemplarer
Best Loved Short Stories of Nineteenth Century America (2003) — Bidragyder — 39 eksemplarer
Haunting Women (1988) — Bidragyder — 35 eksemplarer
8 mærkelige fortællinger (1972) — Bidragyder — 33 eksemplarer
Medusa's Daughters (2020) — Bidragyder — 32 eksemplarer
More Macabre (1961) — Forfatter — 31 eksemplarer
Rediscoveries: American Short Stories by Women, 1832-1916 (1994) — Bidragyder — 31 eksemplarer
American Gothic Short Stories (Gothic Fantasy) (2019) — Bidragyder — 26 eksemplarer
American gothic : An anthology 1787–1916 (1999) — Bidragyder — 22 eksemplarer
Deadlier: 100 of the Best Crime Stories Written by Women (2017) — Bidragyder — 19 eksemplarer
The Other Woman: Stories of Two Women and a Man (1993) — Bidragyder — 18 eksemplarer
The Cold Embrace: Weird Stories by Women (2016) — Bidragyder — 14 eksemplarer
Restless Spirits: Ghost Stories by American Women, 1872-1926 (1996) — Bidragyder — 14 eksemplarer
A Quaint and Curious Volume: Tales and Poems of the Gothic (2019) — Bidragyder — 13 eksemplarer
The Wrong Turning: Encounters with Ghosts (2021) — Bidragyder — 11 eksemplarer
Witches' Brew: Horror and Supernatural Stories by Women (1984) — Bidragyder — 10 eksemplarer
The Great Modern American Stories: An Anthology (1920) — Bidragyder — 10 eksemplarer
Great Tales Of The Supernatural (1978) — Bidragyder — 6 eksemplarer
Evergreen Stories (1998) — Bidragyder — 5 eksemplarer
Best of Women's Short Stories, Volume I (2005) — Bidragyder — 4 eksemplarer
Great Classic Womens Fiction (2011) 3 eksemplarer
Enjoying Stories (1987) — Bidragyder — 2 eksemplarer
Virginia's Sisters: An anthology of women's writing (2023) — Bidragyder — 1 eksemplar

Satte nøgleord på

Almen Viden

Juridisk navn
Gilman, Charlotte Anna Perkins
Andre navne
Stetson, Charlotte Perkins
Fødselsdato
1860-07-03
Dødsdag
1935-08-17
Begravelsessted
cremated
Køn
female
Nationalitet
USA
Fødested
Hartford, Connecticut, USA
Dødssted
Pasedena, California, USA
Dødsårsag
suicide
Bopæl
Providence, Rhode Island, USA
Pasadena, California, USA
New York, New York, USA
Norwich, Connecticut, USA
Uddannelse
Rhode Island School of Design
Erhverv
novelist
short story writer
social reformer
magazine editor
public speaker
economist (vis alle 8)
women's rights activist
suffragist
Relationer
Stowe, Harriet Beecher (great-aunt)
Beecher, Catharine (great-aunt)
Hooker, Isabella Beecher (great-aunt)
Kort biografi
Charlotte Perkins Gilman was born in Hartford, Connecticut, to Frederick Beecher Perkins and his wife Mary Fitch Westcott.
Harriet Beecher Stowe, Catharine Beecher, and Isabella Beecher Hooker, three of the most distinguished 19th-century American writers and women's advocates were her great-aunts of whom she was very proud. Charlotte herself became a noted writer, public speaker, economist, and women's rights and suffrage activist. In 1884, at the age of 24, she married Charles Walter Stetson, an aspiring artist, and the following year gave birth to their daughter. Shortly after the birth, Charlotte suffered a serious bout of what today would be diagnosed as post-partum depression. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper," published in 1892. She also wrote a famous treatise, Women and Economics (1898), in which she said women could never be truly independent until they first had economic freedom. This theme was explored through her lectures, her more than 1,000 nonfiction publications, and her fiction. In 1900, Gilman remarried to her first cousin, George Houghton Gilman. Over the next 25 years, Charlotte also ran her own magazine, The Forerunner, in which many of her stories appeared. An advocate of euthanasia, Gilman ended her life at the age of 75 with an overdose of chloroform. Her work fell into obscurity until it was revived by the women’s movement in the 1960s. In 1994, Charlotte Perkins Gilman was inducted into the National Women’s Hall of Fame in Seneca Falls, New York.

Medlemmer

Discussions

Anmeldelser

The Yellow Wall Paper is a long short story - at about 60 pages (depending on edition) it's not quite a novella. However, it uses what it has extremely well. It's a riveting piece of feminist literature. Yet in the edition I had, I felt the afterword from Elaine Hedges might have missed the mark. With her description of the room, I thought she totally missed a possible hint of the true horror. The room is described as barred windows, no furniture except for a heavy bolted down bed and hideous yellow wallpaper worn at a certain height around the room. The room is mentioned as a former nursery, but there's other hints of a darkness to the house. I think it's possible that room was a prison for the former lady of the house and it lends itself to the conclusion quite well.… (mere)
 
Markeret
Sean191 | 139 andre anmeldelser | Nov 22, 2023 |
Décidément, j’ai l’impression d’avoir une prédilection ces derniers temps pour les féministes américaines de la première heure. J’ai découvert [[Mary Eleanor Wilkins Freeman]] en fin d’année dernière, [[Susan Glaspell]] en mai dernier, et c’est maintenant au tour de Charlotte Perkins Gilman avec ce texte paru en 1892 qui m’a fait souvent penser au [Horla] qui lui est à peine antérieur et parfois à [La Métamorphose] qui elle est largement postérieure. On rapproche aussi souvent Gilman d’[[Edgar Poe]] et on voit dans son travail, et dans cette nouvelle en particulier, les prémisses du courant de conscience dont [[Virginia Woolf]] est une des grandes représentantes. Cela fait beaucoup de références littéraires, beaucoup d’influences réciproques, mais Gilman se montre à la hauteur de tous ces grands noms plus connus qu’elle.
Dans cette nouvelle, une femme jamais nommée tient son journal pendant les trois mois qu’elle passe avec son mari et son nouveau-né dans une demeure qu’ils ont louée. La femme est atteinte d’un mal qui lui non plus n’est jamais nommé, mais qui ressemble à une dépression, peut-être une dépression post-partum. Son mari médecin, dans son rôle d’homme protecteur et de scientifique lui préconise un repos absolu et une réclusion quasi carcérale. Logée dans l’ancienne nursery (quoi de mieux pour infantiliser quelqu’un ?), elle prend vite le papier peint jaune de la pièce en horreur. Passant tout son temps à observer ce papier peint honni, elle commence à s’y perdre, et sa dépression semble commencer à se transformer en hystérie comme on aimait le dire à l’époque. C’est donc une nouvelle qui montre le statut de la femme bourgeoise devant qui s’ouvrent deux voies : soit être une maîtresse de maison accomplie, soit être infantilisée et réduite au silence et à l’inaction.

Mais comme la version que j’en ai lue a été commise par les éditions Tendance Négative (le troisième en deux mois, les trois derniers publiés d’un catalogue qui compte à ce jour 7 titres), le texte bénéficie d’une mise en page particulière, avec un papier peint jaune dans lequel j’ai vu, caché sous les dessins de fleurs, des sortes de têtes de mort aux yeux plissés et au sourire sardonique, un papier peint qui envahit peu à peu la page comme il envahit la tête et les pensées de la narratrice. Et puis toutes les pages ne sont pas séparées, et toutes les 4 pages, il faut faire une pause dans la lecture pour couper les pages et découvrir ce qui se cache derrière, parfois un simple blanc, parfois la suite du texte. Il est facile de faire le parallèle avec la forme, puis la femme, que la narratrice voit derrière le papier peint : le lecteur passe d’un côté à l’autre et s’y perd comme s’y perd la narratrice. Et puis, fait notable, cela casse la lecture, ce qui renforce le côté « courant de conscience » du texte, avec des pauses parfois un peu aléatoires (un aléatoire très bien organisé par les éditeurs s’entend) comme quand on réfléchit à bâtons rompus.
Il n’est pas impossible de voir dans les lés de papier peint les barreaux d’une prison que le lecteur découpe et que la narratrice veut arracher. Dans les notes qui accompagnent le texte, il est aussi suggéré que le choix de la couleur du papier peint n’est pas anodin : jaune se dit yellow en anglais, yell low peut-être, quelque chose comme hurler tout bas peut-être ? Mais est-ce du lacanisme à la petite semaine ?
Toujours est-il que ce texte est encore l’objet d’interprétations contradictoires, tant c’est un texte qui reste ouvert et riche. A découvrir avec délectation, et un petit frisson, de préférence dans l’édition de Tendance Négative.
… (mere)
 
Markeret
raton-liseur | 139 andre anmeldelser | Oct 31, 2023 |
It is amazing how much story can be told in so few words. Love it.
 
Markeret
everettroberts | 53 andre anmeldelser | Oct 20, 2023 |

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O. Henry Contributor
Shirley Jackson Contributor
Ernest Hemingway Contributor
Herman Melville Contributor
Carl Stephenson Contributor
H. P. Lovecraft Contributor
William Faulkner Contributor
Frank Stockton Contributor
Stephen Crane Contributor
James Thurber Contributor
Mark Twain Contributor
Edith Wharton Contributor
Jack London Contributor
Mary Shelley Contributor
William Mudford Contributor
Henry James Contributor
Elizabeth Gaskell Contributor
Dick Donovan Contributor
Ralph Adams Cram Contributor
E. F. Benson Contributor
Sheridan Le Fanu Contributor
Maggie O'Farrell Introduction
Kate Bolick Introduction
Ann J. Lane Introduction, Editor
Sara Barkat Illustrator
Sabine Wilhelm Translator
Amy Aronson Introduction
Michael Kimmel Introduction
Sheryl L. Meyering Introduction
Steve Renwick Cover designer
Tithi Luadthong Cover artist
Xe Sands Narrator

Statistikker

Værker
128
Also by
75
Medlemmer
12,021
Popularitet
#1,952
Vurdering
3.9
Anmeldelser
343
ISBN
750
Sprog
18
Udvalgt
21
Trædesten
570

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