T. J. English
Forfatter af Havana Nocturne: How the Mob Owned Cuba and Then Lost It to the Revolution
Om forfatteren
T.J. English's first work in the genre known as "True Crime" was The Westies: Inside the Hell's Kitchen Irish Mob, published in 1990. It was later adapted into a film called State of Grace starring Sean Penn. His second work, Born to Kill: America's Most Notorious Vietnamese Gang, and the Changing vis mere Face of Organized Crime (1995) was nominated for both an Anthony Award and an Edgar Allan Poe Award for best "True Crime" in 1996. Prior to becoming a nonfiction writer focusing on gangs and organized crime, English was a journalist writing for the Irish Voice during the police investigation and subsequent trial of those same members of the Hell's Kitchen mob who were the focus of his first nonfiction work. English, who was born in 1957, continues to do extensive research and write. (Bowker Author Biography) vis mindre
Værker af T. J. English
Whitey's Payback: and Other True Stories: Gangsterism, Murder, Corruption, and Revenge (2013) 27 eksemplarer
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Almen Viden
- Fødselsdato
- 1957-10-06
- Køn
- male
- Nationalitet
- USA
- Fødested
- Tacoma, Washington, USA
- Bopæl
- New York, New York, USA
Los Angeles, California, USA - Uddannelse
- Loyola Marymount University
- Erhverv
- journalist
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In short, the Mafia had the money and they were active during Prohibition, while they also ran the speakeasy's as a chief source of income. And they were familiar with the burgeoning jazz musicians who were willing to play in those same clubs as a way to make a living.
Then once Prohibition ended, these same Mafia bosses had to find a way to keep their income coming in and boy did they. From New York's famed
Cotton Club to Chicago, St. Louis, Detroit, and Miami, the jazz clubs sprang up, the musicians played, big band music became the new thing, and the money rolled in. Mostly to the mobsters as one would expect.
Very many aspects of the intertwining of jazz and the Mafia are put into history, including the increased use of heroin and the musicians who got hooked, the violence that happened if anyone tried to switch clubs or bands, and the "plantation mentality" of black musicians, white audience till the 60's and early 70's. Also detailed are the years that Havana was a jazz-and-Mob jewel and how Las Vegas came to exist.
Highly recommend this book for music fans and readers interested in 20th century American history.… (mere)