Robert Dassanowsky (1960–2023)
Forfatter af Gale Encyclopedia of Multicultural America (3 Volume Set)
Om forfatteren
Robert Dassanowsky is Professor of German/Austrian Studies and Film at the University of Colorado, Colorado Springs, as well as an independent film producer. He is author of Austrian Cinema: A History and editor of World Film Locations: Vienna and Quentin Tarantino's Inglourious Basterds: A vis mere Manipulation of Metafilm. vis mindre
Værker af Robert Dassanowsky
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- Andre navne
- von Dassanowsky, Robert
- Fødselsdato
- 1960-01-28
1956-01-28 - Dødsdag
- 2023-10-12
- Køn
- male
- Nationalitet
- Austria
USA - Fødested
- New York, USA
- Uddannelse
- American Academy of Dramatic Arts, Los Angeles
American Film Institute (AFI) Conservatory Program
University of California, Los Angeles (BA | Political science and German)
University of California, Los Angeles (MFA | German studies)
University of California, Los Angeles (PhD | Germanic languages) - Erhverv
- academic
film historian
teacher
film producer
curator, film festivals - Organisationer
- University of Colorado, Colorado Springs
UCCS Student Short Film Festival (cofounder)
Austrian-American Film Association (cofounder)
Austrian Studies Association
Belvedere Film
PEN International, Colorado chapter (founding president) (vis alle 7)
Elfi Von Dassanowsky Foundation (director)
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- Popularitet
- #370,100
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- 4.3
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- ISBN
- 18
When Inglorious Basterds first played in the theaters, my wife and I arrived early to view such. Apparently, too early. We walked in as the previous showing was still on the final reel. We walked in as Hitler and Goebbels were enjoying Nation's Pride. That is, we interrupted the Master Race at play, before Shosanna edited the state propaganda and showed them the face of Jewish vengeance. That is , before Donny and Omar stormed their box with machine pistols and explosives. The intrusion feels ever so appropriate now.
This is a collection of scholarly essays about this wonderful film, which I admit to having seen close to 40 times. The critical approach places Inglorious Basterds in the traditions of European Cinema as well as WWII films and then explores the minefield of Holocaust representation. Some liken Shosanna to Joan of Arc. This effort is more than worthy and should be plumbed by cinephiles.… (mere)