Johanna Burton

This expanded edition of Gregory R. Miller's hugely successful first-ever monograph on Marilyn Minter from 2007 brings her public up to speed with the inclusion of works created over the past three years, including images from Minter's 2009 video "Green Pink Caviar," shown in New York's Times Square and featured in Madonna's recent Sticky and Sweet concert tour. Minter's ever-expanding reputation was established during the 1980s, when her work engaged formal aspects of painting as well as subject matter that remain central to her practice today. This publication features work from every period of a career that now spans over 40 years, and reproduces in full color nearly every painting Minter has made, along with a wide selection of her painterly photographs of the last several years. It also includes the seminal and haunting Coral Ridge Towers series of black-and-white photos that Minter took of her mother in 1969. Art historian Johanna Burton contributes a substantial essay that analyzes and elucidates all aspects of Minter's work; her text is complemented by a lengthy conversation between Minter and her friend, painter Mary Heilmann, as well as by "Twenty Questions," a project assembled by Matthew Higgs to which a wide range of artists, curators, friends and others with a unique connection to Minter have contributed. The design and production of this expanded edition have been superbly realized by the award-winning New York- and Amsterdam-based design studio, COMA. This monograph firmly establishes Minter's important and central position in contemporary art.… (mere)

Minter’s daring, sensational, intensely chromatic photo series of senior sex

Originally published for a 2022 New York Times article on “The Joys (and Challenges) of Sex after 70,” this photographic series by Marilyn Minter explores the almost unchartered territory of sex late in life. Intimate, fantastically bold, sometimes shocking and very Marilyn Minter in the best way, these photographs cast an uninhibited look at “unconventional” bodies and challenge our traditional and often stereotyped vision of sex. Ultimately, these joyful, empowering and body-positive images remind us that the frontiers of sexuality are unlimited and that we can choose the type of pleasure we want at every stage of our lives.
An afterword by acclaimed New Yorker writer Naomi Fry dwells on the feminist implications of Minter’s work as it addresses the issues our society faces when it comes to aging.
In paintings, videos and photos, Marilyn Minter (born 1948) has been exploring the intersection of desire, feminism and modes of representation since the late 1960s. She has had solo exhibitions at White Columns in New York and the San Francisco Museum of Modern Art among other locations. Her retrospective Pretty/Dirty was presented in 2016 at the Contemporary Arts Museum Houston and MCA Denver, before traveling to the Orange County Museum of Art and the Brooklyn Museum in New York.… (mere)