David Bordwell (1947–2024)
Forfatter af Film Art: An Introduction
Om forfatteren
David Bordwell is the Jacques Ledoux Professor of Film Studies Emeritus at the University of Wisconsin-Madison. With Kristin Thompson, he is coauthor of Film History: An Introduction and the Film Arts: An Introduction and the blog Observations on Film Art, which can be found at vis mere http://www.davidbordwell.net/blog. vis mindre
Image credit: By Wasily at Dutch Wikipedia - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2927670
Serier
Værker af David Bordwell
Perplexing Plots: Popular Storytelling and the Poetics of Murder (Film and Culture Series) (2023) 19 eksemplarer
The McGraw Hill Film Viewer's Guide 2 eksemplarer
"The Art Cinema as a Mode of Film Practice" 1 eksemplar
Film Art: An Introduction (twelfth edition) 1 eksemplar
Associated Works
Crouching Tiger, Hidden Dragon: A Portrait of Ang Lee's Epic Film (2000) — Introduktion — 68 eksemplarer
Shared Pleasures: A History Of Movie Presentation In The United States (Wisconsin Studies in Film) (1992) — Forord, nogle udgaver — 32 eksemplarer
Satte nøgleord på
Almen Viden
- Kanonisk navn
- Bordwell, David
- Juridisk navn
- Bordwell, David Jay
- Fødselsdato
- 1947-07-23
- Dødsdag
- 2024-02-29
- Køn
- male
- Nationalitet
- USA
- Fødested
- Penn Yan, New York, USA
- Dødssted
- Madison, Wisconsin, USA
- Dødsårsag
- idiopathic pulmonary fibrosis
- Bopæl
- Madison, Wisconsin, USA
- Uddannelse
- State University of New York, Albany (BA|1969)
University of Iowa (MA|1972|Ph.D|1974) - Erhverv
- film scholar
professor
film theorist
film historian - Relationer
- Thompson, Kristin (spouse)
- Organisationer
- University of Wisconsin, Madison
Society for Cinema Studies
Cinema Journal (editorial board)
Medlemmer
Anmeldelser
Lister
Hæderspriser
Måske også interessante?
Associated Authors
Statistikker
- Værker
- 35
- Also by
- 3
- Medlemmer
- 2,750
- Popularitet
- #9,327
- Vurdering
- 3.9
- Anmeldelser
- 14
- ISBN
- 177
- Sprog
- 12
- Udvalgt
- 4
The enlightening discussion of the new tools in the cinematographer’s bag was new since I last read it. I was surprised to learn that film itself still has its uses. Evidently, images involving billions of light-sensitive molecules have not been totally displaced by images made of millions of pixels. The discussion of the CGI techniques used in Gravity was especially helpful.
I also enjoyed the many trips to Bordwell’s blog, which the book encouraged. I do wish, though, that the blog included more links to film clips.
Some things have stayed the same: an insightful, detailed critique of Citizen Kane and an organizational structure that makes it problematic for someone trying to organize a course around it.… (mere)