B. A. Binns
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(In the Booksquawk spirit of full disclosure, this novel was provided to me as a free uncorrected advance proof, however, other than belonging to the same chapter of Romance Writers of America with its author, I do not know B.A. Binns.)
On the face of it, the title of Binns’ debut young adult novel, ‘Pull,’ seems ambiguous. It wasn’t until I was immersed in the main character’s story that I decided the title refers to the multiple directions a person on the cusp of adulthood can be pulled in life.
Pull is told in first-person point of view by seventeen-year-old David Albacore…except that’s not his real name. David wants nothing to do with his real surname, because it links him to his father—the convicted murderer of his beloved mother. He and his sisters are in foster care, living in inner-city Chicago with his aunt, and he’s managed to register himself in school under an assumed name. New city, new school, new (understandably bad) attitude about life. David just wants to fly under the radar for the rest of the year—something kind of hard to do when you’re six-foot-seven inches tall and refusing to join the basketball team.
Right away David feels the irresistible pull of Yolanda Dare, a girl with “a double dose of that thing girls have that makes a guy’s legs shake and teeth clench until we’re praying for relief.” Too bad Yolanda belongs to Malik, the reigning self-inflated, bullying king of the school. David also feels the pull of protectiveness for his younger sisters. Barnetta, or Barney, is a freshman desperate to hang with the cool crowd. Since they have different last names, she convinces David to pretend to be her boyfriend, which gives her instant status and gives him peace of mind that she won’t be targeted by any of the boys in her orbit.
The characters meander down a familiar road of teenage indecision, fluctuating loyalty and confusion. David is caught up in his attraction to Yolanda, who is giving him mixed signals. Her motivation isn’t clear at the outset, but Binns slowly lets the line on her true personality reel out. Malik is vicious and malicious; in stark contrast to the selfless girl David is coming to know.
David’s motivation for not wanting to play basketball is tied to his guilt in the part he believes he played in his mother’s murder. The terrible circumstances leading to her loss colors every decision he makes. He’s pulled, too, by the hopes and dreams she expressed for his future, which involve a college degree he’s just not that into getting. David has a true talent for working with his hands and his mind in construction, but the culmination of all the external pressures on him means he can’t envision anything but a life of sacrifice to protect his sisters from the system.
On Binns’ website, the subtitle is: ‘Stories of real boys growing into real men.’ She accomplishes this through uncensored characterization; not glossing over the fact that teens are exposed to drugs, alcohol and sex, and they use strong, often offensive language to express themselves. In Pull, Binns depicts the struggles a teen goes through fighting peer pressure and hormonal urges—and building strength of character and moral courage—all without sounding like a preacher on a pulpit. I very much enjoyed this gritty, realistic coming-of-age tale.… (mere)
On the face of it, the title of Binns’ debut young adult novel, ‘Pull,’ seems ambiguous. It wasn’t until I was immersed in the main character’s story that I decided the title refers to the multiple directions a person on the cusp of adulthood can be pulled in life.
Pull is told in first-person point of view by seventeen-year-old David Albacore…except that’s not his real name. David wants nothing to do with his real surname, because it links him to his father—the convicted murderer of his beloved mother. He and his sisters are in foster care, living in inner-city Chicago with his aunt, and he’s managed to register himself in school under an assumed name. New city, new school, new (understandably bad) attitude about life. David just wants to fly under the radar for the rest of the year—something kind of hard to do when you’re six-foot-seven inches tall and refusing to join the basketball team.
Right away David feels the irresistible pull of Yolanda Dare, a girl with “a double dose of that thing girls have that makes a guy’s legs shake and teeth clench until we’re praying for relief.” Too bad Yolanda belongs to Malik, the reigning self-inflated, bullying king of the school. David also feels the pull of protectiveness for his younger sisters. Barnetta, or Barney, is a freshman desperate to hang with the cool crowd. Since they have different last names, she convinces David to pretend to be her boyfriend, which gives her instant status and gives him peace of mind that she won’t be targeted by any of the boys in her orbit.
The characters meander down a familiar road of teenage indecision, fluctuating loyalty and confusion. David is caught up in his attraction to Yolanda, who is giving him mixed signals. Her motivation isn’t clear at the outset, but Binns slowly lets the line on her true personality reel out. Malik is vicious and malicious; in stark contrast to the selfless girl David is coming to know.
David’s motivation for not wanting to play basketball is tied to his guilt in the part he believes he played in his mother’s murder. The terrible circumstances leading to her loss colors every decision he makes. He’s pulled, too, by the hopes and dreams she expressed for his future, which involve a college degree he’s just not that into getting. David has a true talent for working with his hands and his mind in construction, but the culmination of all the external pressures on him means he can’t envision anything but a life of sacrifice to protect his sisters from the system.
On Binns’ website, the subtitle is: ‘Stories of real boys growing into real men.’ She accomplishes this through uncensored characterization; not glossing over the fact that teens are exposed to drugs, alcohol and sex, and they use strong, often offensive language to express themselves. In Pull, Binns depicts the struggles a teen goes through fighting peer pressure and hormonal urges—and building strength of character and moral courage—all without sounding like a preacher on a pulpit. I very much enjoyed this gritty, realistic coming-of-age tale.… (mere)
Don’t let either the non-informative title or the cover of this powerful book dissuade you from considering reading it. Both are misleading. The cute guy on the cover, on the other hand, is not totally unrelated, since the protagonist happens to be one.
David Albacore is a seventeen-year-old high school senior at a new school, and his sister Barnetta (“Barney”) is a freshman. They transferred after their father murdered their mother. The father went to jail, and David and his sisters moved in with their Aunt Edie in Chicago. David didn’t even want to go back to school, but he has vowed to take care of Barney, who is still emotionally scarred from finding her mother in a pool of blood.
Barney is six feet tall, and worries she’ll never find a boyfriend. When David asks Barney why she wants a boyfriend she says:
"I just want to be normal, like everyone else. That’s why I have to have someone. A girl has to have a man or she’s nothing.”
David senses this is wrong, but doesn’t know how to respond. He knows though that his mom put up with his dad’s abuse for years because she believed she was nothing without him. He worries he can never be a substitute for the female companion Barney clearly needs, “someone who understands the things that go on inside a girl’s head.”
On his first day at the new school, he falls hard for Yolanda Dare, who happens to be the girlfriend of Malek Kaplan, the popular head of the basketball team and a “gangsta clown” as David identifies him. Even worse, Barney falls for Malek. Yolanda is often bruised, and David suspects the rough and disrespectful Malek is the cause.
David is 6’7”, fast, and strong, and was a basketball star at his previous school, but no longer has an interest in the game. The night his mother got killed, he was asleep from pain medication after showing off on the basketball court and breaking his arm. He blames basketball, and he blames himself.
David works two jobs in addition to going to school to help support his family. When he finally does start playing ball again, he is told he can get a full scholarship to college, but that’s not what he wants. The murder and his new responsibilities have changed his life. “Things that were once so all-important, like having a harem, winning the game, and being number one don’t even count anymore.” He has a dream of being a construction worker. He loves “the idea of turning a hole in the ground into something real.” He loves Yolanda too, and he desperately wants to keep Barney away from Malek.
Then his aunt has a stroke, and their family unit and all his dreams are in danger of vanishing.
Discussion:
This story brings up so many issues worth consideration.
We can see the different messages conveyed to this young, coming-of-age boy affecting his understanding of the roles of men and women. He is influenced by what he picks up from his experience at home; his peers; and his own sense of what is right and wrong.
His father told him that knocking around his mother was “being a man.” But David is conflicted; he loved his gentle and supportive mom, and knows that she made her whole family feel special and loved and didn't deserve to be physically abused. He remembers the fear and sadness he and his sisters felt from seeing the violence and displays of virility by their dad.
The kids in school see relationships in terms of conquests and popularity. The recipe for success in David's school for a male include control over girls and over their sexuality, with physical and sexual abuse not an uncommon element of that control. In fact, the story illustrates the description of much of black male culture by sociologist Bell Hooks:
This theme is absolutely pervasive throughout Pull. While David ultimately opts for a different path, even he admits he would have been no different had his family not been decimated and dislocated. Yet there is really no discussion among the book’s characters of the “rape culture” that permeates the lives of these young people. [Hooks notes that black men who reject this culture are perceived as insufficiently masculine. She posits ruefully that women have become conditioned to equate this misogynist behavior with eroticism and desire.]
Secondly, if ever a story made a latent case for separate-sex education, this one does. In this school (as I imagine in many schools), the boys think constantly about sex (and not in PG-rated terms), and have all kinds of methods worked out to manipulate the girls into providing it. Yet those who do are referred to as “skanky ho’s” by both boys and other girls. There is a tragic dearth of respect for girls by both sexes in this book. Studies are clearly a secondary concern. And although David is now focusing on one girl instead of on accumulating a number of sexual partners, his desire for her is clearly a function of his sexual drive rather than an appreciation of the girl’s other assets (which he does, however, come eventually to appreciate), and moreover constantly interferes with his ability to concentrate on learning.
While there is not much commentary in the book about the issue of education, it seems evident to me that only those students (in this school at any rate) willing to be designated as “losers” have a chance to be future winners in the fields of academic success and achievement. The appeal of such success can be debated, since in American society it often depends on skills and cultural practices (including hair and dress) defined by the white, privileged class. Thus the main ticket out of the downward spiral that characterizes the black lower classes is considered to be "acting white" and not without justification. In spite of the myth of meritocracy that is promulgated by politicians and educators, “the playing field is already tilted in favor of those by whom and for whom it was constructed in the first place.” (Stanley Fish, “Reverse Racism, or How the Pot Got to Call the Kettle Black,” Atlantic Monthly, November 1993). I think there’s a wonderful case to be made for schools assigning this book along with one by or about Booker T. Washington (famous for his philosophy on the efficacy of an education for black achievement of economic power and full equality in every sense). The contrasting messages could generate a lot of discussion for students.
And in fact another issue raised by this book is whether or not the reader should be left to draw his or her own conclusions about the matters portrayed in this book. But I believe, for instance, that women would not choose such a self-destructive set of behaviors as are common in this story (and outlined above) unless it were extremely well engrained and opaque to easy epiphanies. And I believe that young boys, reaping at least temporarily the benefits of their egregious behaviors, have little reason to question the state of affairs. Note however that the question of whether a “moral” should be provided is extremely controversial.
Other issues that have a lot of discussion potential include how to prioritize your own needs and dreams over your responsibilities and moral obligations; how to counteract peer pressure and the desire to be popular, even if it means violating a moral code; and how best to deal with loss – not only your own, but that of people with whom you are close.
Evaluation: Obviously I think this book offers a huge amount to think about and debate. I liked the characters a lot in this book, and found it to be a good read. David is complex and thoughtful and trying hard to understand what it means to be a grownup and a man. I loved the way he took care of his sister Barney. I think this book would be a great choice to assign in high schools. It would be an entertaining and provocative selection for adult book clubs as well.… (mere)
David Albacore is a seventeen-year-old high school senior at a new school, and his sister Barnetta (“Barney”) is a freshman. They transferred after their father murdered their mother. The father went to jail, and David and his sisters moved in with their Aunt Edie in Chicago. David didn’t even want to go back to school, but he has vowed to take care of Barney, who is still emotionally scarred from finding her mother in a pool of blood.
Barney is six feet tall, and worries she’ll never find a boyfriend. When David asks Barney why she wants a boyfriend she says:
"I just want to be normal, like everyone else. That’s why I have to have someone. A girl has to have a man or she’s nothing.”
David senses this is wrong, but doesn’t know how to respond. He knows though that his mom put up with his dad’s abuse for years because she believed she was nothing without him. He worries he can never be a substitute for the female companion Barney clearly needs, “someone who understands the things that go on inside a girl’s head.”
On his first day at the new school, he falls hard for Yolanda Dare, who happens to be the girlfriend of Malek Kaplan, the popular head of the basketball team and a “gangsta clown” as David identifies him. Even worse, Barney falls for Malek. Yolanda is often bruised, and David suspects the rough and disrespectful Malek is the cause.
David is 6’7”, fast, and strong, and was a basketball star at his previous school, but no longer has an interest in the game. The night his mother got killed, he was asleep from pain medication after showing off on the basketball court and breaking his arm. He blames basketball, and he blames himself.
David works two jobs in addition to going to school to help support his family. When he finally does start playing ball again, he is told he can get a full scholarship to college, but that’s not what he wants. The murder and his new responsibilities have changed his life. “Things that were once so all-important, like having a harem, winning the game, and being number one don’t even count anymore.” He has a dream of being a construction worker. He loves “the idea of turning a hole in the ground into something real.” He loves Yolanda too, and he desperately wants to keep Barney away from Malek.
Then his aunt has a stroke, and their family unit and all his dreams are in danger of vanishing.
Discussion:
This story brings up so many issues worth consideration.
We can see the different messages conveyed to this young, coming-of-age boy affecting his understanding of the roles of men and women. He is influenced by what he picks up from his experience at home; his peers; and his own sense of what is right and wrong.
His father told him that knocking around his mother was “being a man.” But David is conflicted; he loved his gentle and supportive mom, and knows that she made her whole family feel special and loved and didn't deserve to be physically abused. He remembers the fear and sadness he and his sisters felt from seeing the violence and displays of virility by their dad.
The kids in school see relationships in terms of conquests and popularity. The recipe for success in David's school for a male include control over girls and over their sexuality, with physical and sexual abuse not an uncommon element of that control. In fact, the story illustrates the description of much of black male culture by sociologist Bell Hooks:
Black males, Hooks maintains, “often find that the assertion of sexist domination is their only expressive access to the ‘patriarchal power’ they are told all men should possess as their gendered birthright.” She notes that “those heterosexual black males that the culture deems most desirable as mates and/or erotic partners tend to push a ‘dick-thing’ masculinity. They can talk tough and get rough. They can brag about disciplinin’ their woman, making sure the ‘bitch’ respects them.” (Bell Hooks, “Seduced by Violence No More,” in Z Magazine, November 1993).
This theme is absolutely pervasive throughout Pull. While David ultimately opts for a different path, even he admits he would have been no different had his family not been decimated and dislocated. Yet there is really no discussion among the book’s characters of the “rape culture” that permeates the lives of these young people. [Hooks notes that black men who reject this culture are perceived as insufficiently masculine. She posits ruefully that women have become conditioned to equate this misogynist behavior with eroticism and desire.]
Secondly, if ever a story made a latent case for separate-sex education, this one does. In this school (as I imagine in many schools), the boys think constantly about sex (and not in PG-rated terms), and have all kinds of methods worked out to manipulate the girls into providing it. Yet those who do are referred to as “skanky ho’s” by both boys and other girls. There is a tragic dearth of respect for girls by both sexes in this book. Studies are clearly a secondary concern. And although David is now focusing on one girl instead of on accumulating a number of sexual partners, his desire for her is clearly a function of his sexual drive rather than an appreciation of the girl’s other assets (which he does, however, come eventually to appreciate), and moreover constantly interferes with his ability to concentrate on learning.
While there is not much commentary in the book about the issue of education, it seems evident to me that only those students (in this school at any rate) willing to be designated as “losers” have a chance to be future winners in the fields of academic success and achievement. The appeal of such success can be debated, since in American society it often depends on skills and cultural practices (including hair and dress) defined by the white, privileged class. Thus the main ticket out of the downward spiral that characterizes the black lower classes is considered to be "acting white" and not without justification. In spite of the myth of meritocracy that is promulgated by politicians and educators, “the playing field is already tilted in favor of those by whom and for whom it was constructed in the first place.” (Stanley Fish, “Reverse Racism, or How the Pot Got to Call the Kettle Black,” Atlantic Monthly, November 1993). I think there’s a wonderful case to be made for schools assigning this book along with one by or about Booker T. Washington (famous for his philosophy on the efficacy of an education for black achievement of economic power and full equality in every sense). The contrasting messages could generate a lot of discussion for students.
And in fact another issue raised by this book is whether or not the reader should be left to draw his or her own conclusions about the matters portrayed in this book. But I believe, for instance, that women would not choose such a self-destructive set of behaviors as are common in this story (and outlined above) unless it were extremely well engrained and opaque to easy epiphanies. And I believe that young boys, reaping at least temporarily the benefits of their egregious behaviors, have little reason to question the state of affairs. Note however that the question of whether a “moral” should be provided is extremely controversial.
Other issues that have a lot of discussion potential include how to prioritize your own needs and dreams over your responsibilities and moral obligations; how to counteract peer pressure and the desire to be popular, even if it means violating a moral code; and how best to deal with loss – not only your own, but that of people with whom you are close.
Evaluation: Obviously I think this book offers a huge amount to think about and debate. I liked the characters a lot in this book, and found it to be a good read. David is complex and thoughtful and trying hard to understand what it means to be a grownup and a man. I loved the way he took care of his sister Barney. I think this book would be a great choice to assign in high schools. It would be an entertaining and provocative selection for adult book clubs as well.… (mere)
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nbmars | 1 anden anmeldelse | Feb 21, 2011 |
nbmars | 1 anden anmeldelse | Feb 21, 2011 | Hæderspriser
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“Barney” is 14 and a force of nature. She is six feet tall, “big and curved,” and absolutely refuses to follow the crowd. She will not pick on kids just to be popular, nor will she play games, tell lies, or put up with macho b.s. from boys, especially not boys like Malik. Malik is very attracted to those aspects of Barney, even though she doesn’t have stereotypical thin looks or wear revealing clothes. Plus, she is independent, and wants to take care of herself. Malik respects that. But there is one thing Barney will not abide, and that is drinking. Her mother was killed by her father in an alcoholic rage, and Barney is big into self-respect.
Self-respect is not something that comes natural to Malik. He has been bullied and misunderstood, and has grown up feeling unloved. For him, alcohol is not only an essential ingredient of “fun”; it is a necessary psychic pain-killer. He also has come to believe that a successful male must maintain control over girls and over their sexuality. “Love” is a weakness, because it in effect cedes control to the object of one’s affection.
Barney sees through Malik’s strategy of hurting others before they can hurt him, and she calls him on it. Not only that, she likes him anyway. If only he could get his act together….
Malik is one of the lucky ones though. He is not without resources or a support system. He just has to figure out how to separate out the positive in his life from the many negatives that have always absorbed his attention.
Discussion: Binns loads up this book with “issues” – drinking and sex, gender roles, bullying, preying on perceived weakness generally, parenting problems, role models, and so on. But this story never felt to me like it was too much of a grab bag or that the confluence of problems was unrealistic. Furthermore, at no time is this negative behavior glamorized. On the contrary, because of the courage and independent stance of Barney, readers are presented with a much kinder and more rewarding approach to adolescence. Malik is also lucky to have an additional role model in the character of the family lawyer, Zach Patterson, who is able to provide guidance to Malik free from any father-son-relationship baggage to get in the way.
Without revealing what happens at the end, I think it is fair to say that it comes out positively (but not overly so), in a manner that is not predictable or cheesy, but nevertheless includes an element of hope. Is such an ending justified? I think in Malik’s case it probably is, because he has support in his life that most kids don’t have. Still, the barriers for him are so high, it scares me to think about all the kids out there with no help whatsoever in negotiating and overcoming the pitfalls faced in troubled environments.
Evaluation: Many, many people in our society grow up in settings riddled with poverty, crime, poor educational opportunities, dysfunctional memes defining “success,” and no dreams of better prospects ahead. In order to gain a sympathetic understanding of their lives, you can hardly do better than reading the fiction of B.A. Binns. She helps you see the characters from all sides, so that you never lose sight of their humanity as they struggle with their given lots in life. You come to admire them for their perseverance, loyalty, attempts to negotiate the shoals of dignity to which most human being aspire, and the ability just to keep going, in spite of everything. She also manages to make these kids sound absolutely authentic notwithstanding her omission of all the bad language used by so many of these kids. But I’m not going to complain about that!… (mere)